Sentences with phrase «major international curator»

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

Not exact matches

Over the past year, a number of curators took on new appointments at major museums and also have been tapped for programming roles at art fairs and biennials, international events with increasing influence in the global art world.

Led by Victoria Siddall (Director, Frieze Fairs) and newly appointed Artistic Director Loring Randolph, Frieze New York builds on its commitment to innovation and showcasing boundary - pushing practices, with new programs led by international curators from major institutions.

Led by Victoria Siddall (Director, Frieze Fairs) and newly appointed Artistic Director Loring Randolph, Frieze New York builds on its commitment to innovation and showcasing boundary - pushing practice, with new programs led by international curators from major institutions.

Organized by the SCAD exhibitions department and overseen by Laurie Ann Farrell, SCAD executive director of exhibitions, with support from chief curator Isolde Brielmaier, Ph.D., the 2013 schedule includes exhibitions of work by major international contemporary artists with a diverse range of practices and media, including Ursula von Rydingsvard, Uta Barth, Candice Breitz, Chakaia Booker and Regina Silveira, among others.

Studio International spoke to the exhibition curators about Frink's unusual working process and the bringing together of this major survey show.

In the dead center of NEXT «s layout at Merchandise Mart this weekend, in what would otherwise be prime real estate for galleries willing to shell out big bucks for sprawling, centrally - located booths, is instead the Art Chicago NEXT Talk Shop, the site of CONVERGE Chicago: Contemporary Curators Forum, a 4 - day series of public panels and talks with major national and international figures from the art world.

Before joining the Met, he was Curator of International Modern Art at Tate Modern in London, where he worked on major exhibitions including: Duchamp, Man Ray, Picabia (2008); Cy Twombly: Cycles and Seasons (2008); Pop Life: Art in a Material World (2009); Tacita Dean: FILM, the twelfth Unilever commission for the Turbine Hall (2011); and Edvard Munch: The Modern Eye (2012).

Previously he held positions as Chief Curator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» prCurator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» prcurator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» practice.

Curated by Daniela Ferrari, art historian and curator at the Museum of Modern and Contemporary Art of Trento and Rovereto (MART), Italy, the exhibition will explore the use of text and the written word in the practice of major Post-War Italian artists including, Vincenzo Agnetti (1926 - 1981), Alighiero Boetti (1940 - 1994), Dadamaino (1930 - 2004), Lucio Fontana (1899 - 1968), Emilio Isgrò (b. 1937), Piero Manzoni (1933 - 1963), Mimmo Rotella (1918 - 2006), Salvo (1947 - 2015) and Mario Schifano (1934 - 1998), alongside key international artists including Cy Twombly (1928 - 2011), Joseph Kosuth (b. 1945), Jannis Kounellis (1936 - 2017), Mel Bochner (b. 1940), John Baldessari (b. 1931) and Tracey Emin (b. 1963).

While Whitten has been exhibiting at home and abroad throughout his career, there has been a recent resurgence of interest in his work, which has been included in major group shows such as Energy / Experimentation: Black Artists and Abstraction 1964 — 1980 at The Studio Museum in Harlem (2006); High Times Hard Times: New York Painting 1967 — 1975, organized by Independent Curators International (2006); and Blues for Smoke organized by the Museum of Contemporary Art, Los Angeles, California in 2012.

Watch a video the Getty Research Center put together about the seminal Swiss curator Harald Szeemann, whose «When Attitudes Becomes Form» show is in the DNA of every major biennial or international exhibition these days.

Curator Teresa Gleadowe has worked to bring work by major international artists to various spaces across the region.

The chosen practices emphasise the recent developments in contemporary art in Ireland, a period of new engagement with international practices, an increase in visiting artists, curators and speakers, with Irish curators and educators taking up major positions overseas, and Irish artists being showcased around the world.

The Glasgow - based artist will present a major solo exhibition of new work curated by Dr Zoe Whitley, Curator International Art, Tate.

According to Director / CEO and Chief Curator, Terry Graff: «The generous gift of this major public sculpture from Mr. Karpman at this pivotal time in the history of the Gallery is a statement - making expression of our exhilarating trajectory — a most fitting symbol of our expansion and revitalization as an important destination for national and international contemporary art.

