Sentences with phrase «makes leaving the scene»

At the RVRC, they can issue a verbal warning — «talking CCTV» — to any intruders, which in more than 90 per cent of cases is sufficient to make them leave the scene.

It is the neglect in fulfilling those duties that makes leaving the scene such a serious offense.

Not exact matches

«But the narrative about St. Louis leaves out the fact that St. Charles County and its elected leadership have helped make several communities in this area some of the best places in America to live, and that the region has one of the best startup scenes in the country.»

STONER»S PRAYER Now I pass out into sleep I pray the Lord my soul to keep Grant no other stoner take My weed and bong before I wake Keep me safely in thy sight And grant no crackhead's thrill tonight And in the morning let me awake Breathing scents of wake «n bake God protect me in my dreams and make this better than it seems Grant the time may siwftly fly When myself shall be so high In a green grass weed bed Where I long to rest my head Far away from all these scenes And the smell of bammer smoked by beans Take me back into the land Where the cops never take you out Where the weed won't burn my throat like sand; Where the scent of chronis blows Where the good Mary Jane grows; Take me back and I'll promise then Never to leave BC again... - Anonymous

For the kervgmatic interest of the primitive Church would leave unaltered precisely those sayings and scenes in which Jesus made his intention and understanding of existence most apparent to them.

Hence the common descriptive categories of «church» and «sect»; of «right - wing» and «left - wing» Protestantism which make sense in distinguishing the divisions of Old World Christianity, are not applicable without confusion and distortion to the American scene.

And make no mistake, Sunday's was the best Dinah Shore finish in memory, sort of like the final scene in one of those old Hercules movies in which everything comes crashing down around the hero and only he is left standing.

Flares were seen to be left off by Russian fans during the game, before they broke a barrier between rival supporters and made their way across to England supporters where there further distressing scenes.

As tempting as it may be, leaving without saying goodbye may make kids feel abandoned, whereas a long farewell scene might only serve to reinforce a child's sense that preschool is a bad place.

All of the scenes in Leaf Man are made from photocopies of leaves Lois Ehlert collected when preparing to write Red Leaf, Yellow Leaf.

You and your twins are wearing a gritty mist of sweat as you do your best to leave the park without making a scene, without one child running into traffic, and without losing all appearances of sanity.

It's disgusting for others to see and should be done in a bathroom or public lactation room... not in a restaurant (which I've made a HUGE scene at for seeing this act done at the table next to me... and yes that «mother» was asked to leave... she refused the police showed up and ESCORTED HER OUT!

With just five days left in the New York State Assembly session, North Fork and East End lawmakers are making a last - minute push to drum up support for bills that would increase penalties for hit - and - run drivers who flee the scene of serious accidents.

This law would eliminate that loop - hole, making it illegal for anyone to leave a scene while intoxicated.

Unless it is specifically programmed for that purpose, a computer analyzing the scene would not know whether, amid the usual clutter on your desk, your iMac computer on the left and your iPad on the right make sense together.

His DNA profile, made during police inquiries into an unrelated offence, matched one from stains left at the scene of the burglary.

I can not tell you how many times I have heard people tell me that they cursed out their former manager and made a dramatic scene before they left their jobs.

The online dating scene allows people to meet others all over the world making it easier to meet new people, without even leaving the house.

Where the mild - mannered Asquith was content to discuss, persuade, and ultimately defer to his actors in most matters of performance, and build his work around them, Crabtree also left most of the acting to take care of itself, permitting the performers to make the decisions about how to play a scene or read a line, just so long as it made sense and they hit their marks.

Sadly, despite early rumors about a ton of content left on the cutting room floor, the DVD / Blu - ray releases do not contain any deleted scenes, though there are plenty of making - of featurettes.

One of the great scenes has her throwing money in a guy's face after he tries to bribe her into leaving town to get her out of Toomey's life: «What are you trying to make of me - what you wish I was?

There are rumors circulating about an extended director's cut, an R - rated cut, all sorts of cuts of this film that will «restore» all the sequences and scenes left on the cutting room floor and make the choppy, helter - skelter nature of the film flow better and make more sense.

Spielberg leaves too much on the table between the two characters, especially in a film that earns the right to breathe for a few seconds, but Streep shines in these scenes all the same — this is Spielberg's first female - driven film since «The Color Purple» in 1985, and the actress is eager to make up for lost time.

It's a scene that makes sense from a character perspective, but the way it's wedged into the story stops the film in its tracks and it doesn't improve from there as only seconds later Tris and Four have to discuss Caleb's leaving, combined with the requisite «It's not your fault» moment.

The film makes light use of a fairly heavyweight cast: Michael Douglas and Antonio Banderas in particular come and go, act in a couple fo scenes and then leave without making much of an impression.

