Filmmaker Barbara Hammer is a pioneer in the field of lesbian films, known for touring the United States, Africa and Europe in the 1970s to
make films about women and the lesbian experience, works that exploded traditional notions of female sexuality.
Whilst Jane Campion has a tradition of
making films about women in a men's world, I felt this film failed to be a hard hitting feminist discourse, mainly because the story was so ordinary.
It is exceptional that Ford has
made a film about a woman that spends the bulk of the runtime sitting on her couch (or bed, or in the bath) reading a book, into one of the most compellingly «lean - in» films of the year.
I just
made a film about women, with women protagonists... I decided that I'd made enough films about violent men, and I wanted to do a film with only women in the film, and so I did this story because my wife would only go to L.A. if we had to travel out of Copenhagen.
Kudos again to Vanderbilt for sticking to the story, and not
making it a film about a woman trying to have a career and a family.
Not exact matches
A week after The New York Times and The New Yorker ran back - to - back reports cataloguing Harvey Weinstein's alleged serial sexual harassment of
women in Hollywood, actress Selma Blair saw a story on HuffPost
about writer and director James Toback's new
film that
made her blood run cold.
So let's say this movie is
about a
woman whose life was shaped by love of her father; the
making of the
film Mary Poppins (as well as the writing of the book) is
about her coming to terms with the truth
about personal love and death and all that.
If you ask for the reason of such an article, maybe you should know that there are plenty of supposed experts who would use such a
film,
made by filmmakers and promoted by promotional people, as «scientific evidence» to «educate» pregnant
women and couples
about the risks of medicalized birth.
A former politics lecturer is in hot water for being caught on
film appearing to don an orange bra with a studded leather jacket, smoking a cigarette in his underwear, snorting white powder from a
woman's breasts and allegedly
making rude comments
about the prime minister.
In response, Katko said he never endorsed Trump and was convinced that Trump should step down from his campaign after audio leaked last month in which Trump, before
filming «Access Hollywood» in 2005,
made lewd comments
about women.
A documentary
made about Okinawa showed a 100 year old villager with better fitness levels than an entire
film crew less than half her age, a 96 year old martial artist who beat a 36 year old boxing champion (on national American television live) and even a 105 year old
woman who easily killed poisonous snakes.
Pandy «PJ» Wallis is a writer whose novels
about a young
woman making her way in Manhattan have spawned a series of blockbuster
films.
Like most Wilde plays, it has been
made into
film and for television numerous times, although this version isn't a strict adaptation, causing the name to be changed, rightfully, to use a part of the play's secondary title, «A Play
About a Good
Woman».
If nobody had been so adamant
about making this
film «
about» Diane Arbus, it would be a perfect story
about how an uncommon
woman, living in the lap of luxury and perfection, discovers her own capability to see beyond the shape of things and boredom that privilege means.
Two years later, he could be seen in another high - profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he
made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe - winning HBO movie Lackawanna Blues, a life - affirming
film about a selfless black
woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house.
His fourth
film under his 20 - year ban is «an artful, surprising and thrillingly intelligent story
about a few
women trying to
make a difference, forging bonds of solidarity in quiet defiance of the repressive, small - minded men in their rural village,» writes L.A. Times critic Justin Chang, who also finds «its insights casually profound.»
She is currently developing a feature
film about women's fear of commitment, for which her short
film, Loose Ends, is currently
making festival rounds.
Greta Gerwig who wrote and directed «Lady Bird,» which won Best Motion Picture - Musical or Comedy, noted that «it's been such an incredible year for
women in
film both as actors and also writers and directors and producers and people who are really coming to the forefront to tell their stories
about the world as they know it from where they are standing, and I think that the response to these projects and the support that these projects have gotten and the way that audiences are going to see them or watching them in their homes, I think all of this just
makes it so much easier for the next crop of filmmakers who want to tell stories
about women.»
We don't get a whole lot of the comedy in the trailer, which
makes the
film seem like a fairly straightforward drama
about a
woman's spiritual battles.
Witherspoon noted, that now there's talk
about «seeing a more dynamic
woman on
film» and explained «I think this is just the beginning, and we hope to continue that and even
make it more diverse and
make it more inclusive,
make it more look like the world really looks.
At the same time, his daughter (Chloe Grace Moretz), a minor who just turned 17, is starting an affair with a sixty - something
film director (John Malkovich) who is legendary for his skill and productivity but also notorious for
making films about older men having affairs with much younger
women and doing the same thing in real life.
During our discussion, we talked
about how long she has to sit in the
make - up chair to apply Okoye's tattoos, how she got inducted into the Marvel Cinematic Universe, her relationship with the other
women in the
film, comic book research, and what Wakanda thinks
about the Winter Soldier.
During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked
about wanting to
make a movie celebrating
women and friendship, the biggest challenges in getting this
film going, having her voice heard, as a female filmmaker, what she most enjoyed
about playing Honey, putting together this cast, funny moments on set, what she enjoyed
about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.
So I'll use this opportunity to sing the praises of something I'm much less surprised but no less disappointed didn't
make our list: Gett: The Trial Of Viviane Amsalem, a thorny Israeli
film about a married
woman (Ronit Elkabetz, who also co-wrote and co-directed) attempting to secure a divorce against her prideful husband's wishes — a real uphill battle with Israeli law, which is fundamentally stacked against her.
Tehran Taboo This handsomely animated
film, much of it set in the libertine underworld of Tehran,
makes an unassailable point
about the hardships of life in today's Iran, mostly involving sexual morality and the status of
women.
Little
Women» is a moving
film about the
making of a sensitive writer and the maturation of a small - town girl who transcends her milieu and at the same time retains its heritage.
