Sentences with phrase «major biennial exhibition»

Not exact matches

Artists Featured in International Exhibitions Frieze London will be an opportunity to encounter work by some of the world's most significant artists, showing in major biennials and museum shows.

Hasegawa has curated and co-curated several major exhibitions, including the Istanbul, Shanghai and Sao Paulo biennials, and has been a member of the Asian Art Council at the Solomon R. Guggenheim Museum since 2008.

She had been included in a number of major international exhibitions, including the 10th biennial of Sydney, 1995 Johannesburg Biennial, 1993 Asia - Pacific Triennial, and Asia Society's «Traditions / Tensions»

In particular, Kukje has played a critical role in introducing Korean artists to important collectors, museums and cultural venues around the world, and many Korean artists supported by Kukje Gallery have exhibited in international biennials and major museum exhibitions.

She co-curated the 2004 and 2006 Whitney Biennials, and is curating a major trans - historical exhibition on the cinematic at the Whitney for Fall 2016.

Beasley's work has been featured in major biennials and group exhibitions including the Whitney Biennial (2014) and the 2013 Queens International, Queens Museum, New York (2013).

By now, Johnson, 40, has also shown in galleries, museums and biennials around the world — a major exhibition at Moscow's Garage Museum just closed.

It has also been featured around the world in major group exhibitions such as Documenta (1982, 1992) and biennials in Sydney (1984, 2000), São Paulo (1985), Johannesburg (1995), Venice (1995, 2003, 2005) and Shanghai (2000).

In response to the success of these three major exhibitions, and the desire of national and local governments to signify their own status as international hubs, biennials and triennials mushroomed across Asia from the mid-1990s onwards.

His work has been prominent in major international biennials and has been the subject of numerous solo exhibitions across Asia, Europe and America.

Artis has supported exhibitions at both major international institutions including biennials and museums, as well as smaller venues and alternative spaces since 2004.

The gallery is proud to feature work in its booth by specific artists who have an exhibition history in Brazil through either biennials or major exhibitions.

Hoffmann is positioning himself to be a major player in this emerging field of the exhibition - as - exhibition - history: his most recent book Show Time: The 50 Most Influential Exhibitions of Contemporary Art, published by D.A.P., is a useful compendium of the most important museum exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary Exhibitions of Contemporary Art, published by D.A.P., is a useful compendium of the most important museum exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibition.

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.

Watch a video the Getty Research Center put together about the seminal Swiss curator Harald Szeemann, whose «When Attitudes Becomes Form» show is in the DNA of every major biennial or international exhibition these days.

With this exhibition, the curators suggest a narrative that serves as an alternative to the one told by the big auction houses, major art fairs and biennials, and mega-galleries.

She has exhibited in major African biennials and triennials (Dak» Art, Luanda, Afriperforma, Doual» Art), as well as in museum group exhibitions.

Sillars has curated and overseen more than 150 exhibitions including major international solo shows with Lorna Simpson, Jim Shaw, Robert Breer, Bruce Nauman, co-curated three Liverpool Biennials and two Turner Prize exhibitions as well as experimental projects with emerging artists.

Millner's work has been exhibited at film / video festivals throughout the U.S. Europe, Australia, and Asia, at major museum exhibitions, including two Whitney Biennials, and the current Thessaloniki Biennial and is distributed by Video Databank.

Gallery artists have exhibited in major exhibitions and biennials including the 55th Venice Biennial; The Havana Biennial; Guangzhou Triennial Guangzhou, China; Le Biennial de Dakar, Senegal as well as group exhibitions hosted at prestigious venues such at the Center Georges Pompidou, Paris; The Smithsonian Museum, Washington DC; SFMOMA San Francisco and MOMA, New York.

Her work has been seen in the Venice Biennale of 2003; the Liverpool Biennial, the Taipei Biennial (both 2004), and the Singapore Biennale (2011), and the Thessaloniki Biènnale (2017); as well as many major international survey shows, including the «Documenta» exhibitions in Kassel, Germany, of 1982 and 2007, SkulpturProjekte Münster in 2007, and several Whitney Biennials.

The rich program of the event is surely highlighted by eight major exhibitions curated by FotoFocus biennial Director Kevin Moore, who conceived this year's program around the documentary nature of the photographic medium.

The artists» works have been exhibited in museums, biennials, and galleries around the world, but only Beulah Woodard has had a solo exhibition (in 1935) at a major institution in Los Angeles.

There will be more to say about FotoFocus overall — it features over 60 exhibitions and 100 events during its monthlong run — but at this point I'm prepared to deem the work of Roe Ethridge — who as part of the biennial is having his first major solo museum exhibition at the Contemporary Arts Center (CAC)-- Lynchian in nature.

Hosted at Bullseye Projects in Portland's Pearl District, this biennial exhibition recognizes students and early - career artists who are rising through the ranks of kilnformed studio glass but are not yet represented by major commercial galleries.

These days, one sees it everywhere — throughout Chelsea, the LES, and Brooklyn galleries; center stage at the profusion of art fairs and biennials; as the subject of major retrospectives and museum exhibitions; and especially entrenched within the studio practices of emerging and mid-career artists.

Major group exhibitions include Documenta IX (1992) and Documenta XII (2007), as well as the 1993 and 1997 Whitney Biennials.

It all began in 1893 when the major of the Venetian City Council decided to set up a biennial exhibition in Venice to showcase the best Italian art.

Her paintings were featured in the 2014 edition of the Hammer Museum's «Made in L.A.» biennial, and she had a major solo exhibition at the Laguna Art Museum in 2015.

The biennial will be his first major museum exhibition, and he described wanting to ensure his inclusion «isn't just trying to tokenize my work in any way,» he said.

It was the sixth edition of the festival and the first under the artistic direction of Sarah McCrory; as one has come to expect from such biennial undertakings, exhibitions and installations were spread throughout the city, occupying spaces ranging from major public institutions to such quirky, out - of - the - way venues as an underground parking garage, a vendor's stall in a dilapidated shopping center, and a crumbling Edwardian community bathhouse.

Featuring approximately 135 works, it presents a major selection of paintings that the institution had acquired from its past biennial exhibitions and provides a rare opportunity to trace significant trends in American painting through the Corcoran's permanent collection.

Biemann's work has been featured in major exhibitions at the Arnolfini Bristol, England; Tapies Foundation, Barcelona; the Museum of Fine Arts Bern, Switzerland; LACE, Los Angeles; KIASMA, Helsinki; the San Francisco Art Institute; Jeu de Paume, Paris; Kunstverein Hamburg; the biennials in Gwangju, Shanghai, Liverpool, Bamako, Istanbul, Montreal, Thessaloniki, and Seville; Kunstmuseum Graz, Austria; and the Flaherty Film Seminars, New York.

This catalog accompanied a major exhibition that celebrated nearly 100 years of the Corcoran Gallery of Art biennial of contemporary American painting, examining those works the institution acquired from these shows.

Many of the works in the exhibition were produced especially for it or, though featured previously at major biennials, art fairs, and shows around the world, have never before been exhibited in the country.

Hosted at Bullseye Gallery, this biennial exhibition recognizes students and early - career artists who are rising through the ranks of kilnformed studio glass but are not yet represented by major commercial galleries.

Although this is Vogt's first major museum show, her works have been included in a number of prestigious group exhibitions, including the 75th Whitney Biennial in 2010 and Made in L.A. 2012 — the first Los Angeles biennial organized by the Hammer Museum and LAXART.