At this year's Locarno Festival, (recently renewed) artistic director Carlos Chatrian similarly declared that he foresaw increasing numbers of women filmmakers
in the
competitions of major festivals and that he was especially proud to tout,
in Locarno's main
competition section (with 17 world premieres), eight women directors.1 And Locarno's outcome, amid an impressively deep
competition pool, was unexpectedly different: although I, Daniel Blake did win the audience award of the Festival's
mainstream Piazza Grande section, a female writer / director, Ralitza Petrova, took the festival's top prize for her brooding and bleak Bulgarian
film Godless.
The
film is a sweet but slipshod effort that hardly represents the director's strongest work; with several more deserving
films in competition going unawarded, its selection feels like a nod to the more
mainstream contingent of the
competition.