Sentences with phrase «major group exhibitions including»
Benglis has also exhibited widely in major group exhibitions including the seminal Anti-Illusion.
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Shilpa Gupta's work has been widely shown in the context of major group exhibitions including the Biennales of Sydney, Shanghai, Havana, Liverpool and Lyon.
His work has been included in major group exhibitions including «Moving Pictures» at Solomon R. Guggenheim Museum in New York and Guggenheim Bilbao (2002), Venice Biennale (2003), «Quartet: Barney, Gober, Levine, Walker» at Walker Art Center in Minneapolis (2005), Biennial of Moving Images at Centre pour l'Image Contemporaine in Paris (2005), and «All in the Present Must Be Transformed: Matthew Barney and Joseph Beuys» at Deutsche Guggenheim in Berlin (2006).
Hicks's work has been widely exhibited in major group exhibitions including Threadlines, The Drawing Center, New York (2014); The Whitney Biennial, Whitney Museum of American Art, New York (2014); and Fiber: Sculpture 1969 — Present at the Institute of Contemporary Art, Boston (traveling to the Wexner Center for the Arts, Columbus, Ohio, and the Des Moines Art Center, Des Moines, Iowa)(2014 — 15).
Previously, Lund was Curatorial Assistant at the Museum of Contemporary Art Chicago, contributing to major group exhibitions including The Way of the Shovel: Art as Archaeology and The Freedom Principle: Experiments in Art and Music, 1965 to Now.
Holzer's work has been included in major group exhibitions including the «1983 Biennial,» Whitney Museum, New York and «Documenta 7,» Kassel, Germany.
In recent years, the work has been featured in major group exhibitions including «Witness: Art and Civil Rights in the Sixties,» «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» We Wanted a Revolution: Black Radical Women, 1965 - 85,» and «Soul of a Nation: Art in the Age of Black Power.»
Douglas's work has been featured in major group exhibitions including the 1995 Carnegie International; the 1995 Whitney Biennial; the 1997 Skulptur Projekte Münster; the 1997 Documenta; the 1998 Berlin Biennial; the 2000 Biennale of Sydney; the 2001 Istanbul Biennial; the 2002 São Paulo Biennale; the 2002 Documenta; the 2005 Venice Biennale; and the 2011 Moscow Biennale, among many others.
Gaines's work has been featured in recent major group exhibitions including Blues for Smoke (Museum of Contemporary Art, Los Angeles, 2012) and Now Dig This!
Major group exhibitions include the Victoria & Albert Museum, London, UK (2016), Barbican Art Gallery, London, UK (2014), Tate Britain, London, UK (2013), the Shanghai Biennale (2006), 11th Biennial of Sydney (1998), Documenta 8, Kassel, Germany (1987) and XIIème Biennale de Paris (1985).
Her major group exhibitions include «VOCA» (The Ueno Royal Museum, Tokyo, 2014) and «All Living Things» (Vangi Sculpture Garden Museum, Shizuoka, 2016).
Her major group exhibitions include «Sculpture from Stories» (2007, Chinretsukan Gallery, The University Museum, Tokyo University of the Arts, Tokyo) and «As Long As Rainbow Lasts» (2011, Soka Art Center, Taipei).
Major group exhibitions include the Fifth International Biennial: Disparities and Deformations, Our Grotesque, SITE Santa Fe, Santa Fe, NM (2004); Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, CA (2003); de Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, NY (2003); 2000 Whitney Biennial, The Whitney Museum of American Art, New York, NY (2000); and Greater New York, P.S. 1 / The Museum of Modern Art, New York, NY (2000).
His major group exhibitions include «TOKYO POP» (Hiratsuka Museum of Art, Kanagawa, 1996), «The Japanese Experience — Inevitable» (Ursula Blickle Stiftung Foundation, Kraichtal, Germany, 2002; traveled to Museum der Moderne, Salzburg, Austria in 2004), «POPjack: Warhol to Murakami» (Museum of Contemporary Art, Denver, 2002), «Japan Pop» (Helsinki City Art Museum, Helsinki, 2005), «Portrait Session» (NADiff, Tokyo / Hiroshima City Museum of Contemporary Art, Hiroshima, 2007) and «Pathos and Small Narratives» (Gana Art Center, Seoul, Korea, 2011).
This show at Tomio Koyama Gallery is his sixth solo exhibition, and his major group exhibitions include «VOCA 2008» (2008, The Ueno Royal Museum, Tokyo), «Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art» (2009, Hara Museum of Contemporary Art, Tokyo, traveled to several international museums), «Twist and Shout: Contemporary Art from Japan» (2009, Bangkok Art and Culture Centre), and «Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art» (2014, National Museum of Art, Osaka).
Fukui's major group exhibitions include «TAKAHASHI COLLECTION Mindfulness!»
