Sentences with phrase «make work for an exhibition»

Prominent young painters of the day were given standard size canvasses and commissioned to make work for exhibition on the South Bank.

In addition to making work for exhibition (her show of 3D - printed sculptures in her signature pearlescent white at Sean Kelly Gallery received positive reviews earlier this year), Mori has lately been occupied with running the Faou Foundation — an organization dedicated to promoting her idea of oneness through site - specific installations.

The artist wishes to acknowledge the participation of others in making the work for this exhibition.

If I were given access to an area not easily accessible to the public yet imperative to the community's functioning and well - being, I understood this would guide me as I made work for the exhibition.

The four selected artists make work for an exhibition organised by Tate.

Not exact matches

There were exhibitions on Agri - Map which was the decision - making support database for agriculture land management, Royal Project on deteriorated soil rehabilitation, and the works in forest and water resource management.

London, England About Blog Nadia Attura is a Fine Art Photography Blog talking about my work drawing with light mark making painting exhibitions art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1,344.

raising awareness and gain appreciation for the work of the children and their messages with local exhibitions of the artwork made by the young peace activists

Ten institutions worked together to produce the exhibition, which features over 100 rare digitized items (many of which are being made available for the first time).

Carl has also produced a catalog for the exhibition, filled with all the creativity and humor that makes Corey's work singularly accessible.

I have been filling sketchbooks with designs in thatch for some time, but in creating this new piece of work, I was able to spend time with a thatcher (called Stewart Alexander) and design and make a unique piece of work for my exhibition as a result, albeit relatively small - scale for the time being until my skills and experience increase — my experience of thatching is at the absolute beginning.

For the first time, Michael Jackson: On the Wall will bring together the works of over 40 of these artists, drawn from public and private collections around the world, including new works made especially for the exhibitiFor the first time, Michael Jackson: On the Wall will bring together the works of over 40 of these artists, drawn from public and private collections around the world, including new works made especially for the exhibitifor the exhibition.

Given his stature, and because it is for works other than these that Watteau is best known, this exhibition is especially rewarding since it allows for a clear - eyed appraisal of a painter on the cusp of making his greatest works.

A chronological recounting of the artist's short career came next, followed by the story of how he began making the type of work he is best known for, and finally some information about upcoming institutional exhibitions overseas.

I've not been regularly mailing my list as much as I'd like (or perhaps should have) but have made a resolution this year to send out an email once a week at the same time (1 pm every Thursday) with an update of some sort like works in progress blog post, or time - elapsed videos, or invitations to exhibitions, or when new works are for sale or if I'm running a promotion etc..

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

Since the passing of Ellsworth Kelly in December of 2015, the exhibition of the artists's final works has made for a sort of bittersweet anticipation.

Without preconceived plans for his canvas, Elrod employs the computer to work, save, and re-work hundreds of drawings, and the paintings in this exhibition are made from the artist's previous works.

The works in the exhibition were either made for video or later released as videos.

Jordan Mack interviews Yoon Lee for Milk Made by Milk Studios in conjunction with her exhibition, «New Work.»

The exhibition makes one want to return for multiple viewings, since his work is subtle and mysterious, and reveals itself slowly.

In addition to a selection of works by Motherwell and the artists he brought to Hunter College, the exhibition will offer a collection of archival materials to make the case for the aesthetic and intellectual remaking of Hunter's Art Department.

Hauser & Wirth's new exhibition of the late artist Mike Kelley's work has only been open for a weekend, but it has already made a splash on Instagram.

Impressionism is the artist's first solo museum presentation in the United States, and features a focused selection of extant pieces alongside new work made specifically for the exhibition.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

As a contemporary art exhibition, «Viva Arte Viva» almost exclusively features works made by individuals for display rather than collective use, but it's permeated by an impulse to integrate art into the social fabric.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

Works in the exhibition include The Earth Is a Magnet, 2016, a major new commission by Anna Craycroft that brings the photography, biography, and inventions of Berenice Abbott, famed for both her street photography and rigorously scientific images made at MIT, together with video, sculpture, and photography by a group of Craycroft's peers, including Fia Backström, Katherine Hubbard, Matt Keegan, Jill Magid, MPA, Lucy Raven, Mika Rottenberg, A. L. Steiner, and Erika Vogt.

