Sentences with phrase «makes film work»

If she makes a film work it could mean visitors lingering longer than they have for other commissions.

What makes the film work is its crackling energy and ability to maintain a straight face through the over-the-top massacre while the filmmakers wink at the audience through clever details.

The film is a contradiction of so many things, containing within it every piece of the puzzle that makes a film work, yet this puzzle remains in a jumbled state despite the talent involved to solve it.

What makes the film work is the good supporting cast, and a «we'll do - anything - to - entertain - you» attitude that is infectious and will win you over by the end.

Hart's a funny man, as well, but it's the chemistry of the two, together, that makes the film work as well as it does.

What makes this film work so well though, is the chemistry from it's leads; two complete opposites but still entirely believable.

What really makes this film work, however, is Matt Damon.

Fickman wisely focuses on the relationship between these two and that's what makes this film work.

As usual, the plot and storytelling are fairly ludicrous, and it's mainly Bava's masterful invention behind the camera that makes the film work.

Putting this trio in this pressure cooker allows for allegiances to shift back and forth, and so much of what makes the film work is the attempt to suss out motivations and who might not be telling the truth.

Simon Pegg and Nick Frost team up once again and it?s a big part of their chemistry together that makes this film work so well.

What makes the film work is that it's not completely consumed with hitting every single beat from the original.

The whole film rests on these two woman and they are what makes the film work so well.

What do you think Jason Bateman, Rebecca Hall and Joel Edgerton brought to these characters that makes this film work in a way that it might not have otherwise?

«Frot and Deneuve exhibit good chemistry playing contrasting confrontational personalities --[it's what] makes the film work, despite the simple plot» — GS

I didn't get the impression that they felt strained or unsure of what they were involved in here and that's primarily what makes the film work.

Mostly it's the excellent presentation of vampires - as - normal - people that makes for plenty of comedic - fodder and is what makes the film work so effortlessly.

(Smith is) in everyman mode here — albeit the pumped up, survivalist only - man everyman — and it's his humanity, his need for contact (making small talk with the mannequins he's propped up around his neighborhood), and his fearsome rage that makes the film work.

Yet Clooney, through it all, pulls his weight and more, and it's only his skill that makes the film work in short bursts.

Coneheads could have been a good comedy, but the script had barely any potential for making this film work.

But what made that film work is that his fellow cast members made you believe they were convinced he really was a woman in spite of his comically non-womanish appearance.

Bernie Mac and Ashton Kutcher really make this film work.

This question, carried by the strong performances and a great cinematography make this film work.

Most of the film hinges on Robert Donat's performance, because it takes a considerable charm and gentility to make this film work without any of the core elements.

His protruding lower lip, his hard eyes, and his posture, which makes him look like a spent slug, all convey an immobility and hard - heartedness that make this film a work of art.

I just felt that the idea behind the story lacked something really great to make this film work.

And it has such a darkness about it, such a fog of dread & bad choices, with music to support the mood and a good directorial eye to catch all the tiny details that make the film work so well.

She's also instrumental in making the film work, turning in her equivalent of Charlize Theron's performance in Young Adult as Gloria, an alcoholic writer who returns to her Northeastern U.S. hometown after her fussy, career - oriented boyfriend Tim (Dan Stevens) kicks her out.

On top of that, the production design was incredibly detailed and top notch, contributing to the claustrophobia that made the film work.

The cast make this film work well enough.

In a sense, it would seem like having all of these egos is a small - time film might work against the production, but by all appearances, everyone put in their best effort in making this film work, with what must have been a sparse crew and few takes allowed for every scene.

While Cohen gets all the press for his shenanigans, Mark Strong deserves a lions share of credit for making this film work.

Unfortunately, neither the legendary actor nor the accomplished talent around him can make this film work as intended.

He is a guy who is so good at what he does and he and I worked so closely to figure out how to make this film work on this budget, along with the producers and line producers.

And it's not just the framing and the rhythm which make the film work so well, it's the repetitions and call - backs and delayed punchlines and bathetic edits too.

What helps make the film work so well is the great depth in the casting, starting with the lead.

A stripped back approach made the film work as the focus was kept tightly on Tony Stark as a person coping in a world where the unbelievable is becoming a reality.

The darker tone might not make the film work for everyone, but it proves to be a riveting and rewarding watch for those able to stay up with it.

She always knew she wanted to tell the story with original songs, so the musical direction was key in making the film work.

Myriad CEO Kirk D'Amico explained, «We have to make both films work on their own, both for the buyers but also for the audiences.

Much like Kosinski, their music was a big part of what made the film work, and even four and a half years later, that soundtrack is still played on a weekly basis on my iPod.

Bernstein was perfect composer casting, since his ability to express humanity's more noble qualities was vitally important to make the film work.

Covered here are the process of penning Big, concerns over certain aspects, the birth of the famous piano duet, research done for the sake of authenticity, casting a lead, competing with similar premises, and what made the film work.

It's the classic case of not knowing what was or wasn't needed to make the film work.

The only way to make this film work would be to have us actually care about the characters under attack, but outside of showing that there is a spat happening between the husband and wife characters, there's almost no development whatsoever before all hell breaks loose in the town.

But he and Nolte just about make the film work in the end, despite its marked structural similarities to Wild and in a way that is only likely to appeal to core Bryson fans.

The multitudinous thrilling action scenes in the air and helicopter dogfights make the film work.

You also added fantasy sequences towards the end of the film where Julia's character is remembering her former life with her husband, these scenes were not in the book so could you talk about the importance of adding them in order to make the film work?

What makes Waters's output as an artist successful it what made his films work — a unique and very funny take on Americana, trash media, and ideas of perversity.

Not exact matches

Some of the things that made T'Challa [the film's main character] a good leader were that he wasn't afraid to empower the people that worked with him, and he was somebody who kind of gathers information from everybody.