Not exact matches
One
of the most impressive things
of Bahrani and Bahareh Azimi «s script is that it
sets up scenes which could have followed into much more dramatic outcomes but the writers chose to take the road less traveled and in an odd way, by taking the less dramatic approach, the
film removes itself that much further from the
majority of indie
films that concern themselves with cramming the most amount
of drama into the least amount
of time.
But it's still a cut above the
majority of family entertainment, and director Paul King, who got his start helming the surreal cult comedy series The Mighty Boosh, continues to prove himself a confident and comparatively sophisticated stylist, employing cutaway
sets, Rube Goldberg slapstick, animated sequences in different styles, and loads
of visual gags to create the
film's dollhouse - storybook world; the aesthetic influence
of Wes Anderson is especially pronounced in the scenes
set at the prison, where an early mishap involving a red sock and the prison laundry dyes the convicts» uniforms a Grand Budapest Hotel shade
of lavender pink.
The
majority of Anna Karenina is
filmed in a theater with all
of the
sets built on and around a main stage including a skating rink, a grassy field, a snowy train station, and even a horse race.
A vast
majority of this
film centers around Brad's internal monologue,
set to an odd violin theme that wouldn't be out
of place in a horror movie.
This is only because a good
majority of the
film is spent going back and forth between the situation facing Marty, Billy and Hans involving the ruthless Charlie who's after his dog, and the scenes Marty is
setting up for his movie.
Certainly it isn't because it's a fitting ending to the journey
of Bilbo, as he's not even involved in the
majority of this
film, instead taking a back seat to a host
of characters that are either greatly beefed up from their small supporting roles in the original Tolkien work, or, as in the case
of lovelorn wood elf Tauriel (Lilly, The Long Weekend) and handsome dwarf Kili (Turner, The Mortal Instruments), complete fabrications injected to put in a love story for, presumably, the young female
set.
At times I felt the
film lacked a bit
of detail on everyday life in the trenches, because the vast
majority of it is
set in the comparatively cosy officers» quarters, where food and drink is regularly available courtesy
of Toby Jones» comic - relief cook Mason, whose ingredients are regularly called into question.
I half thought they were
setting up a mid-movie climax that we often see in the
majority of superhero
films, which would allow the team to band together before the inevitable «final» battle.
The
majority of the
film takes place in the house as well, but Letts and Wells still offer us glimpses
of the Oklahoma
setting which is vital to Letts» world.
The
film will be
set in post-Civil War times and as
of now sounds a bit like previous Tarantino
film Reservoir Dogs in the sense that the
majority of the
film will take place in only one location.
It also details the controversy surrounding the
film's depiction
of lesbian and bisexual characters, which involved a conference demanding the
majority of the narrative be changed in addition to protests / rallies as well as a restraining order enforced by police guarding the movie
set that led to mass arrests.
The line - up also
sets Sundance apart from the other major
film festivals that have aimed to include TV programming, because the
majority of the 17 series do not have pre-established distribution.
The
majority of the piece is candid
set footage, showing us direction, rehearsal, raw takes, and day - for - night
filming.
In this
film that is evidence in her
set design and costume choices, her storytelling gimmicks, and her commitment to the absurd plot, knowing that it might freak out and alienate a
majority of viewers.
While the
majority of negative reviews do seem to stem from the aged
set, there are any number
of older critics who gave the
film positive reviews (81 % fresh at Rotten Tomatoes as
of this writing).
This (or perhaps costuming) is one
of the more curious choices for The Revenant, a
film that spends the
majority of its runtime in natural woodland
settings that honestly don't require a ton
of production design.
The
majority of the
film centers squarely on the couple as they endure the harsh prejudices
of society but the climax, subtle as it may be, shows how their trials — both literal and figurative —
set a legal precedent in a nation on the cusp
of the Civil Rights Movement.
, a
film that spends the
majority of its runtime in natural woodland
settings that honestly don't require a ton
of production design.
A lot
of people predicted that Justice League main struggle with competing with Avengers Assemble was the fact that the
majority of heroes in that
film had an origin story to
set them up, whereas here we are meeting Aquaman, Flash and Cyborg for the first time.