But in keeping with revived franchise's goals of shedding the old to make way for the new, he meets his apparent end during the final act of the film in a scene that will undoubtedly leave audiences asking a lot of questions.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

Going for seriousness only makes the film all the more funnier, albeit unintentionally, because the only entertainment that's left for us is to laugh at all of the amazing coincidences and guess what predictably boneheaded turn the story takes from scene to scene.

The irony of Pulse is that, by removing the «confusing» social commentary, they have made what's left infinitely more perplexing, with very little explanation as to what is going on during many scenes, or what is motivating anyone, ghosts and humans alike, into doing whatever it is they seem very compelled to do.

It makes the later scenes where Emma Stone is asked to all too briefly adopt true emotion, leaving comedy at the door for a moment, that it isn't too a big a leap to ask for.

Yet the truly disturbing scene comes right after, as the sound suddenly cuts out to leave only the wind as Jeff hobbles through the now - empty ring after the rodeo, his hunched back and limping gait making him just one more piece of the refuse and litter blowing around the dirt.

It is almost as if the man who made a tv show about nothing but incessant talking wanted to make a bee movie with the same premise, but test screenings left the audience so despairing that scenes featuring Barry trying to stay alive within the machinery of a car or negotiating the impossibly complicated honey factory equipment had to be inserted to keep the children docile.

The best scenes come after many will have already left the cinema — not having been trained to stay for the credits of non-Marvel Cinematic Universe movies — and they make you wonder why the rest of the movie was such a joyless slog.

Hill is a lot more annoying in this installment, especially when left to fend for himself, but Tatum is so damn funny as the loveable, dim - witted jock (like a big puppy dog that just wants to play catch all day long) that he makes every scene more enjoyable.

And I'm not just referring to the ones that are present in this installment (there is a scene here that is absolutely guaranteed to make diehard fans cry their eyes out), but everything that is left to come.

While Ted insists he made multiple attempts to rescue Mary Jo, he eventually left the scene of the accident and did not report it to authorities for 10 hours.

From an N - word laced opening sequence to a steady diet of profanity to its graphic dialogue to gratuitous frontal nudity to its much - anticipated sex scenes, Zack and Miri Make a Porno leaves even less to the imagination than its suggestive, testosterone - teasing title.

That's followed by a 12 - minute making - of featurette, five deleted scenes (each presented with the optional accompaniment of the commentary crew), a fun and brief piece called «The B Team» that spends some time with three cast members (Juliette Lewis, David Koechner, and Kick Gurry) who felt left out after they joined the filming a few days late, a blooper reel, and a music video for «Put Your Head on My Shoulder» by Blue Mother Tupelo.

In its first few minutes, the film speeds into its inciting incident: In the blink of an eye, a barely introduced Watney is gone, and his crew mates (Jessica Chastain, Kate Mara, Sebastian Stan, Aksel Hennie and «Ant - Man» scene - stealer Michael Peña) must make the traumatizing decision to leave without him.

We hear none of the planning that leads to that encounter, and Vicky disappears from The Infiltrator after that scene, leaving unanswered any questions the viewer may have about why the team risked involving a civilian in such a delicate operation, or whether introducing Roberto to Bob's actual aunt might not make it easier for the cartel to discover Bob's real identity.

This last minute axe first started making the gossip rounds a few weeks ago, when the Daily Mail reported Sienna's scenes were left out of the final film.

Black Book (# 20) Leave it to director Paul Verhoeven to make an erotic thriller set in World War II that flies by at nearly two and a half hours with smooth transitioning fast paced scenes.

The seven making - of featurettes are insightful and well - produced, but fans will be left wanting a commentary and deleted scenes.

Sony's Blu - ray delivers a knockout feature presentation and, though it leaves off some standards (an audio commentary and deleted scenes), more making - of material than anyone is likely to enjoy.

Originally, the Captain America credits scene had made it seem like Cap was leaving Bucky in Wakanda for treatment, then heading somewhere else.

That leaves plenty of room for action, which Ratner obliges, including a fine scene where Magneto springs Mystique from an armored fleet, and another sequence where Xavier and Magneto each make a pitch for Phoenix's allegiance.

The clip shows a scene of two men and a boy in a van, and while one of the men goes into a gas station to buy snacks, the other (frequent collaborator Michael Shannon) leaves the van to make a phone call.

Shot in the stripped - down, naturalistic hand - held manner that gives von Trier's films their immediacy, but also leaves you with the feeling that he's making up scenes as he goes along, «The House That Jack Built» presents a murder junkie of cold - eyed lunacy and raging indifference whom the movie doesn't necessarily want you to understand.

Stone has a ball playing the carefree Catherine, evidenced in Instinct's most entertaining scene: During an interrogation, the pantyless Catherine flashers her crotch and makes sexually suggestive comments, leaving Nick and the other men panting and sweating in desire.

Then you'll be left with only two things to worry about: whether or not this film will produce a sequel (a mid-credits scene launches the next chapter) and if those outrageous 80's fashions might also make a comeback.