Sentences with phrase «major solo exhibition of new works»

A major solo exhibition of new works from Hirst's latest series of «Entomology» pieces, «Scalpel Blade Paintings» and «Colour Charts».

In 2016 Stephen Friedman Gallery exhibited a major solo exhibition of new works by Shonibare entitled... and the wall fell away; an exhibition which showed a significant and pivotal new movement in the artist's practice — exploring traditions of classical art and religious iconography.

This is the first major solo exhibition of new works by Fred Wilson in the US in the last six years.

The British Council has today announced that Cathy Wilkes has been selected to represent Great Britain at the 58th International Art Exhibition — La Biennale di Venezia, presenting a major solo exhibition of new work opening on 11 May 2019 and running till 24 November 2019.

Private View: Michael Joo «Radiohalo» 6:00 PM — 8:00 PM @ Blain Southern, 4 Hanover Square, London, W1S 1BP www.blainsouthern.com Blain Southern announces a major solo exhibition of new work by acclaimed New York based artist Michael Joo.

A major solo exhibition of new work at the Serpentine, «Drunk Brown House» opened in September, and a monograph was published this year by Koenig Books following the artist's solo exhibition at the Fridericianum in 2014.

The Glasgow - based artist will present a major solo exhibition of new work curated by Dr Zoe Whitley, Curator International Art, Tate.

In the British Pavilion, Phyllida Barlow (born 1944) will present a major solo exhibition of new work.

Cathy Wilkes has been selected to represent Great Britain at the 58th International Art Exhibition — La Biennale di Venezia, with a major solo exhibition of new work.

Cave was recently the subject of Until, a major solo exhibition of new work at Mass MoCA, North Adams, MA in 2016 - 17, which will travel in 2018 - 19 to Carriageworks in Sydney, Australia, and then to Crystal Bridges Museum of American Art in Bentonville, AR.

Tanya Bonakdar Gallery presents a major solo exhibition of new work by Gillian Wearing.

Not exact matches

A collection of never - before - seen older works and new pieces, this presentation marks Jake and Dinos Chapman's first major solo exhibition in North America.

The exhibition, organized in collaboration with the Estate of Bernard Buffet, marks the first major solo presentation of Buffet's work in New York in nearly three decades.

A major new solo exhibition of works by Alexander Calder (1898 — 1976), the majority of which have never before been exhibited in the...

For the artist's first solo exhibition in New York, C24 Gallery will present texts from billboards that appeared on the streets of Berlin, London, and Paris as well as major new light works, and a large - scale «Fire Poem.&raqNew York, C24 Gallery will present texts from billboards that appeared on the streets of Berlin, London, and Paris as well as major new light works, and a large - scale «Fire Poem.&raqnew light works, and a large - scale «Fire Poem.»

As I Went Out One Morning, a major solo exhibition of Houseago's work, is on view at the Storm King Art Center in Mountainville, New York until 11 November 2013.

His work can be seen today in solo exhibitions and the collections of major museums such as the Museum of Modern Art in New York, the Centre Pompidou in Paris and the Museo Nacional Centro de Arte Reina Sofía in Madrid.

His work has been the subject of more than 200 solo exhibitions in more than 20 countries, including major retrospective exhibitions at The Museum of Modern Art and The Metropolitan Museum of Art in New York, the Museo Nacional Centro de Arte Reina Sofia in Madrid, and most recently at the State Hermitage Museum in St. Petersburg.

Lucas Samaras (b. 1936, Kastoria, Macedonia, Greece) has been the subject of more than one - hundred solo exhibitions and seven major career retrospectives, includingUnrepentant Ego: The Self - Portraits of Lucas Samaras at the Whitney Museum of American Art, New York, in 2004, which featured a staggering 400 works.

HOME presents a major new co-commission and solo exhibition from award - winning artist Louis Henderson, who has produced a series of works based around a collaboration in the Haitian city of Port - au - Prince.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

Lives and works in New York City) has been the subject of numerous major solo exhibitions including his critically - acclaimed 2007 mid-career retrospective at the San Jose Museum of Art.

