Since 2005, Price has been
making figurative sculptures.
Upritchard has been
making figurative sculptures — primarily using wire frames covered with a polymer modeling material that is then baked and painted — since 2006.
After leaving the field of clinical psychology in the mid-1940s, Truitt began
making figurative sculptures, but turned toward reduced geometric forms after visiting the Guggenheim Museum with her friend Mary Pinchot Meyer to see H.H. Arnason's exhibition «American Abstract Expressionists and Imagists» in November 1961.
Anthony's talk about figurative sculpture — «One of the great things about not
making figurative sculpture, you are not making figures...» — is also both «wrong» and «crazy.»
«It made it seem possible that you could really
make figurative sculpture, that it was still alive today.»
CR I was trying to
make a figurative sculpture.
Jerry Ross Barrish is a San Francisco artist who
makes figurative sculpture from found objects collected off local beaches, roadways and recycling centers.
Not exact matches
I had
made sculpture in England,
figurative stuff, and had just started taking photographs — as sketches for the
sculpture.
The
Sculpture program at PAFA embraces contemporary and classical approaches across a broad range of art making — from traditional figurative sculpture to video and installa
Sculpture program at PAFA embraces contemporary and classical approaches across a broad range of art
making — from traditional
figurative sculpture to video and installa
sculpture to video and installation art.
Hidden amongst the items on the wooden tables are two sculptural works — the first is Thomas» first
sculpture, a broken, lumpy, vaguely
figurative work, the other is a hand that Sandra
made herself.
Standout artists in the show include Tomashi Jackson, who uses Josef Albers's 1963 text Interaction of Color to explore the history of racial segregation in her painterly assemblages; David Shrobe, who creates surreal portraits by combining his
figurative paintings and drawings with found materials; and Kennedy Yanko, who
makes abstract
sculptures by blending rubbery skins of poured paint and crumpled paper with bits of marble and scrap metal.
The Nashville - born, New York - based artist plays with our ever - shifting opinions and perceptions of reality in optical, textural paintings
made with flashe and gesso and undulating
figurative sculptures — squashed heads, couples jogging —
made in foam with such precision that Sayer's hand is almost imperceptible.
But many artists are
making a kind of
figurative sculpture that feels new and transgressive, even though they're using forms and techniques associated with academic realism.
That's what
makes some of this contemporary
figurative sculpture so interesting — it foregrounds this experience of inhabiting our own space and at the same time offers access to another space and time.
In this exhibition, she shows a series of nearly - life - sized
figurative ceramic
sculptures, as well as sawdust - fired vessels
made during a residency at Lynden.
«This exhibition proposes an alternate history of
figurative painting,
sculpture, and vernacular image -
making from the 1960 to the present that has been largely over-looked and undervalued,» Nadel writes in the accompanying catalogue, published by D.A.P.
His use of classical
figurative techniques with a honed attention to aesthetics of form and surface — such as in the velvety finished concrete or waxed iron patina surfaces of his
sculptures — reflect an embrace of the
making of objects that seems refreshingly out of step with the digital era.
This initiates a compelling dialogue with the installation in the gallery's second space, in which further aluminium painting and
sculpture pairings are interspersed with a group of
figurative photographs of the sort of life - sized rubber dolls
made for shop windows or medical experiments.
For the first time Hauser & Wirth presents 2D work of Thomas Houseago, the British born artist who is renowned for his raw, massive,
figurative sculptures made of so called lo - fi materials such as plaster and plywood.
Ron Mueck's skill lies in the creation of
figurative sculptures that appear to be real, in a sense that they are
made of flesh and blood, but moreover, have presence in a profoundly individual way.
Since your degree show at the Royal Academy Schools in 2015, you have
made several
figurative sculptures using your signature plaster bandage and chicken wire process.
Motivated to try his hand, Schwabe
made his first
figurative sculpture in cast bronze based on the published image of a ballet dancer.
Having first met with some success as a
figurative sculptor, by the end of the 1960s he was
making a new sort of utterly abstract
sculpture.
Partly responding to an upward - spiraling art market, partly from a lack of means to evoke a stressed - out world
made porous by virtual reality, sculptors from Paul McCarthy and Urs Fischer to David Altmejd and Thomas Houseago have powered a new monstrosity in
figurative sculpture.
After gradually moving toward working with three - dimensional forms, in 1970 she
made the artistic changes in scale and material and began creating
figurative and non-
figurative sculptures from burlap and resin, eventually moving to bronze, wood, stone, and steel.
These
figurative human and equine
sculptures are seemingly incomplete
made out of stainless steel, they represent a state of dissolution or one can think of it as the complete opposite.
In the series of
sculptures (Catachresis) speech is
made visual, underlining the
figurative aspect of these expressions.
There were shared interests in Neo-Expressionist
figurative painting, but at the pier it typically wasn't happening on salable canvases; artists painted on the walls and windows, or
made sculptures with whatever was at hand, or intervened in the site and structure some other way.
