Sentences with phrase «makes this version special»

What makes this version special is the use of turmeric powder.

But what makes this version special is, it adds innovative water injection technology; with which the 3.0 - litre unit gets a substantial power boost.

EA Canada worked hard to become students of the original, duplicating as many elements as possible that made that version special.

Not exact matches

The basic version of the Versa also forgoes the ability to make mobile payments, though a $ 230 special edition gets the Fitbit Pay feature back.

India Express is reporting that the $ 23 feature phone will get «a special version of Google Assistant, making its the first feature phone to come with the software giant's voice - controlled smart assistant.

Claiming that their son was «gender non-conforming» (six months later they declared him to be a transgender girl), the Edwardses demanded that the school make special provisions for his «needs» that required infusing everyone else's child with their peculiar version of reality.

Yet the difference lay here — and Luther made it the very heart of his approach: «prayer» and «humility» become a matter of self - despair, part of a complete existential complex, an early version perhaps of the special German Angst.

I'm really glad it made a lot as that means I can have some for lunch tomorrow I even made a special version (minus the tamari, almonds and chilli) for my 7 month old and he loved it too!

It is a vegetarian version of posole, a dish made by the Pueblo Indians and Hispanics for feast days and special celebrations.

If you plan to convert a favorite family recipe to a gluten - free version, it is best to make the dish a few times to perfect the recipe before you plan to serve it for a special occasion.

Make dinner a special occasion with this Homemade Version of Cheesecake Factory Chicken Madeira.

When she later returned home to the states, she made her own version of the chai combining all of the recipes» special ingredients.

I think this recipe is for people who are really trying to make every meal count in a way that works for everyday (myself included), versus special occasion versions.

Since I started this blog, I've posted a classic, easy everyday granola that's perfect for a weekday breakfast on the go and a super indulgent browned butter bourbon version that is just so special and perfect for making for people you love.

and roasted cauliflower holds a special place in my heart < 3 i need to make your version.

Made with creamy cashew milk and sweetened with maple syrup, this Homemade Cashew Milk Hot Chocolate is a special version of your favorite holiday beverage!

And in looking for a meal in which to use these, I decided to make a special version of a classic pea soup.

My partner in crime, Jen (who should be given an award for dealing with the 18 year old not very nice version of me), and I were responsible for making tasty treats for morning snack as well as making goodies for special occasion such as birthdays and Thanksgiving dinner.

My mom has a special spiced fruit loaf that she makes on Christmas Eve, and in anticipation of going home for Christmas, I created this whole food version of a holiday favorite that's vegan and gluten - free.

It makes your banana bread extra special and delicious (when compared to versions with white sugar and white flour).

lucky for us, it doesn't make that big of a difference to use the low - fat version (purchased mine at braum's since they have the special milk reputation and all)

This gourmet version of the traditional chocolate chip cookie dough recipe has that special twist that makes these cookies so darn special.

For the past three years I have made a special gluten - free version of my grandma's delicious meatballs so my mom and sister (both gluten free) could enjoy with me!

Bud Light even made a special version for the underdog Eagles after they secured their bid to face the Patriots in Super Bowl LII.

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

Including a sweet version of kids to make as an extra special treat.

Because Kraft, Coca Cola and Wal - mart are living proof that is possible for giant corporations to make and sell kid - friendly, family - friendly, and healthy processed foods so that we can give our kids some special treats — like the U.K. versions of Starburst and Skittles, for example — without necessarily exposing them to a chemical cocktail that might also give them brain tumors, or leukemia, or the symptoms of ADHD, as the Center for Science in the Public Interest recently highlighted in their report «Rainbow of Risks».

Meanwhile the Electoral Commission's report reminds us of the special measures that were taken to enfranchise 16 and 17 year olds, including not least not making a version of the electoral register that contained their names generally available.

While the cycle - tracking apps of old relied on averages to calculate your fertile days, the new - and - improved versions go a few steps further, offering special algorithms and even temperature tracking to predict ovulation, aka the time of the month when a mature egg is released from an ovary and makes it's way down one of your fallopian tubes, ready to be fertilized.

My next project is to make smaller versions for the kids from some of their baby clothes that have special memories.

Do let me know if there is a special dish or recipe of which you would like me to make a paleo version.