Lives and works in New York City) has been the subject of numerous major solo exhibitions including his critically - acclaimed 2007 mid-career retrospective organized by JoAnne Northrup at the San Jose Museum of Art.

Major solo exhibitions of his work have been held at national and international institutional venues including The New Art Gallery Walsall (2017), the Whitworth Gallery, University of Manchester (2016 - 2017 and 2012); Sadler's Wells, London (2011); Gothenburg Konsthall, Sweden (2011); Museum of Contemporary Canadian Art, Toronto (2010); Kunsthaus Murz, Murzzuschlag, Austria (2010) and K20, Düsseldorf (2008).

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

Delve deeper into our major new co-commission and solo exhibition from award - winning artist Louis Henderson, who has produced a series of works based around a collaboration in the Haitian city of Port - au - Prince.

Some of the many strong solo exhibitions around the country this month include: Angelbert Metoyer at Deborah Colton Gallery in Houston; Donald Moffett at Lora Reynolds Gallery in Austin; a beautiful show of figurative works on paper by New York School founding member Jack Tworkov at Valerie Carberry Gallery in Chicago; Brian Bress at Cherry and Martin and a major show of new work by Jonas Wood in David Kordansky's cavernous new gallery space, both in Los Angeles; and Whiting Tennis at Greg Kucera Gallery in SeattNew York School founding member Jack Tworkov at Valerie Carberry Gallery in Chicago; Brian Bress at Cherry and Martin and a major show of new work by Jonas Wood in David Kordansky's cavernous new gallery space, both in Los Angeles; and Whiting Tennis at Greg Kucera Gallery in Seattnew work by Jonas Wood in David Kordansky's cavernous new gallery space, both in Los Angeles; and Whiting Tennis at Greg Kucera Gallery in Seattnew gallery space, both in Los Angeles; and Whiting Tennis at Greg Kucera Gallery in Seattle.

This exhibition, organized in collaboration with the Estate of Bernard Buffet, marks the first major solo presentation of Buffet's work in New York in nearly three decades.

Her work is included in major collections such as Arts Council of Great Britain, British Council Collection, Tate Gallery, London and Yale Center for British Art, New Haven, CT Solo Exhibitions include Wilkinson Gallery, London (2013) and The Corridor, Reykjavík, Iceland.

MOCA GA supports artists by granting a major stipend to create new work; by presenting a solo exhibition of the new work; by producing an accompanying exhibition catalogue; and by providing a paid studio apprentices over the course of one year.

Marnie Weber has had solo exhibitions internationally, notably at Marc Jancou Contemporary, New York (2012), West of Rome Public Art, Altadena CA (2010), Le Magasin Centre National d'Art Contemporain de Grenoble, France (2009) and has works in major museum collections.

Sarah Dobai's first major solo exhibition in the UK took place in 2006 at Kettles» Yard, Cambridge, coinciding with the end of her two - year residency at London's Delfina Studio Trust and featured photographic and film works made during that time, including a new, specially commissioned, two - screen film installation, as well as key earlier works.

This will be the artist's first solo exhibition in New York since her major retrospective at The Museum of Modern Art in 2010, and her first performative work in a gallery since The House with the Ocean View at Sean Kelly in 2002.

His work has been the subject of numerous solo exhibitions at major institutions, including comprehensive retrospectives at the Museum of Contemporary Art, Los Angeles, the Whitney Museum of American Art, New York, the Musee d'Art Moderne de la Ville de Paris, and the Dallas Museum of Art, among others.

Douglas's work has been featured in numerous solo and group exhibitions at major institutions around the world, and in 2012 he received the Infinity Award from the International Center of Photography, New York.

