Sentences with phrase «major loan exhibition»

Organized by the Palmer Museum of Art, this major loan exhibition features work by an international roster of emerging and mid-career artists, including Dianna Cohen, Mark Dion, Pamela Longobardi, Marina Zurkow, Zanele Muholi, Vik Muniz, Jessica Stockholder, Chris Jordan, Brian Jungen, Aurora Robson, Willie Cole, Pinar Yoldas, Tejal Shah, Ifeoma U. Anyaeji, and Moreshin Allahyari.
Summer 2012, Devised and co-curated by Robert Priseman and Helen Watson, a major loan exhibition of paintings Francis Bacon to Paula Rego at Abbot Hall Art Gallery.
An exhibition that opened in Madrid at the Fundación Banco Santander showing works by contemporary artists from across North Africa and the Middle East includes Arab - inspired paintings by Goya and Magritte alongside works by Mona Hatoum, Shirin Neshat, Wael Shawky and Manal Al Dowayan among others.The Arab art show is the foundation's first collaboration with Qatar Museums and the first major loan exhibition in Europe of works from Mathaf, the Arab Museum of Contemporary Art in Doha.
With its first major loan exhibition in the Meatpacking District, the Whitney faces a serious reality check for both its subject and the museum, and it does well on both counts.
Celebrating the Asian Art Museum's 50th anniversary before travelling to the Museum of Fine Arts, Houston (until 29 January 2017), this major loan exhibition brought together over 150 objects from one of the richest collections of Chinese art.
Pablo Picasso, Vasily Kandinsky, Willem de Kooning, and Jackson Pollock are among the eighty - two artists whose works were on view in this major loan exhibition celebrating the taste and achievement of New York's private collectors.
This major loan exhibition celebrates the transformation of the art of drawing by Andrea del Sarto (1486 — 1530), one of the great Florentine Renaissance artists.
With the ambitious plans ahead for the MFAH, including major loan exhibitions of masterworks from the Prado, the Picasso Black and White exhibition with the Guggenheim and more still in the planning stages, Deborah's role will be critical to assuring the continued success of the museum's initiatives.»
Requirements and qualifications Experience and skills: — Minimum six years» experience in a museum or academic institution — Proven experience initiating and executing major loan exhibitions with international scope — Demonstrated scholarly achievement and extensive published record, including evidence of original research — Demonstrated engagement with international critical theory and artistic practice — Demonstrated commitment to broad international audience engagement and learning — Excellent interpersonal and communication skills with artists, museum colleagues, donors, and the general public — Ability to create and maintain well - researched and precise records

