Sentences with phrase «make secession»

Having accorded a region the right to secede it would be wrong for the state, through the constitution, to limit the right in ways that make secession effectively impossible.

Not exact matches

Yet Granger also raised the prospect that the Lower South's secession had already made a ruinous war likely.

Making the independence vote a rare and decisive event makes it less likely that the secession right will have the destabilising consequences identified by Sunstein.

It doesn't try to define what might make for consensual secession.

Finally, this common sense approach to locating these games at the established Racinos will not only make it easier for the legislature to pass the gambling amendment at two successive legislative secessions but it will make it infinitely easier to get it passed at the subsequent state referendum.

Only countries and some international organizations can be parties to international law and treaties, so formally only secession could make California a formal signatory of the Paris Agreement.

First off, its 470,000 residents have made something of an art form of feeling slighted; it was not that long ago that talks of secession were being taken seriously.

If secession were the priority, you would get behind the only party with a chance of forming a government that had offered the referendum that makes it possible.

Some primary and secondary pupils in the Federal Capital Territory, Abuja, have made a presentation before the wife of the Vice President, Prof Yemi Osinbajo, Mrs. Dolapo, which focused on the condemnation of ethnic killings, hate, secession threats and the incidence of corruption in the country.

Just as school consolidation makes integrated schools possible, school secession has proven to be a tool to keep the education of black and white and rich and poor children separate — most recently in Jefferson County, Alabama, and in Shelby County, Tennessee.

Gerardo Palala, stage director and choreographer, said that the play is «based on an investigation made by González Dubón that exposes what happened at the time when the secession of national lands was made.»

Last summer at Secession, Vienna, I added material to a film I made called Tension Building (2014).

Recent solo exhibitions include: the world just makes me laugh at Berkeley Art Museum, let's start this day again at Contemporary Art Center (Cincinnati), giorni d'oro + notti d'argento at Museo d'Arte Contemporanea di Roma, Seven Magic Mountains organized by Art Production Fund and the Nevada Museum of Art (Nevada), vocabulary of solitude at Museum Boijmans van Beuningen (Rotterdam), i love john giorno at Palais de Tokyo (Paris), artists and poets at Vienna Secession (Vienna), breathe walk die at Rockbund Art Museum (Shanghai), human nature organized by Public Art Fund in Rockefeller Plaza, (New York), we run through a desert on burning feet, all of us are glowing our faces look twisted at Art Institute of Chicago, thank you silence at M - Museum Leuven (Belgium).

For the recently completed version of Tension Building, which makes its debut at the Secession, the artist has updated her filmic investigation against the backdrop of the last U.S. election to bring critical pressure to bear on the prominent role of athletics and spectacle in American culture.

That makes Vienna Secession — one of the classic white cube galleries in Europe, where Da Corte is currently the subject of a solo show — a rather unexpected place to encounter his work.

Including new works created specifically for the Los Angeles exhibition, «Dark Light» will also include the painting of the same name that made waves at Secession, which riffs on Emanuel Leutze's nationally iconic 1851 composition, Washington Crossing the Delaware, but instead depicts a figure in place of the president in a red baseball hat and camouflage tee shirt.

Autorschaft als Genre, Wiener Secession, Vienna, Austria Tension; Sex; Despair - Aber hallo / na und, WUK Kunsthalle Exnergasse, Vienna Austria Filaturen, Sies + Höke Galerie, Düsseldorf (kuratiert von Bettina Klein) Von Bill Viola bis Aernout Mik, Hamburger Bahnhof, Berlin Albrecht Schnider, Rebecca Morris, Sergej Jensen, Grieder Contemporary, Küstnacht bei Zürich, Zürich Dekade 1993 — 2007, a project by Dirk von Lowtzow, Open Space, Art Cologne, Booth: Galerie Neu / Gal Delete / How to Make a Perfect Ghost, Anton Kern Gallery, New York, NY Of Mice and Men, 4th Berlin Biennale, Berlin, Germany Whitney Biennial, New York, NY Momentum 2006, Momentum — Nordic Festival of Contemporary Art, Oslo, Norway Faster!

