Sentences with phrase «makes black life matter»

[5] BlackLivesMatter.Com, «These Savvy Women Have Made Black Lives Matter the Most Crucial Left Wing Movement Today», http://blacklivesmatter.com/these-savvy-women-have-made-black-lives-matter-the-most-crucial-left-wing-movement-today/, accessed on January 16, 2016

«Get Out» makes black lives matter far more than they traditionally have in movies, particularly in the horror genre, simply by depicting the reality of being a marginalized minority in white - dominated spaces.

«Making Black Lives Matter: A timely look at an urban police force's track record in investigating black homicides.»

Not exact matches

That's no longer the case, as social movements like Black Lives Matter and #MeToo have thrust the power dynamics that she highlights in her own New York City classroom onto a cultural main stage, and made her work more accessible and understandable.

But Black Lives Matter has steadily gained momentum since its founding in 2013, when activist Alicia Garza coined the phrase and fellow activist Patrisse Cullors made it a hashtag.

This works in tandem with designations like «Black Identity Extremism», a made up term by the FBI to attack Black organizers,» said Janaya Khan, a Black Lives Matter activist and organizer with the national civil rights group Color of Change.

Her address generated some controversy, mainly surrounding the her support for Black Lives Matter and some side comments she made during her talk — causing InterVarsity, the organization that hosts Urbana, to respond officially and in follow up interviews.

It's no secret that JAY - Z has been one of the most influential artists in the hip - hop industry for over a decade, but Jay has really been making moves for social justice lately, especially for the Black Lives Matter movement.

Sponsors include 32BJ SEIU, ALIGN New York, Black Lives Matter Greater New York, Center for Popular Democracy, Desis Rising Up & Moving, Labor for Palestine, Make the Road New York, Muslim Democratic Club, National Lawyers Guild Labor and Employment Law Committee, New York Communities for Change, New York Immigration Fund, New York Immigration Coalition, New York Progressive Action Committee, New York Taxi Workers Alliance, New York Worker Center Federation, New York Working Families Party and Strong Economy for All.

A new state bill would make it a hate crime to use physical force on a police officer — and its chief sponsor argued the past two years of Black Lives Matter demonstrations have made cops a target for violence.

«I was impressed with what Stephon's brother Stevante said that how proud he was of Sacramento, of his city, how people turned out and made this case a national one and brought attention because I think too often, our elected leaders, they will talk about things when it's a lot of children in a school, but when it's young black men of color who are being shot by the police unarmed... I think if we're gonna say black lives matter, we have to mean it, and we have to implement change,» she continued.

The big difference in Swedish filmmaker Sara Jordeno's vibrant documentary portrait is that it surveys the lives of LGBTQ youth - of - color at a time when Black Lives Matter has become a national movement and trans rights is making a long - overdue entry into the political conversalives of LGBTQ youth - of - color at a time when Black Lives Matter has become a national movement and trans rights is making a long - overdue entry into the political conversaLives Matter has become a national movement and trans rights is making a long - overdue entry into the political conversation.

We've read pretty much every Black Panther - centric think piece in existence (we're convinced that no other villain can live up to the brilliance that is Killmonger), but there's something especially sweet about watching the minds who made the movie a success break down Black Panther's complex subject matter themselves.

Why make Mike Brown the poster child for the Black Lives Matter movement, when there are so many martyrs far more deserving, like Trayvon Martin, Jordan Davis and Tamir Rice, to name a few?

There are still so many children being failed by low - performing schools that it makes me wonder whether black lives and brown lives really matter in our country.

We've also provided a few articles that teachers can use to think about their own pedagogy and strategies to make Black students» lives matter.

The Black Lives Matter and DREAMer movements are two examples of how youth civic engagement in the United States is changing as young people bypass traditional civic and political gatekeepers and leverage social media to make their voices heard around the world.

That many in the school reform movement have either been reluctant or outright hostile about working with Black Lives Matter and criminal justice reform activists on addressing issues that are tied to schools (including overuse of harsh school discipline and the penchant of traditional districts to refer children to juvenile courts), has also made it easy for NEA and AFT to win over some activists.

