Sentences with phrase «makes color studies»

Beginning with black and white drawings of biomorphic shapes and gestural marks on gridded, solid or patterned grounds, the artist makes color studies that become maquettes for his large - scale canvases.

Not exact matches

In an appropriately titled study called Impact of Color in Marketing, researchers found that up to 90 % of snap judgments made about products can be based on color alone (depending on the prodColor in Marketing, researchers found that up to 90 % of snap judgments made about products can be based on color alone (depending on the prodcolor alone (depending on the product).
Environmental psychologist Sally Augustin, Ph.D. notes in Psychology Today that the color green has been linked in studies to producing more creative thinking, making it a good option for artwork or for an accent wall in your home office.
One of the study's shortcomings, the FDA said, was that it used a mixture of color additives and the preservative sodium benzoate, making it impossible to know which individual additive was responsible for the effect.
Name in Bed & Name Writing Activity by Preschool Powol Packets Madeline Small World & Sensory Bin by Study at Home Mama Madeline Snack by Still Playing School Learning about Body Parts with Madeline by I Can Teach My Child Exploring Art & Color by Mama Miss Made» line» Sensory Tray Writing by Growing Book by Book Madeline Movement Game by Mom Inspired Life Doubles Activity by Toddler Approved Build the Eiffel Tower by Inspiration Laboratories Skip counting 2's with Madeline by Rainy Day Mum Flowers for Madeline by The Educators» Spin On It
For years, melanoma researchers have studied samples that were considered uniform in size and color, making them easier to examine by more conventional means.
My husband and I spent our first few hours in Collata making formal presentations to the village officers, requesting permission to study two rare and precious objects that the community has guarded for centuries — bunches of twisted and colored cords known as khipus.
The sheer volume of data — totaling millions of observations — makes this the first study able to identify vehicle color as a main contributor to accident rates, the team reports today in the Proceedings of the National Academy of Sciences.
Women and people of color made up approximately half the big study pool; of the parent subsample, about 60 percent were women, and an equivalent percentage were people of color.
The white grapes they studied (Vitis vinifera) had this piece of DNA stuck into both copies of the gene, leaving the grapes no way of making color.
The pigment doesn't dissolve easily, so it sticks around in fossils, making it the easiest ancient color - producing pigment to find and study.
RICHLAND, Wash. — Chemists have unexpectedly made two differently colored crystals - one orange, the other blue - from one chemical in the same flask while studying a special kind of molecular connection called an agostic bond.
Results: Chemists at Pacific Northwest National Laboratory have unexpectedly made two differently colored crystals — one orange, the other blue — from one chemical in the same flask while studying a special kind of molecular connection called an agostic bond.
She told me that, though she doesn't know of any specific studies on the topic, people who spend time to color - code items such as books may find it makes them feel like they're communicating something important about who they are as a person in doing so.
So now you know that too much eye or lip color can make you look older — but so can not enough, according to a 2013 study from Gettysburg University.
This trial targeted obese people in Louisiana, but since the previous study for low - carb diets had included a very low number of people of color, this trial was made much more representative, with over 50 % of the subjects being people of color.
On top of this, studies show the healthy fats in avocado make the anti-inflammatory carotenoids found in brightly colored vegetables and fruits more bioavailable.
Another study was done on 35 students for a period of 6 weeks and it was discovered that eating 2 extra portions of fruits and vegetables a day created detectable skin color changes that made them look significantly more attractive.
In this particular study, the scientists theorized that less color contrast between plate and food makes our brains work harder to figure out appropriate portion sizes.
If Lady Bird is, as Gerwig asserts, a «love letter to Sacramento,» then this montage of everyday, easy - to - take - for - granted sights is the big S.W.A.K. on the envelope, an unmistakable declaration of affection; the static shots throughout the movie of old neon signs from Gunther's, the Tower Theatre and Club Raven could be considered the missive's heart - shaped punctuation marks; and the purposeful use of light, about which Gerwig was particularly exacting (she dutifully studied the Sacramento landscapes of renowned contemporary painters Gregory Kondos and Wayne Thiebaud to make sure the color and intensity were just right), is suitably analogous to the fine mist of perfume that will linger after the pages have been folded away.
Also makes a great study tool after the coloring is complete!
Thus, the case study by WishPond reports a 14.5 % increase in conversions after changing the CTA button color; and Leslie Ye from HubSpot explains the psychology behind choices and ways how to make choosing easier.
When studying light and color, Mr. N. used simple objects such as flashlights and more elaborate tools such as computer programs to make the lesson entertaining — and to make it stick.
In that study, we showed that students of color made up more than 40 percent of the school - age population.
Sensei for Study Island makes managing and analyzing student data easier than ever with intuitive charts, color - coded graphics, and visual cues that work to save time and frustration when monitoring classroom progress.
A study titled «Impact of color on marketing» revealed that up to 90 % of snap judgments made about products can be based on color alone.
This makes the mythical lumberjack a perfect topic for your students to study with the following printables, which include a word search and crossword puzzle, vocabulary work sheet and even coloring pages.
