Sentences with phrase «major contemporary sculpture»

Thinking Big, a special auction of major contemporary sculpture and installation offered from the Saatchi Gallery, took place this evening at Christie's and realized # 3,086,350 / $ 4,935,074 / $ 3,635,720.
Nottingham stopover for major contemporary sculpture exhibition A touring exhibition of Turner Prize winning artist Anish Kapoor opens at Nottingham Castle Museum & Art Gallery this week, from 19 November 2011 until 11 March 2012, after which it moves to the Longside Gallery, Yorkshire Sculpture Park.
A New York firm led by architects Marion Weiss and Michael Manfredi devised a site plan that leads visitors on a slow downhill zig - zag, over major traffic and railway thoroughfares and through an anthology of major contemporary sculpture.

Not exact matches

Offers an overview of major European paintings, sculptures and textiles; the collection includes European and decorative artwork, as well as American, Asian and contemporary art.
Major attention was paid to mastering the techniques of painting, drawing and making sculptures, while the emotional aspects of creativity and current contemporary art studies were underestimated.
Installations such as Field (1991, Arts Council Collection), which has been re-made by local communities across the world, and major public works such as Angel of the North (1998, Gateshead), Another Place (2005, Crosby Beach, near Liverpool), One & Other (2009, a Fourth Plinth commission for Trafalgar Square, London) and Exposure (2010, Lelystad, Holland) are amongst the most celebrated examples of contemporary British sculpture.
In 2018, Scully has major solo exhibitions around the world, including the Multimedia Art Museum of Moscow, the State Museum of St Petersburg, Russia, the Staatliche Kunsthalle Karlsruhe, Germany, the De Pont Museum of Contemporary Art in Tilburg, Netherlands, and the Hirshhorn Museum and Sculpture Garden in Washington DC, USA, among others.
In 2013, a major survey show was mounted at Yorkshire Sculpture Park, Wakefield, UK, and travelled in part to Royal Museums Greenwich / The Queen's House, London; GL Strand, Copenhagen; Gdańska Galeria Miejska, Gdansk, Poland; and Wroclaw Contemporary Museum, Wroclaw, Poland.
On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
In 2013, a major survey show was mounted at Yorkshire Sculpture Park, Wakefield, UK, and travelled in part to Royal Museums Greenwich / The Queen's House, London, UK; GL Strand, Copenhagen, Denmark; Gda?ska Galeria Miejska, Gdansk, Poland; and Wroclaw Contemporary Museum, Wroclaw, Poland.
A major influence on the development of contemporary art in Scotland was the establishment of the Glasgow School of Arts» School of Sculpture and Environmental Art; where students learned to create art that explored ideas rather than a single traditional medium.
The first major museum exhibition to explore graphite as a medium in works beyond drawings, Graphite includes sculpture, drawing, and installation works created over the past decade — including several newly commissioned works — by emerging and established contemporary artists.
Her work was also included in Visual Music at the Hirshhorn Museum and Sculpture Garden, Washington D.C., and the Museum of Contemporary Art, Los Angeles and is in many major public and private collections.
The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.
«Dad's Halo Effect» will be a major new public sculpture in East Manchester by renowned contemporary artist Ryan Gander.
ICA Miami's Special Exhibitions, Ground Floor Galleries, and Sculpture Garden are dedicated to major thematic group exhibitions and monographic exhibitions for international contemporary artists.
Among the works by Jian - Jun Zhang will be Sumi - Ink Garden of Re-Creation Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in December 2013.
Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).
However, the artist, who is also known for his unconventional operatic set designs, had a major exhibition at the Museum of Contemporary Art in North Miami, entitled Jonathan Meese: Sculpture, during 2010 during Art Basel Miami.
Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).
Cecilia Vicuña's exhibition «About to Happen» at the Contemporary Arts Center New Orleans is billed as the first major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific installation.
Serving as the museum's central gathering space, ICA Miami's new 15,000 - square - foot sculpture garden showcases an annual schedule of major sculptural works by post-war and contemporary artists, including large - scale commissions created for the museum.
1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)
With its collection of 45,000 works spanning the period from the nineteenth century to the present day and comprising paintings, sculptures, works on paper, installations, videos and photographs, GAM provides its audience with a wealth of events ranging from major exhibitions of Italian and international artists to contemporary research dedicated to young visitors.
Martin's work can be found in virtually every major public collection in the United States, including the Albright - Knox Art Gallery, Buffalo, NY; The Chinati Foundation / La Fundación Chinati, Marfa, TX; Dia Center for the Arts, NY; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Los Angeles Museum of Contemporary Art; The Menil Collection, Houston, TX; The Metropolitan Museum of Art, New York, NY; The Museum of Modern Art New York, NY; National Gallery of Art, Washington, D.C.; The Nelson - Atkins Museum of Art, Kansas City, MO; San Francisco Museum of Modern Art, CA; Solomon R. Guggenheim Museum New York, NY; The Wadsworth Atheneum Museum of Art, Hartford, CT; Walker Art Center, Minneapolis, MN; and Whitney Museum of American Art, New York, among others.
