Sentences with phrase «major group exhibitions such»

Levine has also been included in many major group exhibitions such as Picturesat Artists Space in New York (1997), The Whitney Biennial (1985, 1989, 2008), The Sydney Biennial (1986), São Paulo Bienal (1998) and The Pictures Generation, 1974 - 1984 at the Metropolitan Museum of Art in New York (2009).

She has curated numerous exhibitions, including most recently Love is a Stranger at Creative Growth Art Center in Oakland, and has organized over 50 exhibitions ranging from solo shows of the work of Richard Artschwager, Dan Flavin, and Brice Marden to major group exhibitions such as Monuments for the USA and IRREDUCIBLE: Contemporary Short Form Video.

His work has also been included in major group exhibitions such as the 2014 Taipei Biennial, the 55th Venice Biennale and the Biennale de Lyon in 2013, and the 2012 Paris Triennial.

He has been in major group exhibitions such as Documenta, the Venice Biennale, the São Paulo Biennial, the ICP Triennial in New York, and has shown his work at the Castello di Rivoli in Turin, Tate Modern in London and the Prado in Madrid.

Gedi Sibony's works have been a mainstay in major group exhibitions such as the 2006 Whitney Biennial and 2007's «Unmonumental,» but the artist has not yet received the benediction of a monographic museum show.

Paterson's work has been exhibited as part major group exhibitions such as Tate Triennale (2009), the landmark touring exhibition Light Show first presented by the Hayward Gallery (2013) and Storylines at the Guggenheim Museum, New York (2015).

Hito Steyerl's work has featured prominently in a number of major group exhibitions such as the 55thVenice Biennale (2013), the 13th Istanbul Biennial (2013) or documenta12 in Kassel (2007).

In recent years, Williams's work has been included in major group exhibitions such as the current «Soul of a Nation: Art in the Age of Black Power» at Tate Modern, London, and «The Freedom Principle: Experiments in Art and Music, 1965 to now», organized by MCA Chicago in 2015.

His works have additionally appeared in major group exhibitions such as the 16th Biennale of Sydney (2008), the 54th Venice Biennale (2011), Italics (2008) at Palazzo Grassi, Venice, Erre, Variations Labyrinthiques (2011) at the Centre Pompidou, Metz, and Ghosts in the Machine (2012) at the New Museum, New York.

It has also been featured around the world in major group exhibitions such as Documenta (1982, 1992) and biennials in Sydney (1984, 2000), São Paulo (1985), Johannesburg (1995), Venice (1995, 2003, 2005) and Shanghai (2000).

His work has also been included in major group exhibitions such as Made in California: Now at the Los Angeles County Museum (2000), Lyon Biennale (2003 and 2005), Whitney Biennial (2004), and Sympathy for the Devil: Art and Rock and Roll Since 1967 at the Museum of Contemporary Art in Chicago (2007).

Not exact matches

Conceived as a series of interrelated and rotating stand - alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly acquired monumental cut - paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupings.

Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.

Several galleries, notably Pierre Matisse and Julien Levy, began showing the work of European Surrealists on a regular basis, while major group exhibitions, such as Fantastic Art Dada and Surrealism at the Museum of Modern Art in 1936, brought it to the attention of a larger audience.

His first one - person exhibition took place in 1950, and was shown in major solo exhibits, in group exhibitions such as MoMA's «The Art of Assemblage» and the 1970 Venice Biennale, and is in many major museum collections.

A group primarily active during the 1990s, although the label — which derives from a series of exhibitions mounted in the mid 1990s at London's Saatchi Gallery — is still applied to some of its major members, such as Damien Hirst, Tracey Emin, and Jake and Dinos Chapman.

Whitney's works featured in a major solo exhibition «Dance the Orange», at the Studio Museum in Harlem, New York, USA (2015), and he has been included in many prominent group shows such as Documenta 14 in Athens, Greece and Kassel, Germany (2017), «Nero su Bianco» at the American Academy in Rome, Italy (2015); «Outside the Lines: Black in the Abstract», Contemporary Art Museum of Houston, USA (2014); «Reinventing Abstraction: New York Painting in the 1980s», Cheim & Read, New York (2013) and «Utopia Station» at the 50th Venice Biennale (2003).

Dynamo — A century of light and motion in art, 1913 - 2013 is the title of a survey art exhibition at the Grand Palais in Paris, a show that brings together major works that deal with light and motion and includes artists such as Bruce Nauman, Dan Flavin, Hans Haacke, James Turrell, Yayoi Kusama, Jean Tinguely, Alexander Calder, Marcel Duchamp, Bridget Riley, Dan Graham, Anish Kapoor, Jesus Rafael Soto, Conrad Shawcross, François Morellet, Jeppe Hein, Carlos Cruz - Diez, Takis, as well as artistic collectives such as GRAV (Group of visual Arts research), and the Groupe Zéro.

For such a group, auction stats can be errat1c, and artists may just be addlng a major museum solo to their exhibition history.

For such a group, auction stats can be erratic, and artists may just be adding a major museum solo to their exhibition history.

Since 1967, he has also participated in major group exhibitions, such as: «Where are we going?

Blain Southern, London, until 27 September 2014 Mayfair's Blain Southern brings together some big names for its summer group exhibition, including Italian avant - gardists Lucio Fontana and Michelangelo Pistoletto, German painter Gerhard Richter and major figures in American art such as Donald Judd, Carl Andre, Gordon Matta - Clark, Lawrence Weiner, Bill Viola and James Turrell.

