Documenta,
a major international contemporary art presentation that takes place every five years in Kassel, Germany, is currently in its 13th iteration.
My Art Guides are a referential publication among the public of
the major international contemporary art fairs and biennales.
Cutting - edge information on
the major international contemporary art events always up to date
My Art Guides are the ultimate and most complete guides to
the major international Contemporary Art Events.
The Cynthia Corbett Gallery is an international contemporary art gallery that represents emerging and newly established contemporary artists and is a regular exhibitor at
major international contemporary art fairs.
The Cynthia Corbett Gallery is an international contemporary art gallery, representing emerging and newly established contemporary artists and is a regular exhibitor at
major international contemporary art fairs.
The Cynthia Corbett Gallery, an international contemporary art gallery established in 2004, represents emerging and newly established contemporary artists and is a regular exhibitor at
major international contemporary art fairs.
Not exact matches
Their work has been presented in
major international exhibitions including the Biennale of Moving Image, Centre d'
art / Mamco, Geneva, Switzerland (2016); Gwangju Biennale, Gwangju, South Korea (2016); 5th Thessaloniki Biennale of
Contemporary Art, State Museum of
Contemporary Art, Thessaloniki, Greece (2015); CAFAM Biennial, CAFA
Art Museum, Beijing, China (2014); and the Swiss Off - Site Pavillon, 54th Venice Biennale, Venice, Italy (2011).
Major support for the exhibition is provided by The
Contemporary Arts Council of The Museum of Modern
Art, and The
International Council of The Museum of Modern
Art.
This led to a second wave of exhibitions across
major museums and cities in China through 2016 - 17, and Scully was presented with the
International Artist of the Year Award for his outstanding contribution to
contemporary art.
She has been featured in
major international exhibitions including the Museum of Modern
Art; the Centre Georges Pompidou; the Whitney Museum of American
Art; the Fowler Museum at UCLA;
Art + Practice; Prospect.3: Notes for Now New Orleans Biennial; the Institute of
Contemporary Art, Philadelphia; and at the Studio Museum in Harlem.
On view exclusively at The Met Breuer, this
major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and
contemporary art, while also featuring a selection of important works from national and
international museums and private collections.
Exhibitions include
major figures in British and
international modern and
contemporary art.
Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous
major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern
Art, New York; Hammer Museum, Los Angeles; WIELS
Contemporary Art Centre, Brussels; and the Wexner Center for the
Arts, Columbus (2011 - 2012); as well as a
major survey at the Centre Georges Pompidou, Paris (2012).
Housed in a landmark industrial building on the south bank of the River Tyne in Gateshead, BALTIC is a
major international centre for
contemporary art.
Major solo exhibitions of his work have been held at national and
international institutional venues including The New
Art Gallery Walsall (2017), the Whitworth Gallery, University of Manchester (2016 - 2017 and 2012); Sadler's Wells, London (2011); Gothenburg Konsthall, Sweden (2011); Museum of
Contemporary Canadian
Art, Toronto (2010); Kunsthaus Murz, Murzzuschlag, Austria (2010) and K20, Düsseldorf (2008).
BALTIC Centre for
Contemporary Art, Gateshead has launched a
major new
international artist award.
