Sentences with phrase «makes sicario»

It is this elevation of story and presentation which make Sicario more.
Sicario 2: Soldado moves to tell a continuation of that story, but without the defining features that made Sicario so great.
Story aside, what does make Sicario interesting to watch is its characters.

Not exact matches

Emily is making the press rounds to promote her gritty new crime thriller Sicario, which premiered in select US theaters last Friday.
Heading up the technical noms, Emmanuel «Chivo» Lubezki is looking to make it three - in - a-row for Best Cinematography with The Revenant, though we would dearly love always - the - bridesmaid Roger Deakins to finally convert a nomination (this year's nod, for Sicario, is his thirteenth) into a win.
He continues to perform at a high level, and he's forged a partnership with Villeneuve over the course of three films now («Prisoners» and «Sicario» being the others) that makes for one of the great visual signatures in modern cinema.
Sicario also boasts an incredible score that almost feels designed to make viewers feel uncomfortable, and disgustingly dirty in need of a shower after the credits roll.
The execution of «Sicario» makes it look like a dreadful maze.
From Black Mirror to Sicario, there's a quiet watchfulness to the London - born actor that makes him a riveting presence, and suggests a man with an interior life that keeps him working overtime.
Snubbed: «Bridge of Spies,» «Sicario» Reaction: After not making the cut for BAFTA Awards and the ACE Eddies, «Spotlight» solidified its chances of winning Best Picture by making the Academy's five.
He certainly deserved it for the visually stunning Blade Runner 2049, but let's take a second to remember his previous work: Deakins has brought his unparalleled eye to dozens of films including The Shawshank Redemption, Skyfall, Sicario and pretty much everything the Coen brothers have ever made.
There's been some buzz mounting for Sicario and the trend to nominate a mainstream comedy that started with The 40 - Year - Old Virgin a few years ago makes Trainwreck a good possibility, but I thing the top five are pretty bullet - proof right now.
Contenders who didn't make the field include «Carol,» «Creed,» «Inside Out,» «The Hateful Eight,» «Sicario,» «Straight Outta Compton» and, to many moviegoers dismay at least, «Star Wars: Episode VII — The Force Awakens.»
At the same «Sicario» press conference Blunt and «Sicario» director Denis Villeneuve pointed out that en route to the green light, after languishing for years in development, Blunt's role of an FBI agent was nearly rewritten as a male for the usual tired reason: to make the project more «bankable.»
most noms for a film that did not make my top ten list: Sicario (10 nominations) which came in at # 13 on my year - end list most noms for a film not nominated for Oscar's Best Picture: Carol (19 nominations) most noms for a film nominated for Oscar's Best Picture: Mad Max Fury Road (16 nominations) most noms for a film I was lukewarm on: Straight Outta Compton (4 nominations) most noms for a film I didn't like at all really: The Revenant (2 nominations) most noms for a film that received ZERO Oscar attention: Spy (7 nominations) most noms for a film that received only 1 Oscar nomination: Creed (6 nominations) most noms for a foreign language film: Phoenix (2 nominations)... hmm.
With the one - two punch of Prisoners and Enemy, the Canadian filmmaker made a name for himself before launching into serious contender territory with Sicario.
To make things even stranger, the sequel we now have — Sicario: Day of the Soldado — isn't directed by Denis Villeneuve, and original star Emily Blunt has opted not to return.
He's one of the most exciting directors to emerge from Canada having made a string of great films this decade — Prisoners, Sicario and Arrival.
HOLLYWOOD, Calif. — Hailed by critics as «mesmerizing» (Peter Travers, Rolling Stone), «amazing» (Brian Truitt, USA Today) and «the best film of the year» (Christopher Orr, The Atlantic), director Denis Villeneuve's (Sicario) phenomenal tour de force ARRIVAL makes its home entertainment debut on 4K Ultra HD, Blu - ray, DVD and On Demand February 14, 2017 from Paramount Home Media Distribution.
HOLLYWOOD, Calif. — Hailed by critics as «mesmerizing» (Peter Travers, Rolling Stone), «amazing» (Brian Truitt, USA Today) and «the best film of the year» (Christopher Orr, The Atlantic), director Denis Villeneuve's (Sicario) phenomenal tour de force ARRIVAL makes its home entertainment debut on 4K Ultra HD, Blu - ray, DVD and On Demand February 14, 2017... [Read More]
At this early stage it's tough to suss out exactly what the chances of a film like Sicario making a big splash in the Oscar race are, but Supporting Actor (for Del Toro), Cinematography, and Sound seem like its safest bets, with nods for Actress, Director, Picture, and Score potentially in the cards — assuming the Academy doesn't brush this off as «too challenging», that is.
In the conversations about how to capture what Beachler was concocting on film Morrison — who made history this year as the first woman to be nominated for the cinematography Oscar for her work on «Mudbound» — said Coogler referenced a variety of inspirations including Ron Fricke's nonverbal «Baraka» and «Samsara,» «The Godfather,» «Sicario» and «The Dark Knight.»
