Sentences with phrase «make in horror films»

Let's compare dating mistakes to the mistakes characters make in horror films.

And if that wasn't enough reason to turn you away, «Prom Night» features some of the most illogical decisions ever made in a horror film.

Not exact matches

The Weinstein Co's sale documents need to make clear the bankrupt film studio will defend Lionsgate Entertainment Corp in intellectual property disputes stemming from two horror movies, Lionsgate said on Thursday in court papers.

David Goldman tries to explain the growth in the American horror - film genre while making the assumption that horror is bad in and of itself, with which I disagree.

Recent and upcoming releases include the romance - horror hybrid Spring; the hotly - anticipated The Look Of Silence, Oppenheimer's companion piece to The Act Of Killing; The Connection, a 70's - set true crime epic and European flipside to William Friedkin's The French Connection starring Oscar ® winning Best Actor Jean Dujardin (The Artist); The Keeping Room, from director Daniel Barber (Harry Brown), based on Julia Hart's acclaimed Black List screenplay, starring Brit Marling, Hailee Steinfeld and Sam Worthington; the multiple Cannes award winning The Tribe, filmed entirely in Ukrainian Sign Language with a cast of deaf, non-professional actors; and a remastered re-release, in conjunction with Olive Films, of the 1981 disasterpiece Roar, the most dangerous film ever made, starring Tippi Hedren, Melanie Griffith and a cast of 150 untrained lions, tigers and exotic animals.

If you haven't tried one yourself, you've surely seen them all over Instagram: those white or animal - printed masks that make the wearer look like the villain in a horror film.

So, when we were in New Orleans you better believe we made our way over to where American Horror Story: Coven was filmed!

The idea is to make you feel like a character trapped in a horror film.

The cost of making quality horror films has never been high, so a more modest box office is acceptable if you're still pulling in ten bucks for every dollar spent.

Another film that went on to have it's own franchise pushed the boundaries of horror, made on a shoestring budget and executed in the most simplest of terms was Saw.

One of the few last successful horror franchises in modern history would have to be the Paranormal Activity flicks where it goes to show, that a film that makes noises in another room can scare the living hell out of millions of people.

This combination of classic horror action and satire make The Cabin in the Woods unique and a film that is sure not to disappoint fans of campy gore and violence.

Director James Cameron's 1986 blockbuster follow - up to Ridley Scott's Oscar winning science - fiction / horror flick that became one of the biggest grossing films of 1979 asks a good question to a successful hit... How do you make a successful sequel to a film in which much of the suspense comes from learning about the mysterious monster?

The fifth in the apparently never - ending series of horror films actually has the highest Metascore of any film in the franchise, which doesn't make it good, per se; just not bad.

When I first saw the trailer for this movie I thought it was good to be another awful horror film, but the twist led by the characters played by Bradley Whitford and Richard Jenkins makes this one of the most inventive horror films I've seen in a while.

An intelligent and scary horror film that makes a more than welcome commentary on the horrors of war and gender oppression in Iran, using a lot of symbolism and keeping us in an increasing state of anxiety as it moves in a deliberate, slow - burning pace towards a terrifying climax.

The way they appear and vanish is almost supernatural, and it deliberately mimics the way horror movies toy with their audiences; there's a bit in the first film where Speedman is desperately rifling through his car and a finger menacingly makes its way into the frame to tap him on the shoulder, barely a half step away from having someone actually jump out and yell, «Boo!»

There are some gruesomely well - orchestrated scenes of body horror (one particular dissection is nightmarishly staged) and Garland's knack for gonzo imagery ensures that many scenes in the film will make a lasting impression.

Even though the film feels low budget, this still a fairly well done Sci Fi horror flick, though lacking in plot, it makes up for it in thrills.

This sequel does willingly give itself make to Meta, and with gusto, bringing in an entirely new cast to replace the archetypes of the original and jumpstarting the original's breadth of knowledge on horror films.

He also had a bad habit of being killed off before the film was half over; in 1940, Trowbridge had the distinction of being murdered (by Lionel Atwill and George Zucco respectively) in two separate Universal horror films, Man Made Monster and The Mummy's Hand.

Pearce's script perhaps errs a little in making Moll's family almost inhumanly ghastly, though such exaggeration is understable in a film partially fashioned as a warped adult fairytale — at least, until the horror mechanics take hold.

Even though it relies on a gripping feel of intense paranoia, this is an overlong sci - fi / horror movie that suffers from certain problems in logic and kills its tension with long passages that make the pacing irregular, not even being smart enough as an allegory like the original film.

The lack of a convoluted motivation felt that much more terrifying, a tactic also used in 2006's Them and 2016's Hush, maybe because the indiscriminate nature of the violence makes us all feel unsafe and maybe because, as many classic horror films have shown, the less we know, the more terrifying it can all seem.

Not that it matters, but as personal as the director can make, the horror of the film is personal for all the people in Middle East.

The hard - working actress has made a career of choosing diverse and challenging projects both in film and television, starting with her acting debut in the movie JOE, which she soon followed with the 1975 cult classic THE ROCKY HORROR PICTURE SHOW.

