In both the «Gray Paintings (Loxodonta)» and the «Organ Pipes», the materiality of the objects open up to suggest a vast scope of cultural production — the elemental tin transformed into
the majestic pipe organ, an achievement of pre-industrial design on par with horology; the «Gray Paintings (Loxodonta)» echoing the stone surface of prehistoric cave paintings and also the modernist tradition of the monochrome.