Sentences with phrase «making figure and ground»

Not exact matches

By contrast, although Europe has such outstanding figures as Leszek Kolakowski, Hans Maier and Josef Ratzinger, its public culture is dominated by sneering secularists, who set the tone for the rest of the population and can make light work of the average bishop rolled out to confound them, especially in the case of Anglican bishops who share so much liberal common ground.

While this may sound silly, multiple tests have shown that this has proven to lessen stress and make you feel more grounded; go figure!

I'm excited to make some more ground chicken and figure out new toppings for chicken burgers!

I grind my own flour and it was SUCH A PAIN to figure how much flour the berries were going to make.

The Eagles have a lethal defensive front, a solid secondary and a potent ground game, but I figured the Falcons would be able stop Foles in his tracks, make the Eagles one - dimensional, and gut out a win.

Morgan might have made for an easily pokeable figure of fun last term, but the Jamaica international has stood tall above the rest this season to block, grunt and grind his team to the Premier League title — lest we forget, straight after back - to - back summer international tournaments in the Gold Cup and Copa America.

Tarfia please do not make assumptions about my knowledge base and, if possible, try and base your statements with evidence rather than opinion and what you think — take a leaf out of John Ps responses — he gives us some figures to back up his claims — for example — how do you know how many people occupy the centre ground — what evidence have you got.

The underlying figures on economic competence and who would make the best leader also show the Conseratives gaining ground — Labour now have only a 3 point lead on which party would be better at running the economy well and Blair is only 1 point ahead of Cameron on who would make the best Prime Minister.

Contrast this with the traditional approach being used by other large telescopes, both ground based and space - based, in which they have to blend a combination of small figuring and large smoothing tools to generate optical surfaces, and are therefore difficult to make repeatedly for hundreds of segments.

Consequently, the strains of decreased purchasing power coupled with the responsibility for maintaining the national U.S. ground - based effort in radio, optical, and solar astronomy have led to a division of the NSF AST budget such that, through the decade of the 1990s, about 65 percent of the NSF allocation to AST was assigned to facilities operated by national astronomy organizations, with only about 22 percent made available to support individual investigators (Figure 6.2); the rest went to instrumentation and the university radio observatories.

Mature dating is all about figuring out where your middle ground is and what makes you both happy.

When the creatures make their way to the ground, Jack must figure out how to get back down before they destroy earth and everyone in it.

The re-imagined historical figures genre has become a new testing ground for Hollywood, most notably with Abraham Lincoln: Vampire Hunter on the horizon (FYI: Edgar Allan Poe makes a guest appearance in the novel), where writers can take household names — and put a new, and in theory more exciting, twist on what would otherwise result in stuffier true - life drama (i.e. Steven Spielberg's Lincoln biopic).

Our expectation that this could be «Amazon's biggest press conference ever» is based in large part on the impressive breadth of groundbreaking new announcements that the company seems poised to make, but figuring out how Amazon could break all that ground without stories A and B stepping on stories C, D, and E is way above my pay grade, and perhaps even Bezos».

It wasn't until Allison figured out how to structure things financially and organizationally that we were finally able to get it off the ground, but as optimistic as we were about the idea, we weren't sure when we launched last summer if we could actually make it fly.

Relative to other risk assets, commodities look cheap and could be poised to make up ground (FIGURE 5).

If you're raising an eyebrow at that, you're probably reasonable to do so; but my long - held belief is that indexes (the implicit comparison most people will have made to my target figure) are grounding and self - justifying benchmarks.

It can be an exercise in patience, but it's likely your dog wants to make ground, and once they figure out the only way to do that is to behave, they're more likely to stop pulling.

With today's «Travel Made Easy» post you will get a summary of all you need to know about Philippine Airlines — the facts & figures of their fleet, destinations, the experience on the ground and in the air and their reward program, Mabuhay Miles!

I remember spending hours kicking asses and taking names back upon the game's release and, even though the controls admittedly feel clunky when compared to modern titles, the core gameplay that made Devil May Cry such a standout hit is still very much an addictive romp through crowds of enemies... Even if it did take me a while to figure out how to shoot when on the ground, which necessitates holding a trigger button to aim unlike when you're airborne and unloading clips into the faces of possessed marionettes.

