Sentences with phrase «make less paintings»

You may lose a source of income this month so time to cut down on drinking and make less paintings with fewer colors!
She's insisting, «Just because you think it looks sweet doesn't make it a lesser painting

Not exact matches

The property is in need of some cosmetic renovations (paint, landscaping) to make it look less «scary,» but I'm not worried about getting them done.
Small touches like flowers, paintings, and area rugs are meant to make the office feel less like a place of work and more like a home.
In an attempt to make their home less recognizable, the current owners have painted the house dark purple, and the familiar red door is now white.
Decorum and good business sense make it unlikely that Rembrandt would have painted paying customers in a way that was less than flattering.
Earlier on Sunday a video emerged of some Hammers fans making a spoof of the Paris Metro incident, in which some Chelsea fans racially abused a black commuter, However, this incident has painted the Upton Park faithful in a less favourable light.
Unfortunately, not brushing your hair makes her look shit, not painting her nails makes her feel less attractive but not having sex only makes someone else (me) feel shit and feelings aren't always visible.
Doll and Plush Animal Safety With toys made entirely of fabric, lead paint is less of a concern — just check for any painted - on features and take extra precautions with these items.
Automobiles made of cardboard, covered in moss, and blanketed in birds» nests could become the next «classic» and soon be regarded as no less ridiculous than a hand - painted muscle car or rim - spinning, bass - thumping Escalade.
Once dry, go over the first layer of paint one more time to make the paint less transparent.
I think I read somewhere about CC but the price was higher for less product, and the paint I made with it was runnier than I was used to.
It just takes a few minutes and it will make your painting go more quickly and a lot less messy!
btw thank you for your comment on my painting... It representing a mythological figure (a water fairy) I was trying to make it a part of surroundings... and make the colours more watery and less warm and human like, I don't know how to explain it ha ha...
I copy my pictures into paint, making the MB smaller, thus taking up less space.
I like the two tone look so I do it quite often with my furniture, makes me feel less guilty about painting some of the wood.ReplyCancel
Full, groomed brows make you look younger and actually allow you to wear less makeup, but it's important they look natural — not painted on.
The more animation intensive sequences are less spectacular than the movies that have to make something happen in front of the camera, not just paint it in later.
Maybe everyting would have been less jarring had Kobiela and Welchman painted the film from scratch, but the decision to shoot it first with live actors and then rotoscope them later only makes it more difficult to float between the frames.
A Fan made Metal Gear Solid V: The Phantom Pain watercolor painting of Snake has made its way on to the internet, and it is no less than a masterpiece.
«Though Trumbull worked on the painting for years in hopes of including all of the signers, the lesser - known delegates and the ones who died in the decades just after the Declaration of Independence was signed didn't make the cut,» Sneff writes.
Who knows what hidden damage lurks underneath the paint of used parts, and some aftermarket parts are of questionable quality, with incorrect dimensions and thickness that can make them hard to fit and less durable, with a less than satisfactory finished appearance.
The standard Juke style highlights are here — including a center console painted to match the bodywork — but they're buried under a mountain of trinketry that makes the RS look less like a performance car and more like something you'd drive in Mario Kart.
FCA also released a production - numbers breakdown of the special - edition and special - paint Dodges it's built since 2006; collectively, they represent less than 11 percent of all of the 1.5 million Chargers and Challengers made between then and now.
This makes the phone much less likely to slip out of your hand, and also less likely to have cosmetic paint loss.
Painting itself in an altruistic, pro-consumer light, Amazon in a post posing as an «update» on the Hachette standoff — that has prevented customers from buying print or e-book editions from the publisher because Amazon refuses to fill orders — explains that it is putting pressure on Hachette (and other publishers soon to follow) to lower the wholesale price of e-books to where Amazon can make a profit on them selling them at $ 10 or less.
A few weeks ago, the publication released the results of its annual Salary Survey results, which have painted an American video game development industry made up of less disparate income differentials than one may assume when listening -LSB-...]
As Okami HD has already been available on both Xbox One and Playstation 4 as well as PC back in December, the Switch version will feature versions touch screen controls making the paint brush mechanic less of a hassle.
Create replicas for less: If you are taking photos, painting, sketching, or any other kind of two dimensional art, replicas are a great way to make money off of your art.