The Canadian - born director of Incendies, Prisoners, Enemy and most recently Sicario is making a habit of creating enthralling pieces of work that are on the verge of greatness.
After Sicario and Arrival, director Denis Villeneuve will be hoping to make a big impact with this sequel, now officially titled Blade Runner 2049.
This year, Taylor Sheridan made the transition from actor to screenwriter with his film Sicario, a border thriller directed by Denis Villeneuve and starring his dream cast: Emily Blunt, Josh Brolin and Benicio Del Toro.
Sheridan, who wrote last year's excellent «Hell or High Water» and 2015's absorbing «Sicariomakes his directorial debut here.
Director Denis Villeneuve (Sicario, Prisoners) continues his hot - streak of English language speaking films (and his hot - streak of film - making in general) with -LSB-...]
Given the sheer amount of praise that Roger Deakins has received for his recent work on Blade Runner 2049, it makes sense to assume that Hollywood heavy hitters (particularly Brolin, who worked with him on Sicario) would line up to collaborate.
This is the second directorial effort from Taylor Sheridan, but the barely released 2011 genre film Vile was made before he became Wunderkind Screenwriter Taylor Sheridan, the Oscar - nominated scribe behind Sicario and Hell or High Water.
Taylor Sheridan could easily be the next great writer in Hollywood thanks to his outstanding scripts to Sicario and Hell or High Water, two films that made my Top 10 List the years they came out -LSB-...]
Two years after making his U.S. debut with the crackerjack kidnapping drama «Prisoners,» French - Canadian director Denis Villeneuve ups his own ante with «Sicario,» a blisteringly intense drug - trade thriller that combines expert action and suspense with another uneasy inquiry into the emotional consequences of violence.
A spoiler - filled discussion of the narrative tricks of Denis Villeneuve's Sicario and a brief consideration of the rightness and wrongness of bio-picking Steve Jobs make up this latest episode of Mamo...
Sicario starts out with shock and awe that makes your heart pound and your stomach churn, but unfortunately slowly looses its momentum as the movie shifts into unexplained character backgrounds, government bureaucracy, and lots of feather ruffling.
Thirty - five years after the release of Ridley Scott's sci - fi classic, «Blade Runner,» filmmaker Denis Villeneuve («Arrival,» «Sicario») has made a dense and hypnotic sequel that's a feast for the senses.
Tomorrow: Denis Villeneuve, the French - Canadian director who recently began working in English (Prisoners, Enemy), makes his Cannes Competition debut with Sicario, starring Emily Blunt, Benicio Del Toro, and Josh Brolin.
In an interview with Howard Stern, when he (in his ever charming way) mentions that her being naked in Sicario would be the only thing that could make it even better than it already is, Blunt mentions that there actually was a nude scene written in, but that she nixed it after consultation with two of her most important advisers on the subject:
45 Years (Andrew Haigh) Capsule»71 (Yann Demange) Review Animals (Collin Schiffli) Making of Appropriate Behavior (Desiree Akhavan) Review Cinderella (Kenneth Branagh) Review Creed (Ryan Coogler) Clouds of Sils Maria ² (Olivier Assayas) Jason's Review, Margaret's Take Grandma (Paul Weitz) Nathaniel's Review, Joe's Review I'll See You In My Dreams (Brett Haley) Blythe's Performance It Follows (David Robert Mitchell) The Martian (Ridley Scott) Mission: Impossible - Rogue Nation (Christopher McQuarrie) Review Mustang (Denis Gamze Erguven) Of Horses and Men (Benedikt Erlingsson) A Pigeon Sat on a Branch... (Roy Andersson) Review Sicario (Denis Vileneuve) Spy (Paul Feig) Star Wars: The Force Awakens (JJ Abrams) Steve Jobs (Danny Boyle) Review Tom at the Farm (Xavier Dolan) Review Victoria (Sebastian Schipper) First Thoughts What We Do In The Shadows (Taiki Waititi & Jemaine Clement)
Perhaps that build even extends beyond the film's ending, to make us most excited, not for «Sicario» so much as for what Villeneuve does next.
A complete role reversal from his memorable performance in Sicario, showing - casing Kaluuya star making potential.
I realize that doesn't make a lot of sense but I'm trying to describe what the main character of Sicario is feeling only in her case that feeling of being on unfamiliar roadways also involves decomposing and dismembered bodies.
After penning the fantastic one - two punch of Sicario and Hell or High Water, Taylor Sheridan makes his directorial debut with this elemental thriller about a U.S. Fish & Wildlife agent who finds a dead body on a Native American reservation.
The trailer features imagery and settings that feel calculated to remind players not only of the earlier Ghost Recon games, but also of popular recent films and TV series like Sicario and Narcos which have made the intricacies and mythos of the international drug trade a popular topic for dark contemporary fiction.
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