David O. Russell
makes screwball comedies.
It is not a coincidence that no one has attempted to
make a screwball comedy since this movie came out.
The prolific French director has been known to
make screwball comedies («Le jouet»),...
It's as if the filmmakers were
making a screwball 90s period piece, with characterizations and design choices alike coming dangerously close to crossing the line of farce.
Not exact matches
how does fair, unbiased CNN, AKA ACNN (Anderson Cooper News Network) pick and choose stories as noteworthy... a comment is
made by a very elderly priest, probably not quoted properly, and is «front page news» on CNN's website... this same man (priest) has written many great books, done a lot of great charity work in the poorer parts of New York and nothing is ever posted on the website... but something is said incorrectly and its published... is this fair, is it right, is it unbiased or is the motivation to
make an entire Church lokk bad and let the anti-Catholic
screwballs have their heyday in hateful posts... I didn't see this wonderful netwrok post anything about the disgusting, bigoted and hateful attacks, written by the liberal left wing media elites, like Maureen Dowd, against Rep. Paul Ryan and his Catholic faith... it's all acceptable to you liberal HYPOCRITES!
Her unique comic gifts and offbeat personality would seem to
make her more suited to
screwball supporting parts than romantic leads, though she's certainly had her share of both.
This irredeemably silly tropical
screwball comedy,
made in 2009, is only now getting a release - and that's no surprise.
A one - joke movie if ever there was, but the joke happens to be a good one — a Tracy - and - Hepburn - style battle of the sexes in which Kate can fly and blast through walls — and director Ivan Reitman (who
made Ghostbusters) feels at home with the mix of
screwball and supernatural.
There is, no doubt, a great
screwball comedy to be
made about adult children who won't leave home, and the mothers and fathers who collude in the arrangement — and not just for reasons of economics.
«The Trouble With You» «
made me think of George Cukor's
screwball classics,» said Waintrop.
This is a classic
screwball comedy
made brand new, exactly the kind of movie Howard Hawks and Preston Sturges and Grant and Gable and Hepburn would be
making today, with hysterical gags, slapstick moments, perfect timing, and dialogue so sharp it leaves teeth marks.
If this mildly amusing
screwball comedy about mistaken identity has a conservative slant of glorifying housewives it's due to the zeitgeist: It was
made in 1945, at the end of WWII, when men were coming home and women sent back to the kitchen.
It's a sweet, faintly
screwball, faintly Shakespearean look at love, families and what happens when a well -
made plan goes just a bit awry.
The teaser trailer certainly
makes the film look like an embarrassment of riches, with the entire cast seemingly having the time (and hairstyles) of their lives, and if anyone can walk the fine line between serious drama and
screwball comedy, and deliver something that audiences and critics alike will love, it's Russell.
Bogdanovich contends that this film
made Cary Grant a superstar because it proved he could win the girl as a romantic leading man, not a
screwball comic (as in Leo McCarey's The Awful Truth) or a poetic misfit (as in George Cukor's peak - high comedy Holiday).
His slangy eloquence, his brilliance at scene
making, and his nose for the zeitgeist fostered a slew of smash movie classics, including the seminal silent gangster film Underworld (1927), which won the first Oscar for best original screen story, and its sound - film successor, Scarface (1932); the
screwball satire Nothing Sacred (1937); and the seductive romantic thriller, Notorious (1946).
With her sparkling presence and sharp timing, the stunning Lombard delighted audiences in some of the greatest
screwball comedies ever
made, but she spent the early part of her brief career playing dramatic roles and romantic ingénues.
The German director Ernst Lubitsch (1892 - 1947) is best known for the insouciant
screwball comedies he
made in Hollywood.
The warm affection for foibles, the lightning - quick volleys of verbiage, the
screwball forward plunge of the montage: So much of what
made Frances Ha special is right here, too.
Russell's penchant for barely controlled chaos just isn't funny in the context of diagnosed mental illness, and while Playbook's late shift into a conventional, crowd - pleasing rom - com works exceedingly well, it does so at the expense of all the previous manic episodes,
making it seem as if men who suffer from bipolar disorder just need to find a
screwball dame to nurse them to health via wacky dance routines.