Featuring 60 paintings and collages made between 1954 and 2013, the exhibition was monumental in both scope and effect: by showing a less frequently seen side of Katz's work, it prompted the viewer to reconsider the artist's overall project, now well into its sixth decade.
Had Bonnard made a painting from drawing no. 109 (fig. 4) I am sure that the look down the near newel post would have been less immediately striking (as it is in the drawing compared with the photograph (fig. 3)-RRB-.
Melissa Dinwiddie, again, «I consciously started working in a less time - consuming manner, in order to make my paintings more cost - effective.
The artist admits that «I... Make paintings that are difficult to look at, much less deal with.
The earlier styles of non-objective painting also became less fashionable, focusing more on making a modern world rather than on how dismayed or thrilled they felt to live in it.
Personally, as a painter who's been making sculpture as a way back to painting, if that ever occurs, few painters today seem to add anything new to painting unless they admit to themselves, as I finally did, that painting is nothing more, and nothing less, than flattened sculpture, which in turn is a subset of drawing.
Laid out according to subject rather than chronology, the effect is that of a forensic case study, tracing a path from the everyday objects she called her «models» to her «portraits» — incisive studies she made across media — to her paintings, where the original subject is less abstracted than obscured by the history of her experimentation and transformations.»
As the contemporary practice of painting continues to expand exponentially, with many artists becoming less concerned with the physical medium of paint itself, Cain's practice — a combination of control, happenstance, and environmental information — is made unique through its reliance on space and the structural conditions of the locations in which her work is exhibited.
«A pair of socks», he said at the time, «is no less suitable to make a painting than wood, nails, turpentine, oil and fabric.»
Still, the divisions by curators makes it almost impossible to identify artists, and the ragtag installations look less like art than the remains of an unforgettably awful party — pills, woolens, papier maché ice cream cones, Styrofoam peanuts, used electronics, sci - fi illustrations, softly glowing abstractions, and (my one favorite) treadmills with brightly painted rubber.
Wade Guyton may have made it to the Whitney for inventing a new take on process and execution, but Bradford has already rethought the making of a painting in a far less flashy and far more labor - intensive way.
«A pair of socks,» as Rauschenberg maintained, «is no less suitable to make a painting with than wood, nails, turpentine, oil and fabric.»
A Christie's spokesperson said the glut of attributions was due to the fact that Old Master drawings are often unsigned and usually less well documented than paintings: «Many of the works were bought 20 — 30 years ago so it's not surprising that advances have been made that now help to narrow down and in many of the cases confirm a revised attribution.
There is that, too, the threat of extinction, which may affect physical painting much less, because if worse comes to worst, you can still make up paint using eggs and earth pigments.
MacIver's heartfelt, meditative depictions of household objects, buildings, and landscapes were seen as less ambitious and largely dismissed by trend - making painting theoreticians of the day.
For Heidi, the unflinching ordinariness of her female figures makes them more worthy of painting, not less.
Behind them was a rare 19th - century clay water jar from the Acoma Pueblo in New Mexico, sitting cater - corner from a radiant Minimalist painting by Agnes Martin made in the next century and the same state, in Galisteo, N.M., less than 150 miles from the pueblo.
Arcangel extends this idea of accessibility, perhaps less successfully, in «Photoshop Gradient Demonstrations» (2008 — 10), a series of glossy prints that make reference to Colour Field painting, but — as the title discloses — were generated by manipulating the gradient tool in Photoshop.
There, spread across three spacious rooms, are major yellow notes: (left) Minoru Kawabata's Yellow Slow (1965) at the front, and in the second room, works by Lawrence Calcagno and Hisao Hanafusa announcing that yellow's distinction - its spectral transition in the ROY G continuum between hot orange and cooling green - can be stunning, because it's unusual, and because it's really hard to make a good less great yellow painting.
For barely a month, it takes a lesser - known but representative painter, makes no preposterous claims for him, uses the different scales of two adjacent rooms well, and concentrates on just forty paintings and a few drawings.
At the same time, knowing that African American artists had for years been largely expected to make works of social realism, and the ambition to make abstract works every bit as important as Helen Frankenthaler or Morris marked a equally revolutionary statement of artistic freedom, the abstractions of Bowling, Gilliam, Thomas and Ed Clark — who created shaped canvases, sweeping paint across them with push - brooms — are no less arresting.
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