Whereas there are some holiday recipes I'll sneak in at other times of the year, there's something rather special about having these brownies (well, technically the gluten - free version that I have to make these days, but which, I'm happy to report still tastes markedly similar), sweet and bursting with minty flavour, to look forward to with that same childlike anticipation each year - even if I'm the one baking them.

Download the latest version of Match today to make your search for someone special even easier.

«Rarely do you see an iOS port that goes to such great lengths to preserve what made the PC version so special.»

High Definition Special Features include web - enabled functions, while all versions (including the separate DVD include deleted scenes, audio commentary by the director and the following featurettes: The Reign Continues: Making «Elizabeth: The Golden Age», Inside Elizabeth's World, Commanding The Winds: Creating The Armada and Towers, Courts & Cathedrals.

The other players need to download a special version of the game, which will be made available for free on the Nintendo eShop (similar to Mario Party: Star Rush — Party Guest).

The extras includes the following: The Making of Battle Royale, TV Spot: Tarantino Version, Basketball Scene Rehearsals, Tokyo International Film Festival 2000, Special Edition TV Spot, Original Theatrical Trailer, Battle Royale Documentary, Special Effects Comparison Featurette, Filming On - Set, Behind - The - Scenes Featurette, Audition & Rehearsal Footage, Instructional Video: Birthday Version, Battle Royale Press Conference.

Is there any special content made for the Blu - ray version?

in the retro - futuristic world of Priest, a question that proves rhetorical; throughout, rewrites, preview versions, and cutting - room innovations are candidly discussed, with Sam Raimi's editor Bob Murawski receiving special praise as a latecomer to the project who instituted structural changes that made the film more linear.

EXTRAS: The Blu - ray release includes both versions of the film (the 1986 theatrical cut and the 1991 special edition), as well as an audio commentary by director James Cameron and various cast and crew, the making - of documentary «Superior Firepower,» deleted scenes, pre-production galleries and an all - new featurette (only available online) about the movie's origins.

The album is available in multiple formats including a Limited Edition version which includes special packaging and a bonus DVD with a making of the album documentary and a complete live performance from the bands 2014 Wacken Festival appearance.

Two different versions were made available: a normal edition and a special edition limited to 400 copies (according to Konami).

Kenneth Branagh, who has been making special effects heavy Disney pictures for some time now (Thor, Cinderella), merges this talent with his tastes for classical British properties, to offer a glossy blockbuster version of the The Murder On The Orient Express with a cast that seems far more eccentric than obvious.

Following Nicalis» official announcement of Cave Story + for Switch, today they have put out word of what makes this version of the game so special and we have some of that word right here:

This November 21st release is extra special in that it contains both the theatrical cut and an extended version made possible by seamless branching technology.

The game's Nintendo - exclusive rides and their series - appropriate sound effects are small if charming touches that make the Switch version feel slightly more special than it otherwise would have.

MTV Games and Harmonix announced today that a special recording of The Who's performance during the Super Bowl halftime show, will be made available following the Super Bowl for download and play in Rock Band titles. «The Who Super Bowl S - mashup» will be available in the Rock Band music store immediately after the game on the XBox360 and Nintendo Wii with the Playstation 3 version «coming soon».

Bonus: Disc One • Audio Commentary with Co-Directors Robert Rodriguez and Frank Miller • Audio Commentary with Co-Director Robert Rodriguez, Guest Director Quentin Tarantino and Actor Bruce Willis • Austin Audience Version • «How It Went Down: Convincing Frank Miller to Make the Film» • «Special Guest Director: Quentin Tarantino» • «A Hard Top with a Decent Engine: The Cars of Sin City» • «Booze, Broads and Guns: The Props of Sin City» • «Making the Monsters: Special Effects Makeup» • «Trench Coats and Fishnets: The Costumes of Sin City» • «Sin - Chroni - City» • Trailers Disc Two • «Recut, Extended and Unrated» Version of Sin City • Robert Rodriguez Introduction • «15 Minute Flick School» • «All Green Version» • «The Long Take» • «Sin City: Live in Concert» • «10 Minute Cooking School»

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobbyspecial sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobbyspecial effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby camake - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobbySpecial Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby caMake - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

The western version comes out on October 20th, and Nintendo's making it worth the wait with the accompanying release of two amiibo - Chrom and Tiki - and a special edition that comes complete with a three - disc soundtrack and character art cards.