Sentences with phrase «make color lithographs»

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Other noteworthy inclusions were Frédérique Loutz's exquisite artist's books made from a single folded sheet of paper; a giant display of lithographs dwelling on contemplation, traces and loss, from conceptual artist Marie - Ange Guilleminot's ensemble Nuancier (Color Chart); Mélanie Delattre - Vogt's fine lithographic drawings, based on culinary images from a 1970s freezer manual where disembodied hands cut up squid, duck, pig and bunches of rhubarb.

HELEN FRANKENTHALER Reflections II, IV, and VIII three lithographs in colors, 1995, on Lana mould - made, all signed and dated in pencil, two annotated «P.P. I» and one numbered 15/30 (the editions were 30 plus 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, Reflections II with a small handling crease in the lower margin, two with a few spots of stray printing ink in the margins, otherwise all in very good condition, framed various sizes (3)

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

HELEN FRANKENTHALER Reflections I - II; and IV three lithographs in colors, 1995, on Lana mould - made, all signed and dated in pencil, two numbered 6/30 and one numbered 2/30 respectively (there were also 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, all with full margins, Reflections II with a few unobtrusive small spots of stray printing ink in the margins, otherwise all apparently in excellent condition, one shrinkwrapped, one unframed and one framed two S. 26 3/4 x 20 in.

HELEN FRANKENTHALER Reflections VI lithograph in colors, 1995, on Lana mould - made, signed and dated in pencil, numbered «P.P. I» (the edition was 30 plus 10 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 16 3/4 x 13 3/4 in.

Working with the central idea of the constructed image of a rose with all its itinerant histories and meanings, etc. the works in this exhibition, which include Mark Dutcher's lovely albeit sorrowful rosebush made of colored wax and Sabina Ott's Mater Rosa I from a series of lithographs that depict the rose as a strangely regressive shape, mirroring the circle, in some way echo both the fragility and decadence of the rose as a central and narrative trope in our ever - shifting human history.

A lithograph from the same period, Blue and Orange consists of two shapes in the title's complementary colors facing off against one another with a tension that makes them appear almost animated.

BAKER SPONDER GALLERY has 3 new locations in Boca Raton and Miami, Florida New Acquisitions Roy Lichtenstein, Reflections on Crash, 1990 color lithograph, screenprint, woodcut, metalized PVC film, collage and embossing on Somerset mould - made paper, 59 1/8 x 75 in.

Helen Frankenthaler Reflections VI, from Reflections 1995 Lithograph in colors, on Lana mould - made paper, the full sheet, S. 20 x 15 1/8 in.