The solo exhibition will also showcase illusionistic drawings made with dry pastel and sculptures made of compressed jute, newspaper and old clothes — works that Nai is increasingly earning renown for.

Initiating the education program last month, the Hammer Museum presented Conversations: Desert X Preview with Desert X Artistic Director Neville Wakefield and Executive Director Elizabeta Betinski in conversation with participating artists Will Boone, Glenn Kaino, Sherin Guirguis and Tavares Strachan about their work and the cultural and philosophical issues that make the Coachella Valley a vibrant and exciting backdrop for the desert - wide exhibition.

Mr. Sanders has made his mark with exhibitions of postwar and contemporary dance, video and new media, but he's got a deft hand, too, for these works of core Modernism, which look rejuvenated in this riverfront aerie.

This first solo presentation of Stevi's work in a public institution brings together recent paintings and drawings alongside a body of new work made especially for the exhibition.

The title of the exhibition comes from the Gikuyu words for mud and trees, the materials used to make the objects in Mutu's new body of work.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

In 2008, Dior presented «Dior and the Chinese Artists,» an ambitious exhibition at the Ullens Center for Contemporary Art, in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 1948.

Jeffrey Gibson: Like a Hammer is the first exhibition to focus on the art that one of the brightest stars working in the contemporary art world today has made since 2011, a creative turning point for him.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

These paintings have been juried into exhibitions and art shows of National and International scope, also I have added an Original Art collection for these works only 1 image will be made and sold.

This lightbox presents posters made for a variety of purposes over the course of Rauschenberg's career: from those designed to advertise his own exhibitions and the work of his collaborators, to promotional pieces for the many social and political causes he supported.

The announcement for Stubbing's exhibition shows him with two paintings; these atmospheric, often large scale works were lyrical and rhythmic arrangements of palm prints made with Stubbing's hands «saturated like a living palette».

Repeating a 1970s - era tradition of feminist exhibition - making — one that is as entangled in debate as the long modernist tradition and its claims, critiques, and counterclaims about the studio — «Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016» assembles thirty - four artists who were in each case selected for their work, but were also selected for being artists who are making — one that is as entangled in debate as the long modernist tradition and its claims, critiques, and counterclaims about the studio — «Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016» assembles thirty - four artists who were in each case selected for their work, but were also selected for being artists who are Making: Abstract Sculpture by Women, 1947 — 2016» assembles thirty - four artists who were in each case selected for their work, but were also selected for being artists who are women.

Comprised of contemporary art acquired through SFMOMA's Campaign for Art, this exhibition highlights works in a variety of mediums that reflect the diversity of art being made since 1980.

For this exhibition at Touchstones Rochdale in association with Stephen Friedman Gallery, she has made an extensive new body of work that includes printmaking and sculptures, taking inspiration from but not directly reflecting the museum's collection.

It is an ideal setting to approach the uninitiated public and introduce them to legendary public art works and other works made specifically for this exhibition.

For this exhibition, Cranston created a list of nouns using a random noun generator program on the Internet and used the list to create the paintings, drawings and objects that make up her latest body of work.

Mirrors and canvases specifically made for the exhibition are shown alongside works from the early eighties.

The Photographers» Gallery Deutsche Borse Photography Prize 2012 13 July — 9 September 2012 The 16th year of the # 30,000 prize for «a living photographer, of any nationality, for a body of work in exhibition or publication format that has made a significant contribution to photography in Europe between 1 October 2010 & 30 September 2011».

A sense of implied narrative also grounds the untitled work Madere made for his exhibition at the Whitney Museum of American Art.