Whitney's works featured in a major solo exhibition «Dance the Orange», at the Studio Museum in Harlem, New York, USA (2015), and he has been included in many prominent group shows such as Documenta 14 in Athens, Greece and Kassel, Germany (2017), «Nero su Bianco» at the American Academy in Rome, Italy (2015); «Outside the Lines: Black in the Abstract», Contemporary Art Museum of Houston, USA (2014); «Reinventing Abstraction: New York Painting in the 1980s», Cheim & Read, New York (2013) and «Utopia Station» at the 50th Venice Biennale (2003).

His paintings, sculptures, drawings, and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modern Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musèe Beaubourg in Paris, and The Paine Weber Collection.

Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, The Paine Weber Collection, and many others.

In addition to her first two solo shows at MoMA and the MFA Boston in 1966, and her inclusion in John Szarkowski's 1978 landmark exhibition Mirrors and Windows at MoMA, other major exhibitions of her work have been held at The Art Institute of Chicago; the International Center of Photography, New York; and the Fine Arts Museum of San Francisco.

In conjunction with the Lannan Foundation in Santa Fe, New Mexico, the Nevada Museum of Art presents a selection of approximately forty photographs from Sambunaris's body of work, marking the artist's first solo exhibition at a major American museum.

Major solo exhibitions of his work have been presented at SITE Santa Fe, New Mexico (1999); the Bohen Foundation, New York (2002); Deutsche Guggenheim, Berlin (2003); the Astrup Fearnley Museet for Moderne Kunst, Oslo (2006); the Fondazione Prada, Milan (2006); and the Des Moines Art Center, Iowa, which traveled to the Rose Art Museum, Brandeis University, Waltham, MA (2007).

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

Koh's work been the subject of several major solo exhibitions including «Love for Eternity», a mid-career retrospective at MUSAC (Leon, Spain); «Captain Buddha,» Schirn Kunsthalle (Frankfurt, Germany); «Dirty Blind God», de Pury & Luxembourg, (Zurich, Switzerland); «Terence Koh» Whitney Museum of American Art, (New York).

Solo exhibitions of Richter's work have been organized by major museums such as the Museum of Modern Art in San Francisco (1989), Tate Gallery in London (1991), Museo Nacional Centro de Arte Reina Sofía in Madrid (1994), Martin - Gropius - Bau in Berlin (1997), Deutsche Guggenheim in Berlin (2002), Museum of Modern Art in New York (2002), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (2003), Kunst Museum in Bonn (2004), National Museum of China in Beijing (2008), and National Portrait Gallery in London (2009).

Dumas has exhibited internationally since the late 1970s, and her work has been the subject of major solo exhibitions at museums such as the Tate Gallery in London (1996), the Centre Pompidou in Paris (2001) and the Museum of Modern Art in New York (2008).

Although his work has routinely formed part of just about every major exhibition on light and moving - image art of the postwar era, he has somewhat shockingly never been granted a solo institutional exhibition in New York until now.

Lee's work has been featured in solo exhibitions in major institutions throughout the world, including the Museum of Modern Art, New York, the New Museum of Contemporary Art, New York, Le Consortium, Dijon, and the Japan Foundation, Tokyo.

Major solo exhibitions of Goldsworthy's work have been presented by the Yorkshire Sculpture Park, England; Museo Nacional Centro de Arte Reina Sofía, Spain; Metropolitan Museum of Art, New York; Neuberger Museum of Art, New York; Museum of Contemporary Art San Diego, California; and Des Moines Art Center, Illinois.

Eva Hesse, Studiowork, 1968 Courtesy of University of California, Berkeley Art Museum & Pacific Film Archive, gift of Helen Hesse Charash, 1979 Photograph by Abby Robinson, New York August 5 — October 25, 2009 Curated by Briony Fer and Barry Rosen The Fruitmarket Gallery's 2009 Edinburgh Art Festival exhibition is a solo presentation of the work of German - born American artist Eva Hesse, a major figure in post-war art.

A major solo exhibition of Pendleton's work, Becoming Imperceptible, was recently presented at the Contemporary Arts Center New Orleans, the Museum of Contemporary Art Denver, and Museum of Contemporary Art Cleveland.