These works were presented to an audience of curators of photography for the major international museums, private photography dealers, the most discerning of private photography collectors and the public.

Recognizing the need to support curatorial talent and provide low - cost practical training in the current economic climate, Independent Curators International (ICI) initiated the Curatorial Intensive — the first major short - course training program for emerging curators in the UnitedCurators International (ICI) initiated the Curatorial Intensive — the first major short - course training program for emerging curators in the Unitedcurators in the United States.

Organized by artist Harrell Fletcher and Jens Hoffmann, Director, Wattis Institute for Contemporary Arts, CCA, and produced by Independent Curators International (ICI), the traveling exhibition examines the work of artists who operate outside the MFA programs, commercial galleries, and major museums that make up the mainstream art world.

Curated by Christine Macel, Chief Curator at Centre Pompidou, with Rachael Thomas, Head of Exhibitions at IMMA, What We Call Love: From Surrealism to Now features almost 200 works, including over 30 works on loan from major international collections.

She was one of five international curators chosen for the citywide public art project, 5 x 5, a major initiative sponsored by the DC Commission on the Arts and Humanities in 2012.

«We sought this opportunity at EXPO Chicago to share the experience of viewing important works by 10 major modern and contemporary women artists with all who attended this major international exposition,» said Elizabeth Whiting, curator, Union League Club of Chicago.

1963 - 1964 Curator and poet Frank O'Hara and the International Council at the Museum of Modern Art organize major Kline retrospective exhibition that travels to Amsterdam, Turin, Brussels, Basel, Vienna, London, Paris.

Presenting 267 leading international galleries from 32 countries, the show attracted an attendance of 77,000 over five days, including major private collectors as well as directors, curators, trustees and patrons of nearly 200 museum and institution groups.

· Curating Now, a major symposium on curating contemporary art in public museums and galleries, which attracted more than 250 participants and brought eight eminent international curators into contact not just with IMMA's work, but also with that of many other public and private galleries in Dublin.

14 Feb 2000 Further Displays from the Outsider Art Collection at the Irish Museum of Modern Art An exhibition showcasing further displays from the Musgrave Kinley Outsider Art Collection has just gone on show at the Irish Museum of Modern Art. 25 Jan 2000 Irish Museum of Modern Art - Programme for 2000 The inauguration of a series of new climate - controlled galleries with exhibitions of works by Picasso and Francis Bacon, the largest presentation in Europe to date of the work of the distinguished American painter Leon Golub, an exhibition from a major donation of graphics and prints from North, South and Central America and the development of further international links by the Museum's Education and Community Department are all part of an exciting and wide - ranging programme for 2000 announced today (Tuesday 25 January) by the Irish Museum of Modern Art. 24 Jun 1999 Exhibition selected by Young Curators at the Irish Museum of Modern Art An exhibition of some 22 artworks, selected by eight secondary school students from Waterford, Meath and Dublin, goes on show at the Irish Museum of Modern Art on Tuesday 13 July 1999.

MPM brings forward acclaimed art professionals, academics, and curators, advancing leading - edge research through a major publication, an international colloquium, a portfolio review, as well as a series of artist talks.

With his rich background in working with international curators and scholars, organizing publications ranging from smaller scale zines to major biennial survey publications, facilitating artists from the established to the emergent, and performing himself, Thomas will provide Vox Populi with a new network of peers and influences, develop new programming initiatives, and work closely with its membership to reaffirm Vox's recognized commitment to experimental aesthetics and the Philadelphia arts community it serves.

Dr. Jones has also worked as a curator for over three decades and has numerous major national and international exhibitions to her credit.

Butler (who is now Robert Lehman Foundation Chief Curator of Drawings at MoMA) says she had two major goals for the show: «I wanted to reveal the internationalism and the parallel practices of feminism, and I wanted to make a case that feminism was the most influential international impulse of postwar art.

She hasn't spurred international fascination or engendered the support of a major collector, influential curator, or powerful editor (until now).