Not exact matches

As part of the BFI's major UK - wide Black Star season the BFI Southbank is currently home to the Separate Cinema Exhibition, showcasing original film posters loaned from the most extensive private holdings of African - American film memorabilia in the world, The Separate Cinema Archive.
On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
Organized by curator Jason Andrew, this exhibition presents major paintings from the»70s by Jack Tworkov featuring a seminal work titled Diptych II (NY - Q1 - 71 # 1)(1971) on loan from the collection of the Solomon R. Guggenheim Museum, New York.
Through some 120 works and documents loaned by museums in Vitebsk and Minsk and major American and European collections, the exhibition will present the artistic output of three iconic figures — Marc Chagall, El Lissitzky and Kazimir Malevich — as well as works by students and teachers of the Vitebsk school, such as Lazar Khidekel, Nikolai Suetin, Il» ia Chashnik, David Yakerson, Vera Ermolaeva, and Yehuda (Yury) Pen, among others.
This special exhibition of works by Allen Jones is possible thanks to loans from major public institutions and private collections.
Major loans from across the country have been procured for the exhibition, and Stella himself is one of the biggest lenders.
The exhibition will include over forty major paintings and papiers collés by the artist, all on loan from prestigious international public and private collections.
Curated by Arne Glimcher, the founder of Pace Gallery, the exhibition evolved from the critically successful presentation of the series at Pace Gallery in London in 2017 and showcases several monumental paintings from that exhibition, as well as new loans from major museums including the Albright - Knox Art Gallery and the National Gallery.
Its opening exhibition, «Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016,» is on par with the best museum exhibitions in ambition and quality, comprising many rare, big and fragile objects on loan from some of the major museums of the world.
The first major presentation of Truitt's work at the Gallery, the exhibition celebrates the museum's acquisition of several major artworks by Truitt in recent years, including seminal works from the collection of the Corcoran Gallery of Art as well as several outstanding loans.
1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)
The intimate bond ensured not only a pipeline of major loans for the exhibition but an implicit grasp of Krasner's intentions and patterns based on firsthand knowledge.
Featuring 36 paintings and 53 drawings, many on loan from major museums and private collections, the exhibition draws together a compelling body of work that reveals the artist grappling to reconcile gestural and field painting, figuration and abstraction.
A major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
The exhibition will feature loans from both museums and private collections, and include examples from Hammons» major series from the past five decades, including Body Prints, found - object assemblages such as the Heads, Basketball Drawings, Basketball Chandeliers, Tarps, Fur Coats, and Mirrors.
Rauschenberg is currently the subject of a major retrospective exhibition at London's Tate Modern (until April 2017, later travelling to the Museum of Modern Art, New York), where a key room is dedicated to the «Silkscreen Paintings» — many of them on loan from major museum collections.
This was the first major international loan exhibition in the US to focus on the Hellenistic period.
For the first time, the Clyfford Still Museum in Denver, which holds 95 % of the artist's work, will loan nine major paintings to the exhibition, establishing the artist at the very forefront of Abstract Expressionism.
The exhibition at Fondation Beyeler, which focuses on the late work of the Swiss painter Ferndinand Hodler, comprises some 80 works and includes loans from renowned Swiss and American private collections and major national and international museums.
Fifteen Stellas made between 1958 and 1962 are on loan from major museums and the artist's private collection to make up an exhibition that, if you are interested in postwar painting, you must see.
Requesting the loan of Crucifixion to the Royal Academy's major 2003 exhibition, Philip King (President, Royal Academy 1999 - 2004) wrote, «Crucifixion is not only one of the artist's most ambitious and impressive works, it was also, significantly, the recipient of the Jerwood Prize, an accolade we hope to honour by including the work in the exhibition.
With major loans from the Uffizzi, the British Museum, the Ashmolean, the Getty, the National Gallery in Washington, and other major institutions, this exhibition is a smaller version of a major monographic show that was at the Getty this summer.
The exhibition includes major loans from private collections and notable German institutions such as the Städel Museum, Frankfurt and the Staatliche Graphische Sammlung, Munich.
As Curatorial Fellow for European Art, Kelsey Brosnan will primarily work on the planning and implementation of the major international loan exhibition The Orléans Collection, to open October 26, 2018.
It was Joyner, a founding trustee of the Tate Acquisitions Committee for North America, that Nicholas Serota approached to help Tate fill the gaps in its collection of works by African - American artists, and her collection that loaned Gilliam's colossal, un-stretched, draped and sculptural canvas Carousel Change (1970) to «Soul of a Nation», a major highlight of the exhibition.
Various private collectors loaned works to this exhibition as well as major institutions including the National Gallery in Washington, D.C., the Andy Warhol Museum in Pittsburgh, MoMA, and Los Angeles MOCA.
The museum will mount this major exhibition with loans from the esteemed Dior Héritage Collection, many of which have rarely been seen outside of Europe, with additional loans from major institutions.
At MUNAL, he oversaw the development of a five - year exhibition program, including the organization of an ambitious series of major international exhibitions, among them: Landscapes of the Mind: British Landscapes from the Tate Collection (2015); The Male Nude: Dimensions of Masculinity from 19th Century and Beyond (2014); and Yo, el Rey: La Monarquía Hispánica en el arte (2015), which involved over 200 loans from 40 institutions, including the Prado, the Metropolitan Museum of Art, and The Royal House in Spain, and which set recent attendance records for MUNAL.
A major international loan exhibition of approximately 120 works, Like Life will draw on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
Second - and third - floor galleries will be dedicated to the museum's special exhibition program and overlook the sculpture garden, which will showcase an annual schedule of site - specific commissions, new gifts and long - term loans, and major sculptural works by both post-war and contemporary artists.
With over 190 works dating from the Renaissance to the present — nearly forty percent of which are drawn from the Museum's collection, supplemented with major national and international loans — the exhibition demonstrates the type of groundbreaking show that can result when the Museum mines its vast collection and curatorial resources to present modern and contemporary art within a deep historical context.
Best of all is «Paradise» at Ca» Pesaro, a major monographic exhibition of the late Cy Twombly's canvases (6 May — 13 September), which includes many private loans and several of the artist's final works, featuring fiery scrawls and blooms on acidic green backgrounds.
This major exhibition will feature original plaster, bronze and marble examples of many of Rodin's sculptures on loan from the Musée Rodin in Paris.
Since 1961, we have been instrumental in fostering an appreciation of Northwest Art by lending and donating works locally and abroad, as well as, encouraging our collectors / patrons to loan their treasures of Northwest art to local, national, and international exhibitions and major museums.
In New York the loan issue affected the Solomon R. Guggenheim Museum's major Futurism exhibition, but the museum's Zero Group show, as well as the founding of the Center for Italian Modern Art by art historian and collector Laura Mattioli, ensured increased attention for modern Italian art.
The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.
It featured 30 major works made throughout the artist's career, from 1965 to 2011, on loan from public and private collections in America and Europe and was curated and organized by Paul Nesbitt and Chloe Reith (Curator of Exhibitions, Inverleith House).
The Museo Jumex will supplement its own holdings with foreign loans to host the first Cy Twombly show in Latin America, and it will also originate a big exhibition of the work of James Lee Byars, which will later travel to the MoMA PS1, in New York — a major validation.
Curated by Julie Sylvester and Philip Larratt - Smith, the exhibition features works that have never before been exhibited as well as loans from major museums and private collections.
The Exhibitions Pavilion hosts seasonal Premiere Presentations and other major exhibitions, which often involve collaboration with and loans from museums around the world, and are among the most important exhibitions oExhibitions Pavilion hosts seasonal Premiere Presentations and other major exhibitions, which often involve collaboration with and loans from museums around the world, and are among the most important exhibitions oexhibitions, which often involve collaboration with and loans from museums around the world, and are among the most important exhibitions oexhibitions of the year.
Largely drawn from the Newark Museum's superb collection of U.S. geometric abstraction, the exhibition also includes major works on loan from acclaimed private and public collections across both continents, such as Colección Patricia Phelps de Cisneros, Malba - Costantini Foundation (Museo de Arte Latinoamericano de Buenos Aires), Philadelphia Museum of Art, Pinacoteca do Estado de São Paulo and Whitney Museum of American Art.
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