1988 Cultural Geometry, Deste Foundation for
Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'
art contemporain, Bordeaux, France;
Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of
Art, Tokyo; Miyagi Museum of
Art, Sendai, Japan; Fukuyama Museum of
Art, Hiroshima, Japan; National Museum of
Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York
Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale,
Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University
Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed
Art Museum, Louisville, KY; Alberta College of
Art, Alberta, Canada; The
Contemporary Arts Center, Cincinnati, OH; Richard F. Brush
Art Gallery, Gainesville, FL; Santa Fe Community College
Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American
Art of the Late 80s: The Binational, Museum of Fine
Arts and Institute of
Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie
International, Carnegie Museum of
Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf
Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and
Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of
Contemporary Art, Chicago (catalogue)
Her
Major group shows include: Saitama Triennale (2016); «The Living Years», Walker
Art Center, Minneapolis (2012); YOKOHAMA TRIENNALE 2011, The Yokohama Museum of
Art / NYK Waterfront Warehouse, Yokohama (2011); «The Light: MATSUMOTO Yoko / NOGUCHI Rika», The National
Art Center, Tokyo (2009); 55th Carnegie
International, Carnegie Museum of
Art, Pittsburgh (2008); Sharjah Biennial 8, Sharjah
Art Museum / Expocentre Sharjah (2007); «The Door into Summer — The Age of Micropop»,
Contemporary Art Center,
Art Tower Mito, Ibaraki (2007); PHOTOESPAÑA 2006, Museo San Roman, Toledo (2006); «Commonscapes: Photography Today, Views of the Everyday», The Miyagi Museum of
Art, Sendai, Japan (2004); «Moving Pictures», Solomon R. Guggenheim Museum, New York (2002) / Guggenheim Museum Bilbao, Spain (2003); «Photography Today 2 --[sa'it] site / sight», The National Museum of Modern
Art, Tokyo (2002); «Facts of Life:
Contemporary Japanese
Art», Hayward Gallery, London (2001) and «The Standard», Naoshima
Contemporary Art Museum (currently Benesse
Art Site Naoshima), Kagawa (2001).
Today Tate has four
major sitesand the national collection of British
art from 1500 to the present day and
international modern and
contemporary art, which includes nearly 70,000 artworks.
A
major exhibition at Turner
Contemporary in Margate features 40
international female artists who have elevated knitting, sewing, weaving and crochet to a high
art form
ARS17, a
major exhibition showcasing
international contemporary art inspired by digital technology, will take over Helsinki's Kiasma
art museum from 31 March 2017 until early 2018.
Tintin's works have been shown in
major international exhibitions including at the Istanbul Biennial, Yokohama Triennial, Moscow Biennale, Jakarta Biennale, Gwangju Biennale, Asia Pacific Triennial, Van Abbemuseum, FACT at Liverpool Biennial, Museo de Arte Contemporánea (MARCO) de Vigo, Hiroshima City Museum of Contemporary Art, Institute of Contemporary Art (ICA) London, Institute of Contemporary Arts Singapore (ICAS), ZKM / Center for Art and Media Karlsruhe, Clermont - Ferrand Short Film Festival and International Film Festiv
international exhibitions including at the Istanbul Biennial, Yokohama Triennial, Moscow Biennale, Jakarta Biennale, Gwangju Biennale, Asia Pacific Triennial, Van Abbemuseum, FACT at Liverpool Biennial, Museo de Arte Contemporánea (MARCO) de Vigo, Hiroshima City Museum of
Contemporary Art, Institute of
Contemporary Art (ICA) London, Institute of
Contemporary Arts Singapore (ICAS), ZKM / Center for
Art and Media Karlsruhe, Clermont - Ferrand Short Film Festival and
International Film Festiv
International Film Festival Rotterdam.
A
major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of
Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collectio
Art's rich collection of European sculpture and modern and
contemporary art, while also featuring a selection of important works from national and international museums and private collectio
art, while also featuring a selection of important works from national and
international museums and private collections.
Teller's work has been acquired by
major museums worldwide including Centre Pompidou, Paris; Daelim
Contemporary Art Museum, Seoul; Fotomuseum München, Munich; Fondation Cartier pour l'
art Contemporain, Paris;
International Centre of Photography, New York; Kunsthaus Zürich, Zürich; Museum für Moderne Kunst, Frankfurt; National Portrait Gallery, London; Pinchuk
Arts Centre, Kiev and Victoria & Albert Museum, London.
Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and
contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on
contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a
major commitment to representing new media artists who are exploring the intersection of
arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other
arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an
international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to
contemporary art on an
international level; Mai 36 from Zurich focusing on trading and presenting
international contemporary art; Pace Prints / Mac Gill, a publisher of fine
art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and
contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of
contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
This show at Tomio Koyama Gallery is his sixth solo exhibition, and his
major group exhibitions include «VOCA 2008» (2008, The Ueno Royal Museum, Tokyo), «Winter Garden: The Exploration of the Micropop Imagination in
Contemporary Japanese
Art» (2009, Hara Museum of
Contemporary Art, Tokyo, traveled to several
international museums), «Twist and Shout:
Contemporary Art from Japan» (2009, Bangkok
Art and Culture Centre), and «Nostalgia and Fantasy: Imagination and Its Origins in
Contemporary Art» (2014, National Museum of
Art, Osaka).