Well, you can't expect too much from a show made in 2015 even if it is somehow connected to your most beloved horror film franchise.

When it's finally ready to resemble a horror film, it borrows liberally from the art direction and creature designs of the Silent Hill games, including several monsters specific to Silent Hill 2 and a slew of sets from Silent Hill 3 (already the first game in the series to drift away from what made it special).

Later this year, he will star as the lead in the horror film TRUTH OR DARE, and make a cameo appearance in WORLD WITHOUT END, the sequel to PILLARS OF THE EARTH.

To make one of the most inventive and unnerving horror films in recent memory, writer - director Robert Eggers conducted extensive research into folktales from the witch - hunt era of 17th century New England.

Both films were made with very small budgets, both proved extremely profitable relative to those budgets, and both spawned new trends in the horror genre — gory «torture porn» / new - wave splatter films (Saw) and smaller - budgeted supernatural horror films (Paranormal Activity).

Comedy, sci - fi, horror, romance, adventure, action, drama, and thriller, it covers quite a lot of territory in a short amount of time, and does so with its own sense of style that makes it different from any other film, even if it is an homage film at its core.

Dylan Bank wasn't just interested in making a horror film, he wanted to say something more with his project though what that «something» is remains illusive.

Foreign films made a splash — Michael Haneke's Funny Games, Peter Jackson's Dead Alive, and a wave of Japanese films that would have a powerful influence in the next decade of American horror.

The film is set in 1971 and it feels like director James Wan set out to make the film have the same tone and aura of those horror movies from that era.

Sprinkled with little personality bits here and there (Tallahassee's mad quest for an ever - elusive Twinkie, Columbus's crippling fear of clowns, etc.), Zombieland doesn't break any new ground in the horror genre so much as make for a strong dose of escapist fun for knowing fans of the films.

A few unexpected minor pleasures: the time - travel flick Predestination, an adaptation of a Robert A. Heinlein short story that's one of those rare sci - fi movies that feels like it was made by people who read sci - fi; the horror Western Bone Tomahawk, which feels, in the best way, like someone filmed a first draft script and didn't cut anything, all its little quirks of character kept intact, narrative expediency be damned; and In The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minutin the best way, like someone filmed a first draft script and didn't cut anything, all its little quirks of character kept intact, narrative expediency be damned; and In The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minutIn The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minute.

if I was Canadian, and interested in horror films, I might defend the film — its definitely creepy, but also you have a film here where the protagonist has zero character definition and much of the very deliberate color grading and lighting makes the film look like it has gaping continuity errors.

After landing a part in the horror film The Last Exorcism, Jones decided to make the move to Los Angeles.

While largely avoiding the Twilights and Divergents of the world, he's made interesting career decisions, weaving horror and indie films throughout his comedy roles, and largely using social media in a much more subversive and less thirsty way than some of his peers.

Joe Dante's a great filmmaker, but I wish he had made his return to features with a movie better than Burying The Ex, a glib, EC Comics - influenced horror comedy that would probably work better as a short chapter in an anthology film.

Its just not a substantive movie, but I guess, if you want a horror film, the mean spirited dialogue, creepiness and stabbings will make it worthwhile, but those aren't really features of a great movie in general.

Easier to make a buck by marketing it as a horror film «from the director of William Friedkin» than a new level of psychological torment in cinema.

, who has made a name for himself playing creepy dudes, got his first big lead role in the 2012 horror film

Cemetery Man is a fine comedy horror film that is effectively directed by horror master Michele Soavi, who has made his mark in Italian horror by directing La Chiesa (The Church).

Lifeforce is not a great film, but it is a good horror yarn that tries to do something different in the medium, and it does it in a way to make you take notice and appreciate what the filmmakers have done here.

In the early 1970s, cult filmmaker Jess Franco inspired by the Hammer horror films being made in the UK revisited the iconic monsters of yesteryear, placing them in the castles and crypts of the Spanish countryside, and bracketing the thrills with scenes of frank eroticisIn the early 1970s, cult filmmaker Jess Franco inspired by the Hammer horror films being made in the UK revisited the iconic monsters of yesteryear, placing them in the castles and crypts of the Spanish countryside, and bracketing the thrills with scenes of frank eroticisin the UK revisited the iconic monsters of yesteryear, placing them in the castles and crypts of the Spanish countryside, and bracketing the thrills with scenes of frank eroticisin the castles and crypts of the Spanish countryside, and bracketing the thrills with scenes of frank eroticism.

Filmmakers, especially those operating in the indie horror space, love these non-endings because they make viewers think about the film and draw their own conclusions.

This week in home video releases features one of the most talked - about films of last year, a trilogy from one of America's best directors, a documentary about the people who launched the careers of John Belushi and Bill Murray, the sequel to one of the best horror films ever made, and much, much more.

Dario Argento's Suspiria is one of the best horror films ever made, a hyper - stylized thriller about a dancer who discovers her ballet school in Germany is actually a coven of evil witches.