The disc is packed with extras, including some deleted scenes that add very little, a blooper reel and a featurette detailing how Wonder
Woman fits in with Batman and Superman as a DC flagship character that are all fairly throwaway, but there are a few neat production featurettes that detail how director Patty Jenkins approached
making what could have been a potential disaster given the negativity towards the DCEU's previous movies, and also interesting effects details
about the lighting, costumes and the chosen colour palette that may not sound like much but actually prove to be quite enlightening
about the whole
filming process.
For a
film about a
woman who enjoys the the act of sex without actually being able to achieve orgasm, it's fittingly ironic how The Oh in Ohio manages to
make us sense amusement without actually getting us to laugh out loud.
We honor these men for showing respect to and demonstrating appreciation for
women who
make films and for
women who write
about them.
Then again, he also says of Swept Away, «It's very fresh — they don't
make films about slapping
women anymore,» leading the viewer to wonder if he's really got his finger on the pulse.
The textured range of daughters, mothers, step - relatives, and friends rings vividly true — with Russell clearly invigorated to
make a
film so
about women.
Set in WWII - era, Japanese - occupied Shanghai and Hong Kong, Ang Lee's 2007
film Lust, Caution is a suspenseful erotic thriller
about the sacrifices one
woman makes for the survival of her country.
And while most screenwriters or directors would
make that the entire premise of their
film, Holofcener proves once again why her
films feature some of the most satisfying and well drawn observations
about men and
women and how they relate.
by Walter Chaw Three short
films about three
women and the men who mistreat them, Rebecca Miller's DV triptych Personal Velocity: Three Portraits is a fine - looking
film that plays a little like Catherine Breillat - lite — a series of iterations of Yeats's «Leda and the Swan» that suggest the evil that men do to
women only
makes women stronger.
Since Hollywood refuses to
make clever, engaging
films about strong 50 - something
women, leave it to Chile to give us a movie to celebrate.
Also on this podcast you'll also hear Karina Longworth talking
about the Golden Age of Hollywood, Slate culture writer Aisha Harris (host of the show Represent) on the importance of representation of
women and people of color in Hollywood and
film awards, actor Paul Scheer on some of the worst movies ever
made (which he talks
about on his own podcast that he co-hosts with his wife, actress June Diane Raphael, and their pal and fellow actor, Jason Mantzoukas.
There's a lot
about this
film that
makes me think Richard Curtis is a misogynist hiding in plain sight, and it's not just that the
women in Tim's family randomly don't share the gift of time travel the men have.
squanders an interesting opening on a generic action finale there's nothing offensively terrible
about it.This is a low - budget (8 million dollars) original sci - fi concept starring two
women and multiple people of color, there's credit to be given to Scott Free Productions, 20th Century Fox, and Scott for producing a movie that seemed to approach
film -
making exactly the way it should be done with diversity.
But with its flat presentation and dearth of any riveting moments, the
film plays more like an after - school special
about the pitfalls of teen decision -
making than it does a documentary
about young
women struggling to
make something more of their lives.
Although Morgan squanders an interesting opening on a generic action finale there's nothing offensively terrible
about it.This is a low - budget (8 million dollars) original sci - fi concept starring two
women and multiple people of color, there's credit to be given to Scott Free Productions, 20th Century Fox, and Scott for producing a movie that seemed to approach
film -
making exactly the way it should be done with diversity.
It was one of those rare times when a major
film studio — United Artists, in this case — allowed him to
make pretty much anything he wanted, even a sophisticated and very personal British movie
about an openly gay Jewish doctor sharing his lover with a
woman.
One of the best
films to premiere last year, Western is probably also the best
film since Claire Denis's Beau Travail to be
made by a
woman about men (indeed,
about men who are without
women, most of the time).
Selected by Chile to represent the country in the Best Foreign Language category at the Oscars, this moving, funny, very human
film about a middle - aged
woman and the obstacles that prevent a full and rich love life has a terrific shot at
making the final five nominees.
The
film makes solid points
about the feminist case against firearms, then scrutinises these a little more closely, and backs its agenda up with its roles for
women — Alison Pill's opposition turncoat is another case in point.
The Criterion debut of the
film features a new video interviews with Ballhaus and the original featurette «Outsiders» featuring new interviews with actors Margit Carstensen, Eva Mattes, Katrin Schaake, and Hanna Schygulla, plus a new interview with
film scholar Jane Shattuc
about director Rainer Werner Fassbinder and the
film, and the 1992 documentary Role Play:
Women on Fassbinder, originally
made for German TV and featuring interviews with Carstensen, Schygulla, and actors Irm Hermann and Rosel Zech.
The
film isn't
about the central issue at stake; it's simply a character - study of one
woman going through life who decides to
make a specific choice when faced with a difficult situation.
Lynch talked
about his excitement to
make a
film starring a badass
woman and «strong female character» which he said shouldn't even be a term any more as a female ought just to be allowed to be a «strong character.»
I like Suffragette just fine but in no way does its topic (
women's voting rights)
make it a better
film about women than say Carol or Brooklyn or even less high profile pictures like Grandma or I'll See You In My Dreams or Mustang you know?
He went on to say that the
film industry was, «so clueless
about women, we made a movie called What Women Want and it starred Mel Gibson.&r
women, we
made a movie called What
Women Want and it starred Mel Gibson.&r
Women Want and it starred Mel Gibson.»
Three of the movies from female filmmakers of color that
made our «Best
Films About Women in 2014» list — Amma Asante's Belle, Gina Prince - Bythewood's Beyond the Lights, and Ava DuVernay's Selma — are happily among the 17
films helmed by female directors to crack the top 250 list.