After the 1995 public debut of its
International Artist - In - Residence (IAIR) program, Artpace quickly earned an international reputation for commissioning new artwork from artists who went on to become major figures in contemporary art, including Nancy Rubins, Felix Gonzalez - Torres, Cornelia Parker, Isaac Julien, Teresita Fernandez, Christian Marclay, Arturo Herrera, Trevor Paglen, Rachel MacLean, Mark Bradford
International Artist - In - Residence (IAIR) program, Artpace quickly earned an
international reputation for commissioning new artwork from artists who went on to become major figures in contemporary art, including Nancy Rubins, Felix Gonzalez - Torres, Cornelia Parker, Isaac Julien, Teresita Fernandez, Christian Marclay, Arturo Herrera, Trevor Paglen, Rachel MacLean, Mark Bradford
international reputation for commissioning new artwork from artists who went on to become
major figures in
contemporary art, including Nancy Rubins, Felix Gonzalez - Torres, Cornelia Parker, Isaac Julien, Teresita Fernandez, Christian Marclay, Arturo Herrera, Trevor Paglen, Rachel MacLean, Mark Bradford, and others.
Leckey's exhibition history since the early 2000s includes solo exhibitions at many
major international galleries and museums including WIELS
Contemporary Art Centre, Brussels, Belgium, Hammer Museum, Los Angeles, USA, Banff Centre, Alberta, Canada, the Serpentine Gallery, London, UK, Milton Keynes Gallery, Milton Keynes, UK, Kölnischer Kunstverein, Cologne, Germany, Le Consortium, Dijon, France, Portikus, Frankfurt, Germany, and Migros Museum, Zurich, Switzerland.
As an artist, he has had more than 150 solo and 400 group exhibitions in
major museums and galleries, including the Museum of Modern
Art, New York; San Diego Museum of
Contemporary Art; Corcoran Gallery of
Art, (Washington D.C); Museum of
Contemporary Art, (Cleveland, Ohio); Fort Wayne Museum of
Art, (Indiana); Scottsdale Museum of
Contemporary Art, (Arizona); Peggy Guggenheim Collection, (Venice, Italy); and the Ca» Pesaro
International Gallery of Modern
Art, (Venice, Italy).
Previously, Alexis worked for over five years at a
major international auction house in New York, focusing on research and writing for the
Contemporary Art sales.
Arcangel has exhibited extensively in
major international institutions including the Whitney Museum of
Art, New York; Carnegie Museum of
Art, Pittsburg; Royal Academy of
Art, London; Museum of Modern
Art, New York; and Museum of
Contemporary Art, Chicago; among others.
The sale will be comprised of master works by many giants of German Post-War and
Contemporary Art including Gerhard Richter, Georg Baselitz, Martin Kippenberger, Sigmar Polke and Neo Rauch, as well as
major works by
international artists such as Cindy Sherman, Frank Stella, Louise Bourgeois and Morris Louis.
Produced in close collaboration with the PSA, a
major cultural institution in China, this exhibition allows the public to discover almost 100 emblematic artworks from the
contemporary international arts scene.
He has written for
international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Ar
art magazines and exhibition catalogues; delivered talks about modern and
contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Ar
art and his work at Artsy globally; worked for prominent galleries; managed
major artist estates and foundations; and taught modern and
contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Ar
art at New York University where he received a PhD in
Art History and Archaeology from the Institute of Fine Ar
Art History and Archaeology from the Institute of Fine
Arts.
Additional
major support is provided by the Friends of the 2018 Carnegie
International, the Jill and Peter Kraus Endowment for
Contemporary Art, and the Louisa S. Rosenthal Family Fund.
Israel has written for
international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Ar
art magazines and exhibition catalogues; delivered talks about modern and
contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Ar
art and his work at Artsy globally; worked for prominent galleries; managed
major artist estates and foundations; and taught modern and
contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Ar
art at NYU, where he received a PhD in
Art History and Archaeology - from NYU's Institute of Fine Ar
Art History and Archaeology - from NYU's Institute of Fine
Arts.
