Do
you make preparatory studies for your drawings?
Not exact matches
The
preparatory work
made possible findings which were
studies rather than improvisations.
The results of these
studies, which are expected to be
made public by the end of the year, can be seen as
preparatory work, soliciting ideas from the scientific community for the next Planetary Science Decadal Survey that is due to come out in a few years.
The correlation of an individual painting and its
preparatory study takes a bit of vigorous dedication, and few may
make the effort to walk back and forth between the two.
Until the mid-1950s, Moore
made numerous
preparatory drawings for his sculptures as well as pictorial
studies of interiors and sculptures in landscape settings.
Because I Could Not Stop for Death — Anthony Panzera, Memento Mori Paintings marks the first pedagogically based presentation of the artist's studio practice, displaying each painting alongside the
preparatory drawings and
studies that facilitated its
making.
The work in question, a
preparatory study of the Schmadribach Waterfall
made in the 1790s, had previously belonged to the late art critic Brian Sewell.
Included in the show, which runs through August 19, are
preparatory studies, finished works, and exercises
made for the artist's own enjoyment.
Drawings The drawings of Cecilia sometimes are
made for
preparatory study but mostly they are autonomous works which as expression join direct the sculptures; monumental and poetical.
Also, for Albrecht Schnider (b. 1958),
preparatory studies in form of countless unconsciously
made drawings are at the base his paintings and sculptures (Ohne Titel, 2014).
Wales, in turn, hired assistants to
make detailed
preparatory studies for the picture, including the British Company soldier and draftsman Robert Mabon and the Indian painter and sculptor Gangaram Chintaman Tambat.
Kröner sees the many
studies and
preparatory drawings Picasso
made as trial runs, or rehearsals, for the final product.
It includes two other frescoes that Rivera
made in New York at the time, along with
studies and
preparatory cartoons, documents and technical analyses.
Unlike
preparatory drawings
made for these sculptural works, however, Serra considers the prints to have their own classification, existing not as
studies but as resolved formal and material inquiries.