Sentences with phrase «major cultural centres»

In addition to its municipal gallery, Waterford also boasts several other major cultural centres: the Garter Lane Arts Centre, the Garter Lane Theatre, Mary Street Gallery, the Pauline Bewick Collection, as well as a thriving annual Arts Festival.

Rather than the crowds of major cultural centres, it's the neglected spaces and unnoticed details that Bustamante subtly interrogates, and in the impersonal materials and processes he makes use of that his work achieves a quiet, cool magic.

There are in the region of 50 museums (and many other exhibition areas) attracting over 4 million visitors a year, so it's easy to see why Amsterdam is regarded as a major cultural centre.

Not exact matches

The ESRC Centre for Research on Socio - Cultural Change (CRESC) is the first major Research Centre in Britain to develop a broad, empirically focused account of cultural change and its economic, social and political impliCultural Change (CRESC) is the first major Research Centre in Britain to develop a broad, empirically focused account of cultural change and its economic, social and political implicultural change and its economic, social and political implications.

Leipzig is a major intellectual and cultural centre.

Rural centres such as Bathurst are popular holiday destinations and also play host to some major sporting and cultural events.

Situated approximately 25 minutes away from the Kota Kinabalu city centre the Mari Mari Cultural Village is a three - hour tour depicting the heritage of Sabah's major racial groups.

* Individually controlled heating and cooling in each room * Television and clock radio in each bedroom * Personal safe * Hair dryers * Free onsite car parking * Public transport at front door No. 57 tram * Handy access to all freeways * 15 minutes to Melbourne Airport * Smoke freeEasy walking distance to: * Central hospitals, research institutes and Universities * Queen Victoria Market * Melbourne Zoo * Royal Park * Lygon Street Carlton Major attractions nearby include: * Melbourne City * Theatre, arts and cultural precincts * Crown Casino * Royal Melbourne Showgrounds, Flemington Racecourse * Moonee Valley Racecourse * Telstra Dome * Melbourne Cricket Ground and Melbourne ParkTennis Centre

The regional centre of Nowra, situated on the beautiful Shoalhaven River, is a major town on the New South Wales south coast and is close to the many popular natural and cultural features of the Shoalhaven and Southern Highlands districts.

Recent solo exhibitions include the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); State Hermitage Museum, St. Petersburg (2011); Kunsthaus Bregenz, Austria (2010); the major touring exhibition Between You and Me (Kunsthal Rotterdam, Musée d'Art Moderne De Saint - Etienne and Artium, Vitoria, Spain, 2008 — 2009); MARCO, Monterrey, Mexico (2008); the Hayward Gallery, London (2007); MADRE, Naples (2006); the Calouste Gulbenkian Foundation, Lisbon (2004); the Baltic Centre for Contemporary Art, Gateshead (2003) and the National History Museum, Beijing (2003).

S. 1; Tate Modern, London; Hirschhorn Museum and Sculpture Garden D.C.; Kunstmuseum Lucerne, Switzerland; Philadelphia Museum of Art; Denver Art Museum; Indianapolis Museum of Art; Museum of Contemporary Art Chicago; Mass MoCA; MoCA Cleveland; San Francisco Museum of Modern Art; High Museum of Art Atlanta; Los Angeles County Museum of Art; Stedelijk Museum, Amsterdam; Kunsthalle Bern, Switzerland; ICA Boston; Albright - Knox Gallery, Buffalo; El Museo del Barrio NY; The Jewish Museum NY; Socrates Sculpture Park; Sculpture Center NY; ICA Philadelphia; New Museum NY; Bronx Museum; Brooklyn Museum; Creative Time NY; Pinchuk Art Centre Kiev; American Academy in Rome; Guggenheim NY, Venice, Bilbao & Berlin; White Columns; Art in General; Studio Museum in Harlem; Zacheta National Gallery of Art Poland; Artists Space NY; The Menil Collection Houston; J Paul Getty Museum LA and many other museums nationally and internationally; as well as every major cultural institution in South Florida.

Mendieta's work has been acquired by major museums worldwide including: Tate, London; Centre Georges Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofía, Madrid; San Francisco Museum of Modern Art, California, CA; Whitney Museum of American Art, New York, NY; Art Institute of Chicago, Illinois, IL; 21st Century Museum of Contemporary Art, Kanazawa, Japan; Centro Cultural Contemporaneo, Mexico Chase Manhattan Bank, New York, NY; Art Gallery of New South Wales, Sydney, Australia.

Situated adjacent to the city's UNESCO World Heritage sites, the Parc des Ateliers serves as the major programmatic and cultural centre for the LUMA Foundation's diverse activities.

Over the past 50 years Pistoletto has been the subject of numerous solo exhibitions at major institutions and cultural centres, including Museo Nacional de Bellas Artes, Havana, Cuba (2016); Blenheim Palace, Woodstock, UK (2016); Musée du Louvre, Paris, France (2013); Serpentine Gallery, London, UK (2011); MAXXI, Rome, Italy (2011) and Philadelphia Museum of Art, Philadelphia, PA (2010).

After a long history, it is now a cultural centre hosting major international exhibitions, fashion shows and other cultural events.

She has widely exhibited in major venues accross Cambodia, including the French Cultural Centre, the Bophana Centre, Meta House, Java Gallery and Hotel de la Paix.

Her major patron was PARCO, a cross between a commercial and cultural centre, and she developed what is most accurately described as their whole vibe.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

McLean has participated in many major international exhibitions since the 1960s, highlights include: When Attitudes Become Form, Kunsthalle, Bern (1969); Information, Museum of Modern Art, New York (1970); The British Avant Garde, New York Cultural Centre (1971); Documenta 6, Kassel (1977); Art in the Seventies, Venice Biennale (1980); A New Spirit in Painting, Royal Academy, London; Zeitgeist, Martin - Gropius - Bau, Berlin (1982); Documenta 7, Museum Fredericianum, Kassel (1982); Thought and Action, Laforet Museum, Tokyo (1983); The Critical Eye, Yale Centre for British Art, New Haven (1984); Out of Actions; Between Performance and the Object, 1949 - 79, Museum of Contemporary Art, Los Angeles (1997); Bruce McLean and William Alsop, Two Chairs, Milton Keynes Gallery (2002) and Body and Void: Echoes of Moore in Contemporary Art, The Henry Moore Foundation, Hertfordshire (2014).

A major survey of her work, entitled Oneness, was held at the Groninger Museum, Netherlands; ARoS Aarhus Kunstmuseum, Denmark; and the Pinchuk Art Centre, Kiev, Ukraine in 2010, and travelling to Centro Cultural Banco de Brasil, Brasilia; Rio de Janeiro and Sao Paulo in 2011.

Most major cultural institutions like Tate Modern, Tate Britain and the Barbican Centre showcase exhibitions continually.