Sentences with phrase «make something beautiful from»

Challenged to make something beautiful from her friend's cast off vases, Borei Design decided to create a project reminiscent of Pottery Barn's Tuscan Style Urns & Cachepots.

How does one make something beautiful from a string of words and longings, from memories and imaginings and, more practically, from computers and books and piles of almonds?

Not exact matches

He notes that when you reframe what your company brings to the world as something that is generous or of service to others, you come from a different part of yourself — the part that wants to be helpful, make someone's life more convenient, better, beautiful, etc..

[01:10] Introduction [02:45] James welcomes Tony to the podcast [03:35] Tony's leap year birthday [04:15] Unshakeable delivers the specific facts you need to know [04:45] What James learned from Unshakeable [05:25] Most people panic when the stock market drops [05:45] Getting rid of your fear of investing [06:15] Last January was the worst opening, but it was a correction [06:45] You are losing money when you sell on corrections [06:55] Bear markets come every 5 years on average [07:10] The greatest opportunity for a millennial [07:40] Waiting for corrections to invest [08:05] Warren Buffet's advice for investors [08:55] If you miss the top 10 trading days a year... [09:25] Three different investor scenarios over a 20 year period [10:40] The best trading days come after the worst [11:45] Investing in the current world [12:05] What Clinton and Bush think of the current situation [12:45] The office is far bigger than the occupant [13:35] Information helps reduce fear [14:25] James's story of the billionaire upset over another's wealth [14:45] What money really is [15:05] The story of Adolphe Merkle [16:05] The story of Chuck Feeney [16:55] The importance of the right mindset [17:15] What fuels Tony [19:15] Find something you care about more than yourself [20:25] Make your mission to surround yourself with the right people [21:25] Suffering made Tony hungry for more [23:25] By feeding his mind, Tony found strength [24:15] Great ideas don't interrupt you, you have to pursue them [25:05] Never - ending hunger is what matters [25:25] Richard Branson is the epitome of hunger and drive [25:40] Hunger is the common denominator [26:30] What you can do starting right now [26:55] Success leaves clues [28:10] What it means to take massive action [28:30] Taking action commits you to following through [29:40] If you do nothing you'll learn nothing [30:20] There must be an emotional purpose behind what you're doing [30:40] How does Tony ignite creativity in his own life [32:00] «How is not as important as «why» [32:40] What and why unleash the psyche [33:25] Breaking the habit of focusing on «how» [35:50] Deep Practice [35:10] Your desired outcome will determine your action [36:00] The difference between «what» and «why» [37:00] Learning how to chunk and group [37:40] Don't mistake movement for achievement [38:30] Tony doesn't negotiate with his mind [39:30] Change your thoughts and change your biochemistry [40:00] The bad habit of being stressed [40:40] Beautiful and suffering states [41:50] The most important decision is to live in a beautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedomBeautiful and suffering states [41:50] The most important decision is to live in a beautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedombeautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedom for you?

The contraceptive promise that the feminist movement made to women goes something like this, «you will be free from fertility, so you can enjoy sexual relations without fear of having a child; you will be slim and beautiful and also can enter the workplace, just like men do, finding fulfillment through your accomplishments.»

If you're looking for something beautiful and unique, check out this delicious recipe for Floral Herbal Tea, made from edible flowers!

The blog recipes are interesting and beautiful and maybe even we all learn something new from them and occasionally slimmed down versions are served at my table but I'm going to try harder to share recipes with you that I (in real life) make often and I hope will actually inspire you to go into your kitchen and make them yourself too.

I indeed would like to make again a few salads from the past, but there's always a list of something new:) Beautiful salad, I like every single ingredient in here, Evi!

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

Apart from making sure that the design is comfortable enough for the child you should also go for something with some beautiful colors or images because this will attract the kid's attention and so he will have enough motivation to try it out.

I love to mix pieces from different parts of the world and think there is something really beautiful about being able to wear a pair of vintage American made denim jeans with a cotton tunic from India and a bag from Africa all together in perfect harmony.

From far away, I thought this was a simple baby blue dress but something about the details and how this was dyed makes it look so beautiful.

At the time, I fell in love with the beautiful gowns and the starry prints, and collected images from the collection on my Pinterest in the hope someday I would find (or make) something similar.

The Dress I bought my dress from asos, shoes were my something borrowed - my friend Emily had them made for her wedding and they were beautiful.

In choosing something to make, I wanted to really showcase the fabric I chose from the line, which was a beautiful plum background with graceful swans swimming.