Major group exhibitions include Fondazione Palazzo Albizzini, Collezione Burri, Citta di Castello, Perugia, Italy (2016); University of Michigan Museum of Art, Ann Arbor, MI, USA (2014); Dayton Art Insitute, Dayton, OH, USA (2011); Museum of Modern Art, New York, NY, USA (2007).
Her major group exhibitions include «Takahashi Collection 2014 Mindfulness!»
Major group exhibitions include; «America is Hard to See», Whitney Museum of Art, New York, USA (2015), «The Painter of Modern Life», curated by Bob Nickas, Anton Kern Gallery, New York, USA (2015); «The Optical Unconscious», curated by Bob Nickas, Gebert Stiftung für Kultur, Rapperswil, Switzerland (2014); «Flash Back - November 22, 1963», Addison Gallery, Andover, MA, USA (2013 - 2014); «LAT.
Major group exhibitions include Carnegie Museum of Art, Pittsburgh (2018, forthcoming); Rubell Family Collection, Miami (2015); the Whitney Museum of American Art, New York (2008), the Van Abbemuseum, Eindhoven, the MoMA PS1, New York (both 2006), the MoMA, New York (2005, 2001, 1999), the Institute of Contemporary Art, London (1997, 1992), and the Secession, Vienna (1994).
Recent major group exhibitions include: The Great Mother, Fondazione Nicola Trussardi Milan, Italy; The World Goes Pop, Tate Modern, London, U.K.; Heaven, 2nd Athens Biennial, Athens, Greece; Making Worlds, La Biennale di Venezia, 53rd International Art Exhibition, Arsenale, Venice, Italy; 2008 Sydney Biennial, Sidney, Australia; 4th Berlin Biennial for Contemporary Art: Of Mice and Men / Of Mice and Men, KW Institute for Contemporary Art, Berlin, Germany; and Guangzhou Triennial, Guangzhou, China; as well as Documenta 3 (1964), 6 (1977), and 13 (2012).
Major group exhibitions include Weserburg Museum for Modern Art, Bremen, Germany (2016), Yokohama Museum of Art, Yokohama, Japan (2016), Fondation Fernet - Brancat, Saint Louis, France (2015), Secession, Vienna, Austria (2012), Tate St Ives, St. Ives, UK which travelled to Mead Gallery, Coventry, UK (2012) and The National Museum of Art, Osaka, Japan (2009).
Major group exhibitions include San Francisco Museum of Art (2018); Walker Art Center, Minneapolis (2016); Hammer Museum, Los Angeles (2014); Palazzo Grassi, Venice (2011); Barbican, London (2008); the Whitney Biennial at the Whitney Museum of American Art, New York (2008, 2000, 1991); the Institute of Contemporary Arts, London (2004); Museum of Contemporary Art, Chicago (2002); Kunsthalle Basel (2000); Kunstmuseum Düsseldorf (1997); the Art Institute of Chicago (1990); the New Muse - um of Contemporary Art, New York (1990, 1986, 1985); and the Museum of Contemporary Art, Los Angeles (1989, 1988).
Major group exhibitions include Documenta 13, Kassel, Germany (2012); 54th Venice Biennale (2011); and the Whitney Biennial, Whitney Museum of American Art, New York (2008).
Major group exhibitions include The British Art Show 7 (2010) and The Sheffield Pavilion, 11th Istanbul Biennial (2009).
His major group exhibitions include «Artist File 2010: The NACT Annual Show of Contemporary Art» (The National Art Center, Tokyo, 2010 ）, «Azamino Contemporary vol.2 Viewpoints Drawing ＆ Painting» (Yokohama Civic Art Gallery Azamino, Kanagawa, 2012 ）, «Site: Place of Memories, Spaces with Potential» (Hiroshima MOCA, Hiroshima), «Tokyo Painting II Mindscape between interior and exterior» (Tokyo Metropolitan Art Museum, Tokyo, 2013 ） and «ROKKO MEETS ART 2016» (Rokkosan Country House, Hyogo, Japan, 2016)
Major group exhibitions include Ungestalt, Kunsthalle Basel, Basel, Switzerland (2017); In the Abstract, Massachusetts Museum of Contemporary Art, Massachusetts, MA (2017); Blue Black, Pulitzer Arts Foundation, St Louis, MO (2017); Making & Unmaking: An exhibition curated by Duro Olowu, Camden Arts Centre, London, UK (2016) and Greater New York 2015, MoMA PS1, Long Island City, NY (2015).
Major group exhibitions include Viva Arte Viva at the 2017 Venice Biennale; Soul of a Nation: Art in the Age of Black Power at Tate, London, and Crystal Bridges Museum of American Art; We Wanted a Revolution: Black Radical Women, 1965 — 85 at the Brooklyn Museum; Radical Presence: Black Performance in Contemporary Art at the Contemporary Art Museum, Houston, and the Studio Museum in Harlem; Now Dig This!
Major group exhibitions include «Lemon Project 03» (1997, The Ginza Art Space, Tokyo), and «2001» (2000, Hiroshima City Museum of Contemporary Art).