Neri, who is recognized asa pioneer in the 1960s San Francisco
figurative art movement, continues to receive critical praise for his drawings and sculptures.The ISC's Lifetime Achievement Award recognizes artists who've
make exemplary contributions to the field of
sculpture.
Media range from painting, drawing and collage to photography, video and
sculpture, and content ranges from abstract to
figurative, but all share a sensibility that merges concept, image and mark -
making.
The title referred to then three - year - old Isis, whom she was thinking about while she
made the works — fourteen paintings, two black and white wall drawings, hanging Plexiglas panels, a video, and a
figurative neon - tube
sculpture.
Coming out of the tail end of a legacy of abstraction at the region's art schools and in the midst of the ascendency of new
figurative painting and changing approaches to
sculpture via clay, etc, (eg, Voulkos) in the Bay Area, the work they
made in that period of transition shows the freedom with which they approached art -
making.
Tucker's
figurative sculptures, are both universal and archaic, but also decidedly contemporary, reflecting the tensions and energies of
sculpture -
making in the late 20th and early 21st centuries.
Instead, it includes a painter who
makes figurative work, an artist whose practice has recently stretched from drawing to
sculpture, and another whom the judges called «a modern fresco painter».
It is the non-specificity of his figures and their abstract qualities that
make his sculptors part of the Bay Area
Figurative Movement and not just any contemporary figurative sculpture i
Figurative Movement and not just any contemporary
figurative sculpture i
figurative sculpture in America.
His early works were
sculptures made of dough, clay, and gypsum, while later he turned to large - scale works from aluminum, bronze, and steel — always theming the
figurative.
New York artist Carroll Dunham
makes figurative paintings and
sculptures that frequently draw on that uniquely American dovetailing of Surrealism and cartoon idioms, of which the late Philip Guston would be an obvious instance, resounding with a libidinous zaniness.
June 3 — July 2 Opening Reception: Friday, June 3 from 5 — 7:30 with an Artist Talk at 6:15 Internationally recognized as one of the top ceramic sculptors, Mark Chatterley
makes larger - than - life
figurative sculptures using his signature crater glaze.
Adhering to this belief in her studio practice, the 2015 MacArthur Award winner refuses to limit herself to any one way of
making: in the three decades since graduating from RISD, she has created eye - opening
figurative paintings, prints and
sculpture teeming with social significance.
Flanking them are four works: a juicy pair of
figurative paintings by David Hockney and Francis Bacon, a spindly gray
sculpture by Bruce Nauman and a man's suit,
made of thick gray felt, by Joseph Beuys.
Basquiat's work — a
make - shift wall inside of the gallery graffitied with expressive marks — was a standout success next to videos by Keith Haring and Kenny Scharf, hand - painted text signs by Jenny Holzer,
figurative sculpture by John Ahearn and Tom Otterness, and others who would define art of the 1980s.
The show — that runs until September 4 — is an ode to that decade's
figurative motifs in both painting and
sculpture, giving centre stage to the works
made by Laurie Anderson, Jean - Michel Basquiat, Francesco Clemente, George Condo, Keith Haring, Sherrie Levine, McDermott & McGough, Rene Ricard, David Salle, Kenny Scharf, Julian Schnabel, and Andy Warhol.
The photographs exhibited by Daniel Gordon (b. 1980) represent the final stage of a process that starts with the construction of life - size
figurative sculptures made from cut paper and other images, often culled from the internet.
His
figurative works
make the viewers aware of the Nepali culture capturing the medieval
sculptures and architecture of Kathmandu valley.
Kupencow's larger - than life
figurative sculptures, «The Interfacing Couple,» and «The Jitterbugs,» respectively 11 ′ and 10 ′ tall,
make a strong statement, along with a wall of 18 of their «maquette» counterparts.
Ruby
makes urethane and bronze
sculptures, hallucinatory color - field canvases and handmade ceramics, addressing the conflict between individual desire and social structure, and the influence of institutional architecture, both literal and
figurative, on human behavior and psychology.»
MG I always liked the way your work connects to a long history of
figurative sculpture, which to me is strongly interwoven to the basic ideas of art
making: funerary
sculptures, totemic figures, magical or cultural objects.
This
figurative sculpture made from frozen fabric is the first work I saw on entering the fair and it's a perfect representation of the fair in taking a typically European
sculpture pose and infusing it with African influence.
I decided to
make both paintings and
sculptures, and in the paintings I worked with large geometric lines, extensions of three - dimensional letters, or objects that played on the surreal, elongated,
figurative images in Lam's work that sometimes depict Yoruba deities like Eleguá, Yemayá or Changó.
Schütte
makes familiar forms of expression, like memorial portraiture and
figurative sculpture, strange through evocative, often disturbing alterations, such as in his treatment of the female nude in his «Bronzefrauen» series (Bronze Women, 1999 - ongoing) where
figurative shapes morph into abstract or mutant forms, or his «Alte Freunde» series, in which the subjects» despondent expressions highlight the vulnerability of the individual against the cruelty and complexity of the vast world.