2008 Aurum, Gold in der zeitgenössischen Kunst, Centre PasquArt, Bel - Bienne, Switzerland German Angst, Neuer Berliner Kunstverein, Berlin, Germany 7 + 1 Project Rooms, Museo de Arte Contemporánea de Vigo, Vigo, Spain Unmomumental, New Museum, New York, USA La Bibliothèque de Babel, Centre International d'art et du paysage, Ile de Vassivière, France Locked - in, The Image Of Humanity in the Age of Intrusion Casino, Luxembourg Carnegie International, Pittsburgh, USA Peripheral Vision and Collective BodyMuseion, Bolzano, Italy Lost Paradise, Zentrum Plaul Klee, Bern, Switzerland Procession in Art, MMKA, Museum of Modern Art, Arnhem, The Netherlands SECESSION, Vienna, Austria Zones of Conflict 1, Pratt Manhattan Gallery, New York, USA The Artist's Library, Centre international d'art et du paysage, Ile de Vassivière, France The Impossible Prison, The Police Station, Galleries of Justice, Nottingham, England 2007 Dedica, Palozzo delle Arti, Pan, Napoli, Italy Airs de Paris, Centre Pompidou, Paris, France Into Me / Out of Me, MACRO Museo d'Arte Contemporanea Roma, Rome, Italy Art is an Idea: The Moquai Collection, Scottsdale Museum of Contemporary Art, Phoenix, Arizona, USA Swiss - Made I and II: Precision and Madness.

Three large works travelled from my show at the Vienna Secession in 2014, and they added a few other works from local collections as well as a triptych panel that I made this year and has not been exhibited previously.

I realized that unlike a similar frieze of twenty - two paintings measuring 94,1 x 152,4 cm each that I made for Morning, Chapter 30, at MOCA, Los Angeles, these Secession paintings did not hold together quite as seamlessly as the previous ones had.

The Tunnel 269 11th Avenue New York City October 26 - 29, 2017 Kiki Smith: Mortal Dallas Contemporary 161 Glass Street Dallas Texas 75207 September 29 - December 17, 2017 Nicole Eisenman: Dark Light Secession Friedrichstraße 12 1010 Vienna, Austria September 14 - November 5, 2017 Kiki Smith: From the Creek Thomas Cole National Historic Site 218 Spring Street Catskill, NY August 12 - October 29, 2017 Skulptur Projekte Münster 2017 Included Sketch for a Fountain [Skizze für einen Brunnen] by Nicole Eisenman Münster, Germany June 10 — October 1, 2017 Nicole Eisenman Faces: Painted Reliefs Anton Kern Gallery 16 East 55th Street New York City June 1 - July 7, 2017 Richard Artschwager Martin Kippenberger: Objects and Drawings David Nolan Gallery 527 West 29th Street New York City May 11 - June 17, 2017 AMERICAN INTERIOR included t, w, m, d, r, b, 2003 by Richard Artschwager, printed and published by Harlan & Weaver Carriage Trade 277 Grand Street, 2nd Fl New York City April 27 - June 3, 2017 Joanne Greenbaum: Everything is Perfect in All Ways VAN HORN Ackerstraße 99 Düsseldorf, Germany March 18 - May 12, 2017 Kiki Smith: Portraits, Celestial Bodies and Fairy Tales (Prints from 1990 through now) Mary Ryan Gallery 515 West 26th Street New York City February 23 - April 8, 2017 Steve DiBenedetto: Novelty Mapping Picnic Cherry and Martin, 2732 Space 2712 S. La Cienega Boulevard Los Angeles, CA January 24 - March 4, 2017 (Article) Thickly Layered Paintings that Glow with Their Own Light by Daniel Gerwin on Hyperallergic Bound by Paper Included hand - made books by Joanne Greenbaum LMAK Gallery 298 Grand Street New York City January 19 - March 5, 2017

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

The passage from the Secession Reference quoted above makes clear that these principles include those relating to the «workings of Parliament», i.e., parliamentary sovereignty and the separation of powers.