The
screwball comedies of the 30s and 40s
made bickering artful and aspirational and Woody Allen added his own neurotic spin in the 70s.
Babbit attempts to
make a sort of madcap,
screwball comedy out of the entire situation, with Shannon and Martha carting their corpse around the city in a bin while resorting to desperate measures for cash.
This is the best
screwball comedy ever
made, with rapid - fire overlapping dialog and hilarious performances from Grant, spunky Rosalind Russell and a sublimely bland Ralph Bellamy.
Westrate's delivery does not sound like a forced impression of the way actors talked in those films, but instead comes across rather naturally, while capturing all the elements which
made the speed and style of speaking unique during the
screwball comedy era.
Great Directors on TCM: Billy Wilder Billy Wilder had an incredible ability to
make definitive films in most genres —
screwball comedy, film noir, socially conscious drama, bittersweet comedy - drama.
It's a throwback to old
screwball comedies where anything could happen without having to
make sense, and it relies on that zaniness to drive laughs rather than pairing it with rapid - fire jokes like an Airplane!
The kind of comic actor that Anna Faris represents, and the kind of unabashedly
screwball comedy that she embraces, is quite possibly rarer than a comet hitting Earth — or a good, solidly -
made American movie comedy.
Seeing him attempt something so sincere, so rooted in human behavior instead of
screwball goofs,
makes for a strange yet welcome bit of cognitive dissonance.
Some excellent performances from the leads (and some of the supporting cast as well: Lucille Ball, Ann Miller, Adolphe Menjou, and Eve Arden), flashes of brilliant
screwball dialogue and Gregory La Cava's efficient if uninspired direction
make for a solid film.
The films he
made between these animated efforts — Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014)-- were among his better works, as the former evinced a real sense of poignant feeling that sometimes gets lost in his penchant for irony and pastiche, while the latter was a marvelous
screwball farce with a fantastic central performance by Ralph Fiennes.
But they have been responsible for gushing founts of fake blood in the two projects they've
made together: 2008's inspired hit - men - in - hiding dark comedy, In Bruges, and Friday's Hollywood - underbelly
screwball caper, Seven Psychopaths.
Frank Capra's whimsical
screwball comedy starring John Barrymore and James Stewart was one of the director's great masterpieces and the highest - grossing film from 1938,
making it a favorite to win Best Picture.
Wacky enough to
make us smile but never laugh out loud, this
screwball comedy harks back to those nutty 1970s farces Woody Allen used to
make about a group of neurotic urbanites.
Ultimately, while Big Trouble's images were
made uncomfortable in a post-attack America, the film is a harmless
screwball farce.
And then there's The Color Wheel, a comedy that somehow marries the hectic, will - they -
make - it - to - the - end - before - the - film - collapses mania of classic
screwball with the warts -» n - all nature of contemporary American independent film.
, they
made this sporadically funny,
screwball vignette comedy flick which would give us a preview of the type of projects they would score time and time again with.
A
screwball comedy about female friendship and intellectual - property theft (well, not quite, but we'll get to that), Mistress America breathlessly tags along as Brooke
makes wild gesticulations and snappy pronouncements, by way of mentoring the decade - younger Tracy Fishko (Lola Kirke), a shy suburbanite newly installed in the freshman dorms at Barnard.
Here it is, your chance to
make a triumphant return to madcap,
screwball comedy or give us a witty, scathing satire of Hollywood, and this is the result?
This»40s - set
screwball comedy came shortly before Woody departed to
make films in Europe for several years.
This leads to the
screwball episodes which
make up the film and of course the inevitable happy ending.
Ball Of Fire — This Howard Hawks
screwball comedy stars Gary Cooper as the head of an eccentric group of brainy encyclopedists
made up of some of the best character actors of the 30s and 40s.
When the very first scene is a fortune teller attempting to get her customer drunk in order to
make her vague prediction seem more impactful, the tone is set for a
screwball romp.
A nearly three - hour
screwball comedy about a father, a daughter, and international capitalism, it's the best film
made about parenthood since Yasujiro Ozu died, and surely the funniest German film ever
made.
It was billed as «a
screwball tragedy,» which
made the copywriter in me jealous.