Major group exhibitions include In the Holocene, MIT List Visual Arts Center, Cambridge, Massachusetts (2012); The Age of Aquarius, The Renaissance Society at the University of Chicago (2011); Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York (2010); Unmonumental: The Object in the 21st Century, New Museum, New York (2007); and Greater New York 2005, P.S. 1 Contemporary Art Center, New York (2005).
Major group exhibitions include: The 56th Venice Biennale (2015), the 31st San Polo Biennial (2014); Goteburg Biennale (2013), 53th Venice Biennale Chinese Pavillion (2009), The Real Things: Contemporary Chinese Art, Tate Liverpool, UK (2007), the 6th Gwuangju Biennale, Korea (2006), Triennale of Contemporary Art, Yokohama, Japan (2005), the 25th San Polo Biennial (2002).
Major group exhibitions include the 40th Venice Biennale (1982), the Kiev Biennale (2012) and the 17th Biennale of Sydney (2010).
Her major group exhibitions include «The Encyclopedic Palace» at the 55th International Art Exhibition at the Venice Biennale (2013), «Why Not Live for Art?
Major group exhibitions include Documenta 13, Kassel, Germany in 2012; the 54th Venice Biennale in 2011; and the Whitney Biennial at the Whitney Museum of American Art, New York in 2008.
Major group exhibitions include Documenta IX (1992) and Documenta XII (2007), as well as the 1993 and 1997 Whitney Biennials.
Major group exhibitions include America Is Hard To See, Whitney Museum of American Art, New York (2015); Prima Materia, Punta della Dogana, François Pinault Foundation, Venice (2013); The Pictures Generation, 1974 — 1984, The Metropolitan Museum of Art, New York (2009); Whitney Biennial (2008, 1989, and 1985); SITE Santa Fe (2004); São Paulo Biennial (1998); Carnegie International (1988); documenta VII (1982); and Pictures, Artists Space, New York (1977).
Major group exhibitions include the Shanghai Biennale (2006), 11th Biennial of Sydney (1998), documenta 8, Kassel, Germany (1987) and XIIème Biennale de Paris (1985).
Major group exhibitions include Moscow Museum of Modern Art, Moscow, Russia (2014); Centre Pompidou, Paris, France (2013); Bonnefantenmuseum, Maastricht, Netherlands (2012); 54th International Art Exhibition, Venice Biennale, Italy (2011); Kunstmuseum Bonn, Germany (2010); Museum Folkwang, Essen, Germany (2008).
Not exact matches
Her extensive exhibition history includes solo and group exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert Museum, London (2010); Blanton Museum of Art, Austin (2010); a major survey exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York (2013).
Lee's work has been featured in hundreds of solo and group exhibitions since 1967, including a June 2011 major five decade retrospective of his work, entitled Lee Ufan: Marking Infinity, at the Solomon R. Guggenheim Museum.
Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.
Works in the exhibition include The Earth Is a Magnet, 2016, a major new commission by Anna Craycroft that brings the photography, biography, and inventions of Berenice Abbott, famed for both her street photography and rigorously scientific images made at MIT, together with video, sculpture, and photography by a group of Craycroft's peers, including Fia Backström, Katherine Hubbard, Matt Keegan, Jill Magid, MPA, Lucy Raven, Mika Rottenberg, A. L. Steiner, and Erika Vogt.
The exhibition presented a group of five walls drawn from prior exhibitions including Christopher Williams: The Production Line of Happiness, the artist's first major museum survey which travelled from The Art Institute of Chicago to The Museum of Modern Art in New York and London's Whitechapel Gallery in 2014 - 2015.
Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.
The Prada Foundation included key Hirst works in a major group show presented for their inaugural exhibition at the Ca» Corner della Regina.
Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.
Since 2003, Qiu Xiaofei participated in major group exhibitions in museums and international institutions, including the Kunst Museum, Bern, Switzerland; Center for Art and Media Karlsruhe, Germany; Tate Liverpool, Liverpool, England; Museum Boijmans Van Beuningen, Rotterdam, and the Groninger Museum, Groningen ， the Netherlands.
Amer's art has been featured in major solo and group museum exhibitions worldwide, including at the Musee d'Art Contemporain de Montreal; the Brooklyn Museum of Art; Museo d'Arte Contemporanea Roma, Rome; Gwangju Museum of Art, South Korea; and the Museum of Modern Art, New York.
His work has been shown in over 150 solo and group exhibitions, and is included in most major public and private collections throughout the country.
Lee's work has been exhibited widely in major solo and group exhibitions including MoCA Shanghai, Millennium Museum, San Jose Museum of Art, Museum of Contemporary Art Korea, 53rd and 54th Venice Biennale, Incheon Womens Art Biennale, and artfairs including Art Basel, FIAC, Frieze, Armory Show, Art Basel Miami, Art HK.