Pavlovic has been awarded grants from the Art Matters Foundation, Foundation for Contemporary Arts, and her work is in major collections such as the Phillips Collection and Hirshhorn Museum and Sculpture Garden, and the Museums of Contemporary Art of Belgrade and Serbia.
Comparing the opinions of various curators, Glasstress addresses this issue through glass sculptures specially made by major artists on the contemporary scene and through objects and sculptures made by designers, whose research was influenced by the formal aspect of the use of the object.
Her first major London retrospective for almost 50 years, «Barbara Hepworth: Sculpture for a Modern World» features over 100 works, including some of her best - known pieces such as Pelagos (1946; below), which can be seen alongside sculptures by her contemporary Henry Moore and predecessor Jacob Epstein.
The artist has presented major solo exhibitions at numerous museums, including Museo Nacional Centro de Arte Reina Sofía, Madrid; Baltic Centre for Contemporary Art, Gateshead, United Kingdom; Yorkshire Sculpture Park, West Bretton, United Kingdom; Galerie Nationale du Jeu de Paume, Paris; Kunsthalle Mannheim, Germany; Institut Valencia d'Art Moderne, Valencia; Fundació Joan Miró, Barcelona; Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI; The Nasher Sculpture Center, Dallas, TX; and Espoo Museum of Modern Art, Helsinki, Finland.
A major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
1984 Helen Lindhurst Gallery, University of Southern California: «3EP Ltd. — Selected Prints, 1979 - 1984» Los Angeles, California Museum of Contemporary Art: «The First Show: Painting and Sculpture from Eight Collections 1940 - 1980» Los Angeles, California Koplin Gallery: «Olympiad: Summer 1984» Los Angeles, California Phillipe Bonafont Gallery: «The Artist and The Theatre: Set and Costume Designs by Artists» San Francisico, CA Hunsaker / Schlesinger Gallery: «Major Works by California Artists» Los Angeles, CA Madison Gallery: «Neon on my Mind.»
According to a recent piece in T: The New York Times Style Magazine, the artist is experiencing a «London moment,» as she prepares for a major exhibition at the Institute of Contemporary Arts (featuring sculpture, photography, painting, and more) on the heels of debuting costumes and backdrops in a ballet at London's Royal Opera House.
«Lynda Benglis: New Work» opens with the towering, silvery cascade of The Fall Caught looming over the viewer in the gallery's skylit space, where so many major works of contemporary sculpture have been displayed over the years.
The ground floor opens into the 15,000 - square - foot sculpture garden, the museum's central gathering space, which will showcase an annual schedule of site - specific commissions, gifts, and long - term loans, including major sculptural works by both post-war and contemporary artists.
Phyllida Barlow is a central figure in the development of Contemporary British Sculpture; she has not only had major exhibitions throughout the UK but through her extensive teaching career, at Slade School of Fine Art, has guided and influenced many younger artists yet, until now, none of her work has been acquired for public collections in this country.
On view at the San Francisco Museum of Modern Art (SFMOMA) from February 18 through June 17, 2012, and at Yerba Buena Center for the Arts (YBCA) from February 18 through May 27, 2012, in its only West Coast presentation, Mark Bradford is the first major museum survey of paintings, sculptures, and multimedia works by this leading figure in contemporary American art.
Widely recognized for his revolutionary use of clay, his work exemplifies a host of major themes found throughout contemporary sculpture, regardless of medium.
S. 1; Tate Modern, London; Hirschhorn Museum and Sculpture Garden D.C.; Kunstmuseum Lucerne, Switzerland; Philadelphia Museum of Art; Denver Art Museum; Indianapolis Museum of Art; Museum of Contemporary Art Chicago; Mass MoCA; MoCA Cleveland; San Francisco Museum of Modern Art; High Museum of Art Atlanta; Los Angeles County Museum of Art; Stedelijk Museum, Amsterdam; Kunsthalle Bern, Switzerland; ICA Boston; Albright - Knox Gallery, Buffalo; El Museo del Barrio NY; The Jewish Museum NY; Socrates Sculpture Park; Sculpture Center NY; ICA Philadelphia; New Museum NY; Bronx Museum; Brooklyn Museum; Creative Time NY; Pinchuk Art Centre Kiev; American Academy in Rome; Guggenheim NY, Venice, Bilbao & Berlin; White Columns; Art in General; Studio Museum in Harlem; Zacheta National Gallery of Art Poland; Artists Space NY; The Menil Collection Houston; J Paul Getty Museum LA and many other museums nationally and internationally; as well as every major cultural institution in South Florida.
Generously donated by Gordon W. Bailey as part of a major gift to the High Museum in 2016, this work is one of six large - scale sculptures included in Forging Connections: Ronald Lockett's Alabama Contemporaries, which accompanies Fever Within.