The first
major exhibition in Australia of work by acclaimed Italian
contemporary artist Francesco Clemente, and second in the annual Schwartz Carriageworks series of
major international visual
arts projects, Encampment includes six of Clemente's celebrated large - scale tents, transforming 30,000 square feet of the precinct into an opulent tented village.
Major support is provided by MoMA's Wallis Annenberg Fund for Innovation in
Contemporary Art through the Annenberg Foundation, Mr. Eugenio López Alonso, The
International Council of The Museum of Modern
Art, and Jerry I. Speyer and Katherine G. Farley.
The Carnegie Int» l, 57th ed., 2018 is underway with public programs, publications, and this website, opening up the process that is integral to a
major international exhibition of
contemporary art.
Additional
major support is provided by the Friends of the 2018 Carnegie
International, the Jill and Peter Kraus Endowment for
Contemporary Art, The Fellows of Carnegie Museum of
Art, and the Louisa S. Rosenthal Family Fund.
Major support is provided by The
International Council of The Museum of Modern
Art, The
Contemporary Arts Council of The Museum of Modern
Art, The Junior Associates of The Museum of Modern
Art and the Maurice Marciano Family Foundation.
Major support for the 57th Carnegie
International is provided by The Fine Foundation, the Jill and Peter Kraus Endowment for
Contemporary Art, and the Friends of the Carnegie
International.
Their work, which has been exhibited widely in
major international spaces, locates them in the intersections of
contemporary art, historical enquiry, philosophical speculation, research, and theory.
Beech has shown her artwork and presented her writing at
major international venues including Covenant Transport Move or Die at The Baltic Center for
Contemporary Art (2016), and Sanity Assassin, in Neocentric, at Charim Gallery, Vienna, Austria (2016).
«By combining the exhibition elements of a
contemporary art museum with the master instruction of a living American painter of
international stature, his
major works and the insights of his archives, the Bo Bartlett Center will be an unparalleled resource for students, the public, and scholars of
art,» the venue's website reads.
In the dead center of NEXT «s layout at Merchandise Mart this weekend, in what would otherwise be prime real estate for galleries willing to shell out big bucks for sprawling, centrally - located booths, is instead the
Art Chicago NEXT Talk Shop, the site of CONVERGE Chicago: Contemporary Curators Forum, a 4 - day series of public panels and talks with major national and international figures from the art wor
Art Chicago NEXT Talk Shop, the site of CONVERGE Chicago:
Contemporary Curators Forum, a 4 - day series of public panels and talks with
major national and
international figures from the
art wor
art world.
February 24 sees both the inauguration of the first
major international art fair on the continent, 1:54 (which runs in New York each May and London every October), and simultaneously, a major relaunch of the Museum of Contemporary African Art Al Maaden (known as Macaal), a private institution built to showcase works from the 2,000 or so in the collection amassed by Othman Lazraq, and his father Alami Lazr
art fair on the continent, 1:54 (which runs in New York each May and London every October), and simultaneously, a
major relaunch of the Museum of
Contemporary African
Art Al Maaden (known as Macaal), a private institution built to showcase works from the 2,000 or so in the collection amassed by Othman Lazraq, and his father Alami Lazr
Art Al Maaden (known as Macaal), a private institution built to showcase works from the 2,000 or so in the collection amassed by Othman Lazraq, and his father Alami Lazraq.
Since 2015, seven high - profile
international museums have hosted
major Takashi Murakami personal exhibitions: Mori
Art Museum of Tokyo, Yokohama Museum of
Art, Astrup Fearnley Museet of Oslo, Museum of
Contemporary Art Chicago, Museum of Fine
Arts Boston, Albright - Knox Gallery, Buffalo and Garage Museum of
Contemporary Art, Moscow.
The mission of Whitespace is to expand and introduce the viewer to current trends in
contemporary art by creating
international exhibitions by
major mid-career
contemporary artists using various mediums: including painting, sculpture, photography, drawing and video.