A union that can't support a movement to make «Black Lives Matter» won't be able to build the solidarity necessary to overcome Janus and other right - wing attacks on working people.

The early morning event was organized and led by three 8th grade student leaders who were inspired by a school in Vermont that flew a Black Lives Matter flag and included discussion of how the school community is working to deepen the cultural relevancy of its practices to make sure every student sees themselves reflected in the faculty, in the books they read and in the history they learn.

ADAM PENDELTON has created a new series of Black Lives Matter paintings made with a low - tech «painting machine.»

''... Walker's 40 Acres of Mules, which was made at the height of the Black Lives Matter movement... is an unapologetic reinterpretation of the famous Stone Mountain Park monument...»

The image has a particularly complex resonance not just in the context of St. Louis, where police violence led to Black Lives Matter's becoming a national activist movement, but also in light of President Trump's recent urging that police get physically tougher when making arrests.

Other exhibitions such as «It Takes a Nation: Art for Social Justice: With Emory Douglas, and the Black Panther Party, Africobra, and Contemporary Washington Artists» at American University in Washington, D.C., and «Ruddy Roye: When Living is a Protest» at Steven Kasher, make the connection between earlier black rights movements and today's Black Lives Matters actiBlack Panther Party, Africobra, and Contemporary Washington Artists» at American University in Washington, D.C., and «Ruddy Roye: When Living is a Protest» at Steven Kasher, make the connection between earlier black rights movements and today's Black Lives Matters actiblack rights movements and today's Black Lives Matters actiBlack Lives Matters activism.

As reflected by Eric N. Mack, Simon Denny, and Mira Dancy in the film above, tragedies like Charlie Hebdo and big shifts from Black Lives Matter to the legalization of gay marriage, have drawn artists to place renewed consideration into making work that resonates with not just the art world but the wider world, too.

Two works of art at the entrance to the exhibition signify both the specificity and capaciousness intrinsic to the unusual history of black folk art. Steven Ashby's Untitled (Hunter and Victim)(nd; collection of Robert A. Roth, Chicago) makes clear Majeed's intention to connect the art to contemporary audiences living in the era of Black Lives Matter (figblack folk art. Steven Ashby's Untitled (Hunter and Victim)(nd; collection of Robert A. Roth, Chicago) makes clear Majeed's intention to connect the art to contemporary audiences living in the era of Black Lives Matter (figBlack Lives Matter (fig. 1).

«Black Is Beautiful,» «Black Lives Matter,» «I Can't Breathe,» all made under duress in times of black struBlack Is Beautiful,» «Black Lives Matter,» «I Can't Breathe,» all made under duress in times of black struBlack Lives Matter,» «I Can't Breathe,» all made under duress in times of black strublack struggle.

But Fort Gansevoort flips the script on millennia of male - dominated athletics with art works by thirty - one women made between the mid-twentieth century and now, from Elizabeth Catlett's jubilant 1958 print of a barefoot girl jumping rope to a just - finished collage of a pigtailed boxer by Deborah Roberts, a young artist who borrows the Dadaist strategies of Hannah Höch for the era of Black Lives Matter.

«The wonder of it all is that that black box, no matter what size or make, has managed to mystify me for so much of my life.

Earlier this year, a Wolfgang Tillmans photograph from a Black Lives Matter protest in New York's Union Square made the cover.

Virginia Jaramillo, Andy Warhol, and Ana Mendieta make art that deals in the vein of this subject matter, they even lived their lives with Black artists, but they are not Black artists.

Referencing political and social awareness in this age of police violence and Black Lives Matter, works by the artists «traverse the psychic and spiritual landscape of Black erasure through narrative - figural styles; often negotiating high and low forms of image making.»

In an article titled Supreme Court Says Police May Use Evidence Found After Illegal Stops published in The New York Times edition of June 20, 2016, Adam Liptak quoted Professor Justin Driver of the University of Chicago Law School who said that Justice Sotomayor's dissent indicates that the Black Lives Matter movement has made a difference at the Supreme Court — at least with one justice.

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