In addition to asking us to think about postmodernist issues of painting, perception, authorship, and the like, Hablon Redux asks what art can do to
make existing traditions and practices more visible, through a process that goes beyond interpretation into inspired invention.
Not exact matches
Paul and the Romans
made the rumor of a crucifixion into a savior story by usurping other
existing traditions, such as the Mithraic virgin birth, and death of the sun god Mithra.
It has been my personal experience that Judaism is often practiced with an appreciation for the cultural benefits of community and
tradition without falling into the pits of fundamentalism and intellectual suicide; not that Jewish fundamentalists don't
exist, they just seem to
make up a smaller percentage of the overall population.
In the lives of women there
exists a unique opportunity to develop a sense of God, and there
exists something of the essence of God which, though
made known to us in Christ, we missed because women were excluded from the ranks of church hierarchy and demeaned in religious
tradition.
Furthermore, it has insisted — and rightly — that Christianity is a faith and not a philosophical or ethical system; it is a faith in which affirmations are
made about an historical person in whom God is believed to be specially at work; it has insisted that we have to do with a
tradition which has been nourished by the lives of holy men and women, by saints and scholars, but which is based upon the gospel, whose grounding is in the scriptural record and witness and which therefore can not
exist without constant reference to that «deposit» of God's self - revelation.
That such a
tradition as Käsemann describes
existed in the early Church is clear enough, and that these sayings are at home in it is shown both by their form, the two - part sentence with the same verb in each referring to present action and eschatological judgement respectively, and by the fact that a Christian prophet
makes use of one of them in Rev. 3.5 b («I will confess his name before my Father and before his angels»).
Tropical
Traditions participated in a study at Ohio University at the time that showed the protein from soybeans in chicken feed passed into the egg yolks and tissue of the chickens, potentially
making people who thought they were allergic to eggs understand that they might actually be allergic to the soy protein that
exists in almost all commercial eggs today, including organic eggs.
Inspired by the
traditions of Wisconsin taverns and supper clubs, The Old Fashioned
exists to pay tribute to the foods and spirits that
make our state famous.
We found it helpful to
make our own family
traditions or continue
existing ones that
made it both special for our little one, but also helped us in planning the holidays, as well as following some basic tips in our planning.
It remains to be seen, however, whether the bowerbird
traditions exist because males are copying the decoration selection
made by their more successful neighbors or whether the preferences of females dictate the males» choices of ornamentation.
Tropical
Traditions participated in a study at Ohio University at the time that showed the protein from soybeans in chicken feed passed into the egg yolks and tissue of the chickens, potentially
making people who thought they were allergic to eggs understand that they might actually be allergic to the soy protein that
exists in almost all commercial eggs today, including organic eggs.
Although his work
exists within the German
tradition — from Expressionism a century ago to the significant contribution
made by contemporary artists who are his senior, Anselm Kiefer, Georg Baselitz and his teacher Sigmar Polke — Ackermann has found his own voice independent of his forebears and has become one of the most stimulating and important artists working today.
Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to
make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti
Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract
exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
Yuasa is involved in the physical
making process at each stage, unlike previous masters of the woodblock
tradition and, through the intimacy of this process, he further builds upon his
existing connections to the subject of the work.
Which
makes you wonder: what do these guys actually add to
existing traditions?
The question is how easy it is to
make these changes to an
existing law school that has been around for over a century, in a profession steeped in
tradition and resistance to change.
Indigenous women now continue a
tradition of leadership that
existed before colonization and in spite of a system that has
made every attempt to prevent them from having power.
However, it is a right which
exists in an Act which
makes provision for the future dealings in land and where, if agreement is not reached about the doing of a particular future act, the Tribunal is mandated to take into account not only the impact of a proposed future act on claimants» native title, way of life, culture and
traditions and social, cultural and economic structures etc (s 39 (1)(a)(i)- (v)-RRB- but also the economic significance and any public interest in the doing of the future act (s 39 (1)(c) and (e)-RRB-.