Nengudi's work was included in the 2017 Venice Biennale and has been featured in major recent group exhibitions, such as We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, New York (2017); Blues for Smoke, Whitney Museum, New York (2013), and Radical Presence: Black Performance in Contemporary Art, Contemporary Art Museum Houston (2012).

Her work has been exhibited in solo and group exhibitions at major venues in the U.S. and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, and Musee de La Photographie.

His work has been included in major group exhibitions at institutions such as the MIT List Visual Arts Center, Massachusetts; Centre Georges Pompidou, Paris; Haus der Kulturen der Welt, Berlin; and S.M.A.K, Ghent.

His work has been shown in several major group exhibitions at venues such as Stedelijk Museum, Amsterdam; Centre Georges Pompidou, Paris; and Marta Herford Museum, Herford.

Her work has also been shown in several major group exhibitions at venues such as the British Museum, London; the Istanbul Modern Museum; Museum Boijmans Van Beuningen, Rotterdam.

Hirst has participated in numerous solo and group exhibitions at major institutions such as P.S. 1 Contemporary Art Center, New York; Tate Britain, London; TateModern, London; Pinchuk Art Centre, Kiev; Astrup Fearnley Museet für ModerneKunst, Oslo; Milwaukee Art Museum, Wisconsin; Dallas Museum, Texas; LACMA, Los Angeles; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; and the Museum of Fine Art, Boston.

The Glasgow - based artist has also participated in several major group exhibitions, such as Beck's Future at the Institute of Contemporary Art in London and the Gwangju Biennale in South Korea.

A major group of Guston's lush abstractions from the 1950s and 1960s anchor the center of the exhibition with works such as To B.W.T. (1952), Painting (1954), Zone (1953 — 54), Beggar's Joys (1954 — 55) and For M (1955), in which rich, delicately applied brushstrokes come together to suggest floating, abstract forms.

Gallery artists have exhibited in major exhibitions and biennials including the 55th Venice Biennial; The Havana Biennial; Guangzhou Triennial Guangzhou, China; Le Biennial de Dakar, Senegal as well as group exhibitions hosted at prestigious venues such at the Center Georges Pompidou, Paris; The Smithsonian Museum, Washington DC; SFMOMA San Francisco and MOMA, New York.

Artistic Director of the 7th Istanbul Biennale (2001) Hasegawa has curated major thematic group exhibitions, and solo exhibitions by such artists as Matthew Barney, Marlene Dumas, Rebecca Horn, and Atsuko Tanaka.

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

The core of the selected 58 artists consisted of the major artists of the «85 New Wave such as Geng Jianyi, Gu Wenda, Huang Yong Ping, Liu Wei, Long - Tailed Elephant Group, Qiu Zhijie, Xu Bing but also, to a lesser extent, younger artists such as Zhang Huan, Cao Yong, and Wu Tien - Chang.7 As numerous group exhibitions featuring contemporary Chinese arts in Europe and North America, Inside Out also claimed to be the first and most representative large presentation of the recent art production from China providing a unique space to understand «China.&rGroup, Qiu Zhijie, Xu Bing but also, to a lesser extent, younger artists such as Zhang Huan, Cao Yong, and Wu Tien - Chang.7 As numerous group exhibitions featuring contemporary Chinese arts in Europe and North America, Inside Out also claimed to be the first and most representative large presentation of the recent art production from China providing a unique space to understand «China.&rgroup exhibitions featuring contemporary Chinese arts in Europe and North America, Inside Out also claimed to be the first and most representative large presentation of the recent art production from China providing a unique space to understand «China.»

In recent years, both within and outside Japan, interest in the post — World War II Gutai art movement has increased considerably, with major museum exhibitions appearing at such venues as the Museo Cantonale d'Arte in Lugano, Switzerland, the National Art Center in Tokyo, and the Guggenheim Museum in New York, as well as solo and group shows at commercial galleries in New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewhere.

Inspired by their great affinity for the exhibition theme and for the PinchukArtCentre as a leading institution in contemporary art, all of the artists decided to create some special pieces, partly in the form of new productions such as those by, amongst others, Anish Kapoor, AES+F, Cindy Sherman, Matthew Barney and Elmgreen & Dragset; of a special reappraisal of existing works by Paul McCarthy, Richard Prince, Boris Mikhailov and Takashi Murakami; or the selection of rare or recent work groups that have never been displayed as part of a major international exhibition before.

And also numerous group exhibitions in major institutions such as the Frankfurter Kunstverein; the Lentos Kunstmuseum Linz; the Musée d'Art Moderne et d'Art Contemporain (MAMAC) in Nice; the Museum of Contemporary Art Detroit (MOCAD); the Palazzo Strozzi in Florence; the KW Institute for Contemporary Art in Berlin; the Witte de With Center for Contemporary Art in Rotterdam; the SculptureCenter in Long Island; the Domaine Pommery in Reims; the Palais de Tokyo in Paris; the Museum of Contemporary Art Tokyo (MOT); the Den Frie Centre of Contemporary Art in Copenhagen, the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna; the Museum Kunstpalast of Dusseldorf; the Kunstmuseum Luzern; the Contemporary Jewish Museum (CJM) in San Francisco and the Kunstmuseum Bonn.

He has exhibited work in recent major group exhibitions at such venues as the Venice Biennale (2015, 2007) and the Museum of Contemporary Art, Los Angeles (2012).

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as the innaugural NGV Triennial, Melbourne, Australia (2017), 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

His work has been shown in several major group exhibitions, including venues such as K21, Düsseldorf; Moderna Museet, Stockholm; and Royal Academy, London.