That's why it is so very important to know what the author wants and it is why so many people don't
make good beta readers.
Here's a clearer list of people who don't
make good beta readers.
I've long been convinced that I wouldn't
make a good beta reader because my writing methods were wrong for the task.
10 Tips for Taking Feedback On Your Writing 5 Things You Should Know About Working with Beta Readers What
Makes a Good Beta Reader How to find Beta Readers @ writersdigest.com How to find Beta Readers @ smallbluedog.com
Being willing to do all that is what
makes us good beta readers.
Not exact matches
What
makes a «
good»
beta reader for you?
I was extremely lucky to have great
Beta readers for both «Buried Ladies» and «Scars of the Past» and they really
made my writing
better.
I'm coming up against a dilemma here: stick to my self - imposed deadlines and into the hands of
beta readers or keep going to
make sure it's in the
best shape possible before handing it off.
Personally, my books don't go through the copyedit stage before I submit it to
beta readers, but I do my absolute
best to to
make it the
best it can be before I run it past other sets of eyes.
A
good beta reader will go through our «the
best we can
make it by ourselves» draft and give feedback about what we can't see.
Thanks for
making me a
better beta -
reader than I probably would have been.
But non-writers can
make great
Beta Readers, because they only need to help an author
make a book as
good as it can be — not turn it into their own work.
A really
good beta reader, though, will approach editorial levels of commentary and be ready and willing to tell you if bits of your book don't
make sense.
But something so simple, as putting words together, to express how you feel, without the endless effort of draft over draft, editing, spell and grammar checking,
beta readers, relatives hating you, and gaining the sense of some actually achievement — blogging
make me feel
better about myself.
She then talked about how getting
beta readers is an important part of the process, and one very specific example of how having
beta readers is helpful for editing, as
well as
making sure you dial in your characters.
A
good 6,000 words in the can this week, with Money's On changing it's name to All Bets are Off and
making it out the door to
beta readers.
Another great way of honing your novel prior to publication is to use
beta readers — they will
make your book so much
better.
But my current publishing team of
beta readers and editors are also so
good at finding what I need to fix that I appreciate the push — and the opportunity — to
make my stories
better.
But what is a
beta reader and how can you shamelessly leverage their time and
good will into
making your manuscript the
best it can be?
Sadly my hubby isn't always that
good to bounce ideas off (though he
makes a great
beta reader).
Think of it this way:
Beta readers can help you
make a book
better to help it sell
better.
If we found a
beta reader we liked but they didn't want to work with us,
make sure we were giving as
good as we got.
In fact, my number one piece of advice for finding
beta readers is to offer to read for others and
make sure we're providing
good feedback.
However, adding graphics to
make your genre more apparent can help you with networking as
well... finding critique partners and potential
beta readers, etc..
-- all the book promotion you need — Book ambassadors to support your book launch — Dozens of marketing ideas to promote your fiction or non fiction book —
Beta readers to help
make your book
better — Interviews with bestselling authors you can learn from to help you step up your writing and marketing — Resources to help you become a
better writer and help you sell more copies — A community of support to keep you motivated — One stop solution to hire a book cover designer, publicist, editor, brand marketer, web designer and more
Authors should hire a proofreader or a
beta reader if they want to
make sure that their works are
good instead of asking for help from their book agents.
Once the ideas are in
good shape (through revisions after feedback from
beta readers or a manuscript critique, or a substantive edit), line editing, also known as heavy copy - editing, looks at the style and flow of your writing to
make sure those ideas are expressed as beautifully as they can be, while still retaining your distinct voice.
1 Structure, Plan and Write 1.1 Turning Real Life Into Fiction 1.2 Kurt Vonnegut on the The Shapes of Stories 1.3 The 12 Key Pillars of Novel Construction 1.4 Plot Worksheets to Help You Organize Your Thoughts 1.5 The Snowflake Method For Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits of Ernest Hemingway 1.8
Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10 Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12 Using the Right «Camera Angle» for Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling
Better Stories 1.16 The 25
Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your
Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding
Beta Readers 2.2 Understanding the Role of
Beta Readers 2.3 Find
Readers By Writing Fan Fiction 2.4 How Fan Fiction Can
Make You a
Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into
Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Space?
Peter, on the other hand, self - edits a
good 4 to 5 times before he sends out to
beta readers, and then at least that many after the
beta changes are
made before publication.
Among the topics discussed were the following: the
making of a
good murder, what
makes a great sleuth, Original Oreos versus Double Stuffed and of course — the importance of
beta readers.
Big thanks go to my
beta readers Katy and Dymphna for their time and effort in helping
make «Abigail»
better.
In Episode 5 of the Smart Author Podcast, out today (links below), you'll learn how to work with
beta readers to
make your next book the
best it can be.
«Bardwell's Folly» has been read by five
beta readers now, and thanks to that feedback I'm
making some
good revisions.