It's always made me furious that I couldn't paint good small paintings — there's no reason why you can't
make small abstract paintings, but I still can't do it except once in a while.
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A
painting I have never been able to see or find an image of since remains in my memory: a large work though
made of relatively
small shaped fragmented parts arranged in the shape like a giant
abstracted question mark.
I was
made aware of this helpful piece of writing by renowned photographer Carl Chiarenza, whose work is included in a
small group exhibit of
abstract paintings and photographs currently on view at Main Street Arts Gallery.
Although a critical force within the group, the artist's contributions to Memphis — in the form of graphic patterns — were only a
small segment of her career; as the ICA show
makes clear, Du Pasquier is a multifaceted artist, and she became particularly interested in
abstract and figurative
painting.
Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each
painting that
make it look so realistic and
abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every
painting (piece) and every
small detail in the
painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the
abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.
THIERRY GOLDBERG Looking at Stas Volovik's
small,
abstract paintings, you might guess that they were
made in the 1930s by a previously unknown follower of Kandinsky's late work.
The artist uses the technique of automatic drawing to create the
small painting, which is an
abstract drawing
made in a short period of time and in a spontaneous manner.
On the other hand, we were greeted by the strange miniaturist refinements of Kai Althoff, who
made a very powerful impact with a group of
small paintings and drawings, some of them
abstract.
Small abstract sculpture in red and black, mid century modern style 15 x 7 x 8 inches black and red
painted steel and wood This delightful, contemporary minimalist sculpture
made o...
From further away, all of those
small individual
abstract paintings join together to
make a face.
This Artwork is represented by FRED.GIAMPIETRO Gallery, New Haven, CT I
make both large - scale patterned wall murals and
smaller abstract paintings of forms and rhythms.
The second half of the show has
small paintings (and photos thereof) in the dandyish mode in vogue at the moment — Tim Eastman's swaths of linen adorned with sketchy flowers, Alissa McKendrick's pale mint and peach abstractions (hung next to a wall drawing of a
small cat
made with faint
paint) and Cliff Borress's photographs of
abstract paintings in plushly appointed rooms.
In the San Francisco Chronicle Kenneth Baker reports that Bay Area painter John Wood has the rare knack of
making small, busy
abstract paintings seem big.
Light and shadow become palpable forces in Schreiber's ethereal photographs of artwork ranging from Barry Flanagan's
small metal sculpture «Hare With Telescope» to kinetic
abstract paintings by Gerhard Richter to Rirkrit Tiravanija's «Young man, if my wife
makes it...,» a metal bowl of Asian food done in plastic, complete with wooden chopsticks.
Yet the... read more... «John Wood:
Making small, busy
abstract paintings seem big»
These spiky constructions — which are like
abstract root systems — were inspired by nature, as were the artworks Asawa
made while a student at Black Mountain:
small oil
paintings on paper, a potato print, a work in ink on paper
made with a BMC (Black Mountain College) laundry stamp.
Brandon Opalka will show a series of
small abstract paintings made with oil and spray
paint.
The day after the Richter record was set at Sotheby's, a
smaller, less - vibrant
abstract painting made by the artist in 1990 couldn't find a taker at Christie's.
Transposed from
small drawings to large - scale compositions, the subjects of the
paintings range from foliage, to an image inspired by drawings his child
made, to
abstract jottings that record running poker debts.
Alex Ramsay:
Paintings and related works 2000 - 2010 In this selection of works made during the last ten years Alex Ramsay explores his concern with mapping and notions of narrative through a series of large scale abstract paintings, text based paintings, and a group of small sculptur
Paintings and related works 2000 - 2010 In this selection of works
made during the last ten years Alex Ramsay explores his concern with mapping and notions of narrative through a series of large scale
abstract paintings, text based paintings, and a group of small sculptur
paintings, text based
paintings, and a group of small sculptur
paintings, and a group of
small sculptural works.
The most oft - repeated story about Kline's evolution into an
abstract master is this one: He was already
making gestural action
paintings, albeit on a
small scale.
Working in oil on
small pieces of canvas board near the waters and harbors of Manhattan, John Marin (1870 - 1953) was possibly the first American artist to
make abstract paintings.
I am writing this statement not quite knowing what the immediate outcome will be, but am aware of the potential collective impact that this distinctive community of creators will have with Brian Belott's innovations in collage, Ákos Birkás's philosophy about
painting a certain situation, Regina Bogat's devotion to art
making with clever variations on certain
abstract themes, Matt Bollinger's extra-large and bracing graphite drawings, Paul DeMuro's painterly electricity, Marc Desgrandchamp's time - fragmented
paintings, Michael Dotson's
paintings of the «Disney - esque,» Michel Huelin's relationship with nature and software, Irena Jurek's very meaningful cat character, Alix Le Méléder's proposals of four colors determined by the passage of the brush, David Lefebvre's
painted images cut out of magazines or downloaded from a mobile phone, Pushpamala N.'s ethnographic documentations which have been compared to Cindy Sherman, Wang Keping's unique wooden sculptures that juxtapose vivid emotion with a marked sense of introversion, Katharina Ziemke's pictorial treatment of current events, and me, the co-host with a
small drawing.
In addition to creating a body of
small, seemingly
abstract paintings that faithfully replicated images he saw behind his closed eyelids, Bess engaged in at - home self - surgery,
making an incision in the underside of his penis with a razor blade and creating a new orifice.
A solo show by Gianni Politi organised by Galleria Lorcan O'Neill (Rome), a re-presentation of the works the artist produced for his first solo show at the gallery, which included three types of work:
abstract paintings made using scraps of canvas with acrylic, oil and household
paint;
small portraits on canvas; and bronze stretchers of varying sizes realized with multi-coloured patinas, marble and
painted wood inserts.
Politi will show
abstract paintings made using scraps of canvas with acrylic, oil and household
paint and
small portraits on canvas, freely interpreting and transfiguring Modern Italian art.
Then the
abstract piece is a very structural motif, almost mathematical, that is
made up of a grid overlaid with layers of flat colour in block like shapes and is playing off the structure and colour in the other
small painting.
Affecting formal inconsistency while taking hard - edge abstraction to task, Cordy Ryman's
small - scale non-serial
abstract paintings made of acrylic, enamel, spray
paint, staples, foam, Velcro, Floam, glue and Styrofoam are layered, non-referential, brittle and bent with provocative juxtapositions that use a selection of mundane, everyday materials that first appear as a series of naïve constructions.
As co-agents of the Reeves's archive with BravinLee Programs, CB1 showed a selection of
small paintings from 1997 as well as a larger, more recent group of
abstract paintings and various works on paper, all
made in the year before Reeves passed away.
Varying shades of green bedeck the curtains, chairs, coffee table and pillows, and the apple green of a
small wall nook
makes an
abstract painting pop.