Though looking at just the December figures Mario Odyssey and Mario Kart were making up ground fast.

I have made quite a few eye rolls during my play time at the parody - level girls and their antics, but I felt like a true warrior once I figured out how to pummel 20 enemies into the air, run up the wall following them to add more to their beat down, then air dash after them to pound them back into the ground, ending their life and my 250 - hit combo.

This figure / ground combination makes his paintings hard to catch up with, their marks appear to hover and vibrate.

This deliberate, dense layering of paint makes it hard for the viewer to tell what is figure and what is ground, and the constant, jockeying interplay between the two gives Ms. Passlof's work much of its dynamism.

His use of subtle variation continually questions the figure / ground relationship, making his paintings seem at once two - dimensional and sculptural.

When we first started, my inclination was to try to figure out how to make flat planes, and then we ended up doing this last print with a series of eight to ten aquatint planes, all gray tonalities on top of the hard - ground etching.

A showcase for her extensive arsenal of techniques and ideas, her ambitious large - scale canvases create patchworks out of different manners of mark - making and toy inventively with questions of frame dynamics and figure / ground illusions, often within a remarkably shallow pictorial space.

Thereafter, abstract painters sought to make involving pictures without images, but the schism of figure and ground on which imagery depends continued to pose problems.

Feitelson makes for an interesting intervention that draws viewers» attention to Alois's and Elise's inventive ways to toy with the perception of figure and ground, color and shape.

Yiadom - Boakye's edition of ten hard ground etchings was made to accompany her acclaimed exhibition at the Serpentine Gallery this summer and depict single black male figures wearing the ruff of feathers that has become a familiar motif in her work.

About lines and strokes, about painting paint strokes, telling a story, using the grid, moving from figure and landscape space, making the work narrative, isolating strokes, thinking about the anatomy of a painting... being able to see the process the painting went through, the ground, pencil lines, paste, gel, paint.

Just as her early work played abstraction and figuration off one another, in her diagram works the classic antinomies of picture making — color and line, figure and ground, painting and drawing — rub up against one another, with neither ever being able to dominate the other.

Cézanne and Still similarly dismantle Albertian perspective by giving equal emphasis to figure and ground... Although Still points out that one of Cezanne's «most important contributions to the evolution of modern art» was his ability «to realize form in color rather than make color look like form,» he does not argue that one of these plastic elements is subordinate to the other.

