Sentences with phrase «make white objects»

Paint the back of a cabinet an eye - catching hue to make white objects pop.

Not exact matches

A few days after the White House objected to the comments he made to Amanpour, Franklin Graham appeared on Fox News.

Among those objecting — at a news conference outside the White House a day before Obama officially made the proposal — was U.S. Rep. Mark Pocan, D - Wis.

We once thought that dark matter might be made up of large objects such as black holes or exotic types of faint stars — neutron stars or white dwarfs — that are nearly invisible to our telescopes.

The European X-ray Observatory Satellite (EXOSAT), originally named HELOS, was an X-ray telescope operational from May 1983 until April 1986 and in that time made 1780 observations in the X-ray band of most classes of astronomical object including active galactic nuclei, stellar coronae, cataclysmic variables, white dwarfs, X-ray binaries, clusters of galaxies, and supernova remnants.

Normally, I would object to the white pumps with an outfit such as this, but she made even them work here.

Everyone may live in the same apartment building, with the same floor plan, same boring white walls, same view, but the arrangement of the objects you put in it will make it your own.

This eclectic collection of vintage objects is made cohesive with a color palette of black, white and navy.

Jules White, a head teacher in West Sussex and part of a campaign against funding shortages, said parents who are facing cuts in their children's schools should be made aware that «money is no object» for free schools and grammar schools.

And so, perhaps, when NJEA leaders objected to the selection of Paula White because of her association with DFER, Murphy, who had breached his contract with them, made a promise he could keep, even though that decision makes Repollet look far removed from the loop of state educational leadership, makes Murphy look like Pavlov's dog when confronted with a whiff of dissension from his patron, and makes NJEA look like Pavlov himself, a metamorphosis it may welcome after a humiliating defeat of the $ 5 million campaign to unseat Senate President Steve Sweeney by replacing him with a Trump - supporting climate - change - denying immigration - foe.

The cheerful, bright images are beautifully designed and contrast well against stark white backgrounds, making it easy for young children to point as they add up objects, animals, and kids.

The gray and white hedgehog also makes use of psychokinesis, the ability to manipulate objects with his mind.

The producer, Atsushi Inaba, said that the team wasn't quite sure about making the game black and white, because there were a lot of problems, like differentiating objects from the background, but as the pieces joined together, the excitement began to grow.

The game also makes sure to highlight only important objects with bright white chalk - like outlines, so there is never any confusion as to what objects you can interact with in Before The Storm.

One of the many distinctive Thiebaud motifs is a phenomenon known as halation, limning objects with complimentary colors that make them pulsate and helps soften the edges in order to merge them with their white backgrounds.

This is the period of her most recognisable works, the Accumulation sculptures, in which paint ceases to be an object and finds itself in the domain of sculpture, with an abundance of phallic appendices, and the Infinity nets, large extensions of polka dots that continue to make use of white monochrome.

Other objects are identifiable as a ramp («PLANE «-RRB- that divides space with a simple line or as a wheel («CIRCULAR OBJECT ONE «-RRB- that makes the center volume of air as important as the white structure itself.

The glowing white monochromatic objects made by Mary Corse, for example, which resemble pieces of a spaceship stage set, predate Apple's minimalist designs by several decades.

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

Together in the space, the works become their own poem, made of objects, with blank white spaces becoming the pauses between words.

As an artist she has exhibited extensively both in the US and abroad and has been included in exhibitions including Made In L.A. 2014, Hammer Museum, Los Angeles; the 12th Biennale de Lyon, France; New Pictures of Common Objects, MoMA PS1, New York and The 6th White Columns Annual, New York, amongst others.

Rhodes runs his fingers along 10 white keys made of chalk, depicting an object - the piano - in geometric abstraction.

For him, silence was a landscape of unintentional sounds experienced between intentional sounds; as such, it was absolutely substantive, inseparable from and interdependent with sound.22 By extension, we might expand our view of the White Paintings, considering them not as inert screens waiting to be activated by life's subtle projections but rather as provocative agents of activity and profoundly physical objects that link our actions and perceptions, making us aware of the same perceptual interdependency that was central to silence for Cage.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Lauster positions these iconic objects alongside snarls of razor wire — a type of high - tension wire with sharp - edged blades made from steel tape — and barbed wire against a white background.

These objects fall into the standard range of museum merchandising: the mugs are silkscreened glass or white porcelain, bags are of untreated cotton, candles play on transparency, the umbrellas recall the glass sails, make - up bags turn inside - out.

that artists working in some of the fastest growing regions of contemporary art production are responding to an entirely different exhibition framework, which has as much of an effect on the objects being made as the white cube had in western centres of art production like New York and London in the 20th century.

It is made up of 14,235 white porcelain zhezhi objects.

Best known for his 1960s series «Great American Nude,» which featured flat figures in an intense palette of red, white, blue, and other patriotic colors, Wesselmann, in an effort to reject Abstract Expressionism, made collages and assemblages that incorporated everyday objects and advertising ephemera.

Small institutions in North Dakota, South Carolina, and Wyoming each received $ 1,000 for such purposes, among them the State Historical Society of North Dakota (for «House & Home,» about the American Dream and the representational power of objects, communities, and buildings); the Upcountry History Museum at Furman University (for «Spirited, Prohibition in America,» about the temperance movement and 1920s America); and Washakie Museum in Worland, Wyoming (for «Power of Children: Making a Difference,» about the stories of Anne Frank, Ruby Bridges, and Ryan White).