So after two abortive attempts to make up a terrible score on a unit quiz, she finally passed the quiz with flying colors - because she had a study method that worked!
If the study were to say «eReader ownership doubled once Kindle 3 came out» or if it counted Nook Color as an eReader then a doubling would make sense — but not otherwise.
Many technical texts require both extended study and full color diagrams to make sense.
Video games make players» visions become more sensitive to slightly different shades of color, according to a University of Rochester study.
Kessler writes that the exhibition «is not only about a group of Mark Rothko paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The exhibition features a much - damaged five - panel mural that Rothko was commissioned to make in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural which was painted for the commission and held in reserve until Rothko decided which five paintings he wanted for the final installation.»
He resisted the notion that his work was about purely formal ideas, merely studies in color, or that it was abstract; he was, he believed, making pictures of feelings, and states of mind and spirit.
As a study and a performance of color, texture, movement, sound, smell, and desire, the video brings to mind a number of precedents including the performances of the Viennese Actionists, as well as Fischli / Weiss's 1987 film celebrating the magic of making sculpture, The Way Things Go, and Richard Serra's Verb List from 1967 - 68 (Da Corte's version might read «stacking bread,» «shaking soda,» and «squeezing ketchup»).
Both Anuszkiewicz (who studied with Josef Albers) and Wurmfeld, whose exhibition I reviewed on April 14th, make optically dazzling, hard - edge paintings that owe something to the scientific, research - driven engagement with color that goes back to Georges Seurat, the study of optics and the rise of color theories.
Anyone who identifies him exclusively with his later color studies will find an unexpectedly varied artist here: a photographer of Aztec ruins (the Alberses adored Mexico, making more than a dozen trips), a furniture designer, a carver of bouncy curlicue - patterned woodcuts, and a collagist who could infuse the lift of devotional art into an arrangement of dried leaves.
Fairfield Porter wrote in ArtNews (1955) that «the most studied and successful paintings... have a solid weight of color and light in the right place and proportion, making them both heavy and sparkling, miraculously not paradoxical, and more French than Expressionist, with qualities few painters today seem to understand as well as he does.»
It makes no difference whether we are face - to - face with one of his large format images, in which he allows the pigments dissolved in epoxy resin to run slowly down the picture carriers in satiated, glistening vertical stripes; or whether we study those works in which small drilled craters disclose many apparently archeological layers of paint, or find ourselves in one of his site - specific, all - over paintings that cover the walls, floors and ceilings, their iridescent stripes of color subduing entire architectures and permanently altering the viewer's perception.
Avery insisted on a rigorous study of his subject, and most of these mature works were the result of sketches or drawings made with color notations, later enlarged and simplified into watercolor or oil crayon and finally translated to oil applied in luminous, thin washes of closely valued colors overlaid with swiftly applied expressionist brushstrokes.
The wit at the heart of the «Color (less)» show springs from the juxtaposition of a trio of understated (even for minimalism) studies that are as conceptual as they are graphic, until it is time for their close - up: A Red Line of Random Length and Drawn from the Left Side of the Page (1974) by Sol LeWitt; Drawing Which Makes Itself (RP # 3)(1973) by Dorothea Rockburne; and a Donald Judd pencil plan for a sculpture.
O'Neil began her graduate studies at the University of Illinois at Chicago, IL making bold, abstract paintings in fashionable colors.
PP - 486, 1936 (below): While we have shown similar portrait studies made on the reservations of the Colville Confederated Tribes near Nespelem, Washington, this particular example perhaps demonstrates most clearly Still's fascination with the color relationships of his subjects» native clothing.
Donald Judd: Cor - ten is an exploration not only of the artist but also of the industrial material itself... ten pages of the book are dedicated to the process of making Cor - ten, accompanied full page close - up photographs that study its color and texture in great detail.
Starting with charcoal drawings on paper, she makes a multitude of color studies in her studio before arriving at her final choice.
Hafif, who has engaged for decades with monochrome painting, recalls painting a still life while studying with Richards Ruben: «I began using a single color and digging into it and making a kind of radiating form, treating it plastically rather than as flat.
By manipulating color and line in this way, Haggerty's imagery becomes a study in spatial and sensory perception, appearing to hum and even making his two - dimensional paintings appear to be three - dimensional.
An artist who studied with the irascible Clyfford Still in California and then spent two years in Japan immersing herself in the world - flattening tradition of woodcut prints, Deborah Remington established herself as a Beat artist in San Francisco, making gesture-less paintings of spooky - colored shapes that seem to barely hover into view.
Inspired by Du Bois» sociological studies on the advancements of Black Americans from the time of Emancipation to 1900, the exhibition will feature a series of response paintings in which the statistical data gathered and made visual by Du Bois has been reduced to abstract color fields and geometric motifs.
Rather than being part of a movement or stylistic trend, and, despite however close they were to artists associated with Abstract Expressionism (Stout studied intermittently with Hans Hofmann in Provincetown) and with Color Field painting (Frankenthaler was a student of Feeley at Bennington), they went off on their own — and the work they made calmly and self - assuredly exudes that independence.
Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52
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