2018 Galerie Max Hetzler, Berlin Galerie Greta Meert, Brussels Aspen Art Museum, Aspen 2017 Marian Goodman Gallery, New York Nature & Politics Saint Louis Art Museum, Saint Louis Figure Ground Haus der Kunst, Munich (catalogue) Nature & Politics Moody Center for the Arts - Rice University, Houston 2016 Nature & Politics Museum Folkwang, Essen (traveled to Martin - Gropius - Bau, Berlin; High Museum, Atlanta)(catalogue) 2015 Galerie Rüdiger Schöttle, Munich Galleria Monica De Cardenas, Milan Marian Goodman, London 2014 Thomas Struth - Photographs Metropolitan Museum of Art, New York Rineke Dijkstra & Thomas Struth: Seeing Henry Art Gallery, Seattle Cristina Iglesias & Thomas Struth Ivory Press, Madrid Galerie Max Hetzler, Berlin Five Works Nederlands Fotomuseum, Rotterdam Marian Goodman Gallery, New York 2013 Stiftung zur Förderung zeitgenössischer Kunst, Weidingen / Eifel 2012 St. Petersburg Schirmer / Mosel Showroom, Munich Galleri K, Oslo 2011 Thomas Struth, Fotografien 1978 — 2010 Museu Serralves, Porto; traveled from: Whitechapel Gallery, London; K20, Düsseldorf; Kunsthaus Zürich, Zurich (catalogue) 2010 Situation Kunst, Bochum Thomas Struth, Korea 2007 — 2010 Gallery Hyundai, Seoul New Works Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York (catalogue) 2009 Paradises Frieze Art Fair 2009 - DB VIP Lounge, London Museum of Cycladic Art, Athens 2008 Galleria Monica de Cardenas, Zuoz Galerie Meert - Rihoux, Brussels Museo d'Arte Contemporanea Donna Regina — MADRe, Naples Familienleben SK Stiftung Kultur, Cologne; traveled to: De Pont Museum of Contemporary Art, Tilburg (catalogue) Family Portraits Galerie Paul Andriesse, Amsterdam 2007 Making Time Marian Goodman Gallery, New York Making Time Galerie Max Hetzler, Berlin Making Time Museo del Prado, Madrid (catalogue) 2006 Thomas Struth — Rineke Dijkstra Galerie Xippas, Athens Galerie Meert - Rihoux, Brussels 2005 Audience, Read This Like Seeing It For The First Time (Video work in collaboration with The Bern Academy of Music) Marian Goodman Gallery, New York Museum Photographs 1987 - 2004 Galleri K, Oslo Audience Galerie Paul Andriesse, Amsterdam Imágenes el Perú Museo de Arte Lima, Lima Arbeiten aus Peru Galerie Max Hetzler, Berlin Audience Galerie Rüdiger Schöttle, Munich 2004 Pergamon Museum I - VI Hamburger Bahnhof - Museum für Gegenwart, Berlin (catalogue) Une Heure: Video Portraits CAPC - Musée d' Art Contemporain de Bordeaux, Bordeaux 2003 1977-2002 Museum of Contemporary Art, Chicago Metropolitan Museum of Art, New York Cities Marian Goodmann Gallery, Paris Strassen Galleri K, Oslo Pergamon Musum I - VI Galleria Monica de Cardenas, Milan 2002 Pergamon I — IV Marian Goodman Gallery, New York 1977 - 2002 Dallas Museum of Art, Dallas; MOCA - Museum of Contemporary Art, Los Angeles (catalogue) New Pictures from Paradise Staatliche Kunstsammlungen Dresden; Centro de Fotografía, Universidad de Salamanca (catalogue) Galerie Rüdiger Schöttle, Munich 2001 Pictures from the Dandelion Room Schirmer / Mosel Showroom, Munich (catalogue) Galerie Max Hetzler, Berlin (catalogue) Galerie Meert - Rihoux, Brussels 2000 My Portrait National Museum of Modern Art, Tokyo; traveled to: National Museum of Modern Art, Kyoto; Galleri K, Oslo (catalogue) Galerie Shimada, Tokyo 1999 Galleria Monica de Cardenas, Milan Still Centre National de la Photographie, Paris Gallery Shimada, Tokyo The Berlin - Project (with Klaus vom Bruch) Hamburger Kunstverein, Hamburg New Pictures from Paradise Marian Goodman Gallery, New York; Marian Goodman Gallery, Paris 1998 The Berlin - Project (with Klaus vom Bruch) Kunstmuseum Luzern, Luzern Still Carré d'Art, Musée d'Art Contemporain, Nîmes; Stedelijk Museum, Amsterdam (catalogue) Centro Galego de Are Contemporanea, Santiago de Compostela Galerie Meert - Rihoux, Brussels Nouveau Portraits Marian Goodman Gallery, Paris 1997 Face to Face (with Luo Yongijn) Fine Arts Foundation of Beijing; International Art Palace, Peking (catalogue) Portraits Sprengel Museum, Hanover (catalogue) Achenbach Kunsthandel, Düsseldorf (with Cindy Sherman) The Berlin - Project (with Klaus vom Bruch) Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York Nieuw Werk Galerie Paul Andriesse, Amsterdam 1996 Valocuvia Fotografier Kluuvin Galleria, Helsinki (catalogue) Galerie Shimada, Tokyo 1995 Strangers and Friends Art Gallery of Ontario, Toronto (catalogue) Strassen Kunstmuseum Bonn, Bonn (catalogue) Neue Arbeiten Galerie Max Hetzler, Berlin Oeuvre récentes Galerie Marian Goodman, Paris Landschaften Galerie Shimada, Yamaguchi 1994 Strangers and Friends Institute of Contemporary Art, Boston; ICA - Institute of Contemporary Arts, London (catalogue) Marian Goodman Gallery, New York Galerie Meert - Rihoux, Brussels 1993 Museum Photographs Hamburger Kunsthalle, Hamburg (catalogue) Galleria Monica de Cardenas, Milan Photographien aus Deutschland Galerie Shimada, Yamaguchi The Saint Louis Art Museum, St. Louis Marian Goodman Gallery, New York Galerie Max Hetzler, Cologne 1992 Portrait Museum Haus Lange, Krefeld (catalogue) Directions Hirshhorn Museum and Sculpture Garden, Washington D.C. Galerie Max Hetzler, Cologne 1991 Galerie Meert - Rihoux, Brussels House - Street - Individual - Group Galerie Shimada, Yamaguchi 1990 Photographs The Renaissance Society, University of Chicago, Chicago (catalogue) Portrait and Museum Photographs Marian Goodman Gallery, New York Galerie Paul Andriesse, Amsterdam Giovanni Minelli, Paris Urbi et Orbis, Paris 1989 The Clocktower, New York (with Andreas Gursky) Halle Sud, Geneva Galerie Peter Pakesch, Vienna Neue Bilder Galerie Max Hetzler, Cologne 1988 Galerie Meert - Rihoux, Bruxelles Neapel and Tokyo Galerie Rüdiger Schöttle, Munich Portikus, Frankfurt / Main (with Siah Armajani) 1987 Unconscious Places Kunsthalle Bern, Bern; Westfälisches Landesmuseum Münster, Münster (with Siah Armajani); Prefectural Museum of Art, Yamaguchi; Fruitmarket Gallery, Edinburgh (catalogue) Tokyo und Münster Galerie Max Hetzler, Cologne 1986 Galerie Shimada, Yamaguchi 1985 Galerie Rüdiger Schöttle, Munich 1980 Galerie Rüdiger Schöttle, Munich Stadtmuseum Düsseldorf, Düsseldorf (with Roswitha Ronkholz) 1978 PS1 - Contemporary Art Center, Long Island City