Major institutions with work by Graves in their permanent collections include the Albright - Knox Art Gallery (Buffalo, NY); Art Gallery of Ontario, Museé des Beaux - Arts de l'Ontario (Toronto, Canada); Art Institute of Chicago (Chicago, IL); Baltimore Museum of Art (Baltimore, MD); Brooklyn Museum (Brooklyn, NY); Carnegie Museum of Art (Pittsburgh, PA); Cleveland Museum of Art (Cleveland, OH); Dallas Museum of Art (Dallas, TX); Detroit Institute of Arts (Detroit, MI); High Museum of Art (Atlanta, GA); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (Washington, DC); The Metropolitan Museum of Art (New York, NY); Museum of Contemporary Art (Los Angeles, CA); Museum of Fine Arts (Boston, MA); Museum of Modern Art (New York, NY); The Nelson - Atkins Museum of Art (Kansas City, MO); Philadelphia Museum of Art (Philadelphia, PA); The Phillips Collection (Washington, DC); San Francisco Museum of Modern Art (San Francisco, CA); Seattle Art Museum (Seattle, WA); Smithsonian American Art Museum (Washington, DC); Tacoma Art Museum (Tacoma, WA); Walker Art Center (Minneapolis, MN); Whitney Museum of American Art (New York, NY); and the Yale University Art Gallery (New Haven, CT).
His paintings, sculptures, drawings, and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modern Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musèe Beaubourg in Paris, and The Paine Weber Collection.
In 2013, a major survey show was mounted at Yorkshire Sculpture Park, Wakefield, UK, and travelled in part to Royal Museums Greenwich / The Queen's House, London, UK; GL Strand, Copenhagen, Denmark; Gdańska Galeria Miejska, Gdansk, Poland; and Wroclaw Contemporary Museum, Wroclaw, Poland.
Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, The Paine Weber Collection, and many others.
Ernesto Neto's recent major solo exhibitions include Ernesto Neto, at the Museum of Contemporary Art Kiasma, Helsinki, Finland, 2016; Enresto Neto, KUNSTEN Museum of Modern Art Aalborg, Denmark 2016; The Jaguar and the Boa, Kunsthalle Krems, Krems an der Donau, Austria, 2015; Ernesto Neto and the Huni Kuin ~ Aru Kuxipa Sacred Secret, TBA21 — Augarten, Vienna, Austria, 2015; Haux Haux, Arp Museum Bahnhof Rolandseck, Remanagen, Germany, 2015; Ernesto Neto, Aspen Art Museum, Aspen, CO, 2015; Ernesto Neto: The body that carries me, Guggenheim, Bilbao 2014; O ABRIGO E O TERRENO: Arte e sociedade no Brasil, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil, 2013; Fecundation, Loucura é parte da vida / Madness is part of life, Espace Louis Vuitton, Tokyo, 2012; Cuddle on the Tightrope, Nasher Sculpture Center, Dallas, TX.
She has joined and held many group and solo shows both at home and abroad, with major exhibitions in the San Francisco Museum of Modern Art, the Fondation Cartier pour l'art Contemporain in Paris, Kumamoto's Contemporary Museum, the Kunst Haus Wien in Austria, the Minneapolis Institute of Arts, the Tokyo Metropolitan Museum of Photography, the Semear Museu de Arte Moderna de Sao Paulo, the Vangi Sculpture Garden Museum in Shizuoka, or Brussels» ARGOS Centre for Art & Media.
Since 1990, his work has been internationally exhibited and is included in major collections such as De Pont Museum of Contemporary Art, Tilburg, The Netherlands; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Israel Museum, Jerusalem; the Museum of Modern Art, New York: San Francisco Museum of Modern Art; Wanas Foundation, Knislinge, Sweden; and the Whitney Museum of American Art.
Major exhibitions of Grosse's work have appeared at Public Art Fund (2013); Nasher Sculpture Center (2013); De Pont Museum of Contemporary Art, Netherlands (2013); MOCA Cleveland (2012); Mass MoCA (2010); Arken — Museum for Moderne Kunst, Copenhagen (2009); Prospect New Orleans (2008); Renaissance Society (2007); De Appel, Amsterdam (2006); Contemporary Art Center, Cincinnati (2006); Taipei Biennial (2006); Bergen Kunsthall (2005); Magasin 3 Stockholm Konsthall (2004); Contemporary Arts Museum Houston (2004); São Paulo Bienal (2002); and the Hammer Museum (2001), among others.
Selected by Yorkshire Sculpture Park's Clare Lilley, featured is a presentation of works by international galleries showing major 20th - century and contemporary artists.
Kate Shepherd, Marigold, 2009 A Summer of Modern Art at The Phillips Collection This summer, The Phillips Collection presents Robert Ryman: Variations and Improvisations, the celebrated artist's first major exhibition in Washington, featuring rarely seen white - on - white paintings; Pousette - Dart: Predominantly White Paintings, an exhibition of luminous, poetic works created nearly without paint; and the latest project in the Intersections contemporary art series, in which Kate Shepherd incorporates her paintings and sculptures to create an immersive environment in -LSB-...]
At that time, Minimal Art was the major contemporary influence on sculpture, and while he took it into account, Smith did not see it as an end in itself.
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