The two piece I ended up choosing here is made from beautiful cotton and can be worn separately, something I will be sharing again to come.

I wanted to create something that inspired women to feel happy and I believed providing women with beautiful clothing (from size 2 to 22) could make them feel amazing.

BeautifulPeople.com boasts that it offers «online dating for beautiful people only,» but it's currently making headlines for something far from pretty.

It's Korine's most entertaining and watchable film to date, containing a tour de force turn from James Franco and gorgeous work from Korine's two yin / yang composers, Skrillex and Cliff Martinez, who articulate his candy - colored vision to perfection: it's the sweet spot where the vile and the beautiful merge to make something divine.

:D «cauce i have a beautiful basset hound who is always waiting something falls from my hands in the kitchen... I would be so happy to make this for him:)!!

To appreciate the beautiful places waiting to be discovered — but not spoilt; friendly people to meet — but not to judge; different customs to learn from and, probably, something you can do to make our world a little more just.

Just returned from an idyllic family vacation with my twenty - something sons and friends, largely made possible by the great lay - out and set up of this beautiful home.

The Inchanga Choo Choo is a steam train named Wesley that has been around since the 1930's and now has the wonderful task of steaming to life on the last Sunday of each month and transporting passengers on a round trip from Kloof to Inchanga... There is something relaxing about sitting back while listening to the clackety - clack of the train while gazing out at the beautiful scenery and rural scenes that make up the Valley of 1000 Hills.

From the very best European Christmas markets — with their traditional wooden market stalls, roasted chestnuts and glühwein making the perfect Christmas shopping trip — to the chance to spend the festive period sailing the beautiful Rhine river, with Christmas Eve gala dinner and Christmas Day gala lunch included, these festive itineraries offer you the chance do something different this Christmas.

Some examples for a private boat charter are to make it a party trip to celebrate something special on the sea with your choices of drinks and snacks or you could arrange your very own sunset trip to enjoy a beautiful sunset from the sea.

It is both a condition of, and a thematic current connecting, the works on display here, from Noël Coward's monogrammed dressing gown, to the overwhelmingly beautiful fan Charles Ricketts made for Edith Cooper and Katherine Bradley (aka Michael Field), to Laura Knight's Self - portrait (1913), which a reviewer for the Telegraph at the time found repulsive on grounds of its combination of «dullness» and «something dangerously close to vulgarity».

MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show organized by the International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices: Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 1from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 1From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21

Mark Joshua Epstein: I love that idea that Frank Stella has taken inspiration from something that maybe wasn't that positive, and made it into this beautiful, very chaotic, very colorful, kind of enticing artwork.

I don't love Sean Kelly «s navigation from a usability standpoint, but it's a good example of how you can make something really beautiful without a bit of Flash — or even particularly tricky Javascript.

Students explored their notions of beauty and the sublime, reflecting on Adams's ideas about beauty as an admitted pursuit that is «suspect,» and created projects adapted from the ART21 Season 4 Educators» Guide in which they sought to make a beautiful image from something they would otherwise deem ugly or banal and mundane.

I've really enjoyed letting the world know that not everything is so mystified or so regulated to expertise — that you can make something really beautiful with a little ingenuity and some supplies from Michaels [craft shop].

From a young age, I always wanted to build my own little wooden house, something really beautiful that I could make to my own design.

The Queensboro Bridge is a beautiful artifact of the industrial age and this project represents the transition that can and must be made from the industrial age, dependent on fossil fuels, to an industrial era that lives off of solar income... wind is solar energy too, and all sustainability is about getting the income to expense ratio on solar income to something that can be sustained by living systems.

Oh, by the way, without web innovation we wouldn't even be able to post comments to each other on this web site, so there is that also... The verge should make an app for you to use, I guess... Oh wait, they did, and then they figured out that it's a ton of work to keep it updated across the different mobile platforms, so instead they updated their web page for desktop and mobile, and can iterate over the new versions faster because it's one codebase, and you can view it from every browser, and it's beautiful, and if something changes you don't have to install an update, you just get it when you visit the page... I also love apps, but we need both where it makes sense.

Banner Saga is a beautiful if harsh game that might make you think of similar style games from the»90s, but it is something new and entirely unique.

Open storage, rough wood cabinet with open storage, and beautiful black and white patterned tile make this farmhouse bathroom by My Life From Home something to covet, no matter your style.

The next stop on the fall porch tour is Chelsea's beautiful abode from Making Home Base, and I know she's gussied up something gorgeous!