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

Sunset Slit (2015) Objects derived from performance: a 16» x 8» rug made of 20 sewn white towels on which ink was splashed (left), a 12» x 16» photograph documenting braided hair that was used to splash ink

Ellsworth Kelly's soaring White Curve (2010) echoes the buoyant mark - making in James Brooks's Mardon (1973) and the minimalism of Kelly's object, hovering between painting and sculpture, is heightened by the dispersed narrative of Brooks's allover composition.

And yet, by suspending each object on a white backdrop, and introducing abstract shapes and blocks of colour, Reynolds makes a more minimalist, contemporary statement.

The exhibit will feature a variety of photographs Harvey made during a monthlong trek from Chicago to Los Angeles and back to Tulsa along Route 66, including black - and - white and color prints, as well as slide images that will be projected on gallery walls, along with objects she collected along the way, from daily newspapers to pieces of petrified wood.

Made from a combination of unglazed white porcelain and thick black grog — a coarse, dark material like oil or tar used in modern construction which looks like it comes from deep in the ground — these objects, some referencing pots and some tools or spears are, for me, the most seductive part of the exhibition.

The curators sent out an open call to artists for found or made objects which had to adhere to two basic rules: they must be black and white, and they must contain repeating patterns.

In Made for Whites by Whites, racially charged historical objects anchor the works such as the stereotypical representation of a black man with dark skin, big red lips, and white eyes in Untitled, 2014, or the Golliwog costumed mannequin in King of the Hill, 2014.

The installation and exhibition design for Wide White Space aim to take on the challenges inherent in presenting any show on graphic design: how to make it possible for visitors to directly engage with the materials on display; how to gather and present a breadth of historical and contemporary pieces, which take the form of both original physical objects and restaged exhibition projects; and how to speak to both peers within the design community and a broader audience.

Central to the exhibition is a group of gradient paintings made exclusively with black and white acrylic exterior house paint that has been blended and forced through sheets of burlap laid face - down on a variety of objects and surfaces (from plastic tiles and garbage bags to silkscreened enlargements of Hagen's own high school drawings) that act as molds, effectively casting the paint, or becoming embedded elements in the surface of the works themselves.

, Galería Javier López, Madrid; curated by Fer Francés Joyride, Marlborough, New York G I R L, Galerie Emmanuel Perrotin, París; curated by Pharrel Williams If you're accidentally not included, don't worry about it, Galerie Zürcher, New York; curated by Peter Saul Wall to Wall, Hang - Up Gallery, London This is Not a Toy, Design Exchange, Toronto; curated by John Wee Tom, Sara Nickleson and Pharrell Williams Making Links: 25 Years, SCAI The Bathhouse, Tokio 2013 Happy Birthday Galerie Perrotin / 25ans, Tri Postal, Lille The System of Objects, Deste Foundation, Athens Pictoplasma White Noise, La Casa Encendida Madrid At Home I'm a Tourist.

Recent and upcoming group exhibitions include «As if in a foreign country» at Galerie nächst St. Stephan Rosemarie Schwarzwäld, Vienna; «Entangled: Threads and Making» at Turner Contemporary, Margate; «Image Support» at Bergen Kunsthall, Bergen; «Love Story» at The Astrup Fearnley Museum of Modern Art, Oslo; «Før og nå til etterpå» at Sørlandets Kunstmuseum, Kristiansand S; «The Cat Show» at White Columns, New York; «Layers» at Rodeo, Istanbul; «Interiors» at Lulu, Mexico City; and «A Disagreeable Object» at Sculpture Center, New York.

Expanding the conversation around Nick Cave «s «Made by White for Whites» exhibition of found object mixed - media sculptures on view at the gallery, Phillip J. Merrill, African American memorabilia expert and founder of Nanny Jack & Co., takes the audience on an «artfactual journey.»

Set on intricate backgrounds of fabric collage and pastel - colored acrylic paint, Baechler often furnishes his objects with a white halo that gives them a child - like cutout quality and makes them seem to float off the canvas.

Employing only the organic palette of the colours of existing objects, or smearing white across their surfaces, Gomes highlights the tangible properties of her objects while simultaneously making parts of them disappear.

This section features five distinct sensibilities: Michael Dee with his large star sculptures made from heated plastic cups; David Kiddie collaborating with Michael Reafsnyder creating ceramic platters, and Reafsnyder alone, crafting mermaid goddesses out of clay; Heimir Björgúlfsson sees nature and culture as inseparable in his enigmatic found object works; and Wayne White continues to confound us with his unique brand of humor and skill in new ceramic work (PORKGREASE) and painted wood sculptures.

Major innovations - mostly by American sculptors, but see Destroyed City (1953) by the Russian sculptor Ossip Zadkine (1890 - 1967)- included the «sculptured walls» of Louise Nevelson (1899 - 1988)- assemblages composed of found objects, mostly wood, sprayed in white, black or gold paint and arranged in box - like shelves occupying a wall; the felt sculptures of Robert Morris (b. 1931); the neon and fluorescent works of Bruce Nauman (b. 1941); the works of Cesar (1921 - 98) made from car - parts; the junk sculptures (eg.

Many of the «sculptures» included often operated with or within more - two dimensional components — I am thinking here of Jon Kessler's Exodus (2016) and Evolution (2017), configurations far more about the transmutation of object into digital image than it is about the materiality of things; Rafa Esparaza's Figure Ground: Beyond the White Field (2017), a weighty and timely installation on labor, colonialization and identity read through adobe bricks; or Raúl de Nieves» beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end (2016), an installation of five ornate, grotesque, and vibrantly hued sculptures set against a backdrop of eighteen colorful acetate sheets made to resemble stained glass windows.

Blackboard paint creates a writing surface and dynamic contrasts with white objects and furniture decoration details in white color, making room