Like many successful artists that fit the modernist profile, Mr. Binion makes work that is a study in oppositions: line and shape, figure and ground, image and abstraction, copy and original, color and black & white.

Virtual reality is often exploited for its high - tech gloss and interactivity, Wolfson focuses not on the technology but on its capacity to isolate the viewer.Rafa Esparza in «Figure Ground: Beyond the White Field» (2017), built this rotunda out of adobe bricks made by hand from a combination of clay, horse dung, hay, and water from the Los Angeles River.

By disrupting the pattern through shifts in color or the deployment of similar but subtly differing forms, Taaffe activates the visual field to the point that one must keep making distinctions, such as undoing the bond between figure and ground.

They're playful, making use of a kind of free and casual mastery of fundamental formal considerations — figure - ground relationships, illusion, the kinds of perceptual patterns described by gestalt principles.

In her writings on paintings in essays such as «Figure / Ground,» 2001, Schor is seen as making a case for the relevance of painting in a post-medium visual culture and for arguing for the compatibility and mutuality of painterly and theoretical practices.

Many of the «sculptures» included often operated with or within more - two dimensional components — I am thinking here of Jon Kessler's Exodus (2016) and Evolution (2017), configurations far more about the transmutation of object into digital image than it is about the materiality of things; Rafa Esparaza's Figure Ground: Beyond the White Field (2017), a weighty and timely installation on labor, colonialization and identity read through adobe bricks; or Raúl de Nieves» beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end (2016), an installation of five ornate, grotesque, and vibrantly hued sculptures set against a backdrop of eighteen colorful acetate sheets made to resemble stained glass windows.

The paintings you post are not really what I was thinking of (this doesn't relate to a judgment on quality) as the palette is limited and the clear figure ground contrast doesn't make the painting very «complex» in my view (others, I'm sure, would see complexity in its subtlety).

What I am after is a dynamic spatial relationship between figure and ground, or sometimes to charge the picture plane with impacted energy so as to make it an undeniable, absolutely compelling image.

Among his student works were the paintings he had made while studying with Hans Hofmann, and in them, there is a free, gestural energy added to his interest in figure / ground.

There doesn't appear to be much snow on the ground in Texas or Louisiana, and with the forecast of mild temperatures, it doesn't figure to last much longer there, if it even makes it through the day Thursday.

Figure and Ground: Make a distinction between background and figures on the page.