Sentences with phrase «major institutional solo»

For his first major institutional solo exhibition Daniel Kiss (b. 1984, Roth; lives in Cologne) has created a series of new works that occupy the large gallery hall of the Kunstverein as a sequence of cut - out forms and silhouette - like images.

BOOK: The largest - ever and first major institutional solo exhibition devoted to James «Son Ford» Thomas (1926 - 1993), a self - taught Mississippi artist and blues musician, was on view at New York University's 80WSE Gallery in 2015.

London - based Dutch artist Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by architectural interventions designed specifically for the South London Gallery's main space.

The largest - ever and first major institutional solo exhibition devoted to James «Son Ford» Thomas (1926 - 1993), a self - taught Mississippi artist and blues musician, was on view at New York University's 80WSE Gallery in 2015.

MAGALI REUS: AS MIST, DESCRIPTION Mar 23 - May 27, 2018 London - based Dutch artist Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by architectural interventions designed specifically for the South London Gallery's main space.

23/3 - 27/5/2018 MAGALI REUS: AS MIST, DESCRIPTION Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by architectural interventions.

London - based Dutch artist Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by

London - based Dutch artist Magali Reus's first major institutional solo exhibition in London comprises an entirely new bo...

Not exact matches

Major solo exhibitions of his work have been held at national and international institutional venues including The New Art Gallery Walsall (2017), the Whitworth Gallery, University of Manchester (2016 - 2017 and 2012); Sadler's Wells, London (2011); Gothenburg Konsthall, Sweden (2011); Museum of Contemporary Canadian Art, Toronto (2010); Kunsthaus Murz, Murzzuschlag, Austria (2010) and K20, Düsseldorf (2008).

Marina Abramović was one of the first performance artists to become formally accepted by the institutional museum world with major solo shows taking place throughout Europe and the US over a period of more than 25 years.

Major solo presentations of the artist's work have been staged at institutional venues including Schirn Kunsthalle, Frankfurt (2015); Nam June Paik Art Center, South Korea (2013); Seattle Art Museum (2013); Tate Liverpool (2012); LUMA Foundation, Arles, France (2012); Deste Foundation, Hydra, Greece (2011); Cincinnati Art Museum, Cincinnati (2010); Museo d'Art Contemporanea Roma, Rome (2009); Museum of Modern Art, New York (2007); Aspen Art Museum (2006); Musée d'Art Moderne de la Ville de Paris (2005); The Fabric Museum and Workshop, Philadelphia (2002) and Serpentine Gallery, London (2001).

Although his work has routinely formed part of just about every major exhibition on light and moving - image art of the postwar era, he has somewhat shockingly never been granted a solo institutional exhibition in New York until now.

Forthcoming institutional exhibitions include a major solo exhibition at the Museum of Contemporary Art Detroit, MI opening late May 2014, and an exhibition at Museo de Arte Contemporáneo de San Juan, Puerto Rico in 2015.

Having witnessed the rise of graffiti and urban art from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many others.

Recent major solo exhibitions of the artist's work have been staged at institutional venues including Fondation Beyeler, Basel, touring to the Louisiana Museum of Modern Art, Humblebaek (2014 — 2015); National Galleries of Scotland, Edinburgh, touring to Musée des Beaux - Arts de Montreal (2013 — 2014); Gallery Met at the Metropolitan Opera, New York, touring to Musée d'Art Moderne de la Ville de Paris, Paris (2011); Tate Britain, London, touring to Musée d'Art moderne de la Ville de Paris (2008); Schirn Kunsthalle Frankfurt (2008); Museum der Bildenden Kunste, Leipzig (2006); and Dallas Museum of Art, Texas, touring to The Gallery at Windsor, Florida, and Art Gallery of Ontario (2005 — 2006).

The collaboration will result in three solo exhibitions, all of which will take place at the New Museum, and will focus on artists who have not yet had major institutional exhibitions in New York.

The Drift, 2017, is Maeve Brennan's major film commission and first institutional solo exhibition.

A pioneer of non-objective painting long before the male artists credited for the style's genesis such as Wassily Kandinsky, Piet Mondrian, and Kazimir Malevich, her bold abstract paintings are finally being brought to major institutional light in the first major U.S. solo survey of her work this fall — and the world has never been more primed and ready for her.

The museum will present a trio of solo exhibitions for artists who have had major recognition in other countries and cultural fields but yet to receive dedicated institutional attention in the United States: Laercio Redondo, Pedro Reyes and Bruce Weber.

Bringing together approximately 60 works from institutional and private collections across the United States, the exhibition represents the artist's entire career with an emphasis on paintings and drawings produced during the years since his first (and last) major solo museum exhibitions in 1981 (La Jolla Museum of Contemporary Art) and 1983 (Rose Art Museum).

Recent major solo exhibitions of the artist's work have been staged at institutional venues including Fondazione Bevilacqua La Masa - Palazzetto Tito, Venice (2015); Fondation Beyeler, Basel, touring to the Louisiana Museum of Modern Art, Humblebaek (2014 - 2015); National Galleries of Scotland, Edinburgh, touring to Musée des Beaux - Arts de Montreal (2013 - 2014); Gallery Met at the Metropolitan Opera, New York, touring to Musée d'Art Moderne de la Ville de Paris, Paris (2011); Tate Britain, London, touring to Musée d'Art moderne de la Ville de Paris (2008); Schirn Kunsthalle Frankfurt (2008); Museum der Bildenden Kunste, Leipzig (2006); and Dallas Museum of Art, Texas, touring to The Gallery at Windsor, Florida, and Art Gallery of Ontario (2005 - 2006).

This exhibition, Liu Wei's largest institutional solo show to date, revolves around a grouping of major new paintings, sculptures, and videos which refer back to his fifteen years of mature output while also opening up interpretive pathways for works yet to come.