Sentences with phrase «making graphic paintings»

Anya Kielar has been showing with Rachel Uffner for some time, making graphic paintings and sculptures of historical women.

Not exact matches

This painting of mine was used by Roger Faught, a graphic artist, to make up a poster of a band called ShineBriter.

I am making kitchen carts and some of them have a graphic painted on the top.

Then I used a small enamel pitcher, also from Ikea, to which I added some faux rusting on the edges with paint and a French graphic (I'll show you soon how to make one yourself) and placed it on my kitchen table.

The graphics make this game look like an oil painting in motion.

The clouds and mist fill every bit of the screen in a way that makes the film look more like a graphic painting than a motion picture.

A number of bonus features from Spider - Man 2's original DVD are not included here: another Spidey Sense graphic subtitle trivia track, Train's «Ordinary» music video, four making - of webisodes, the 15 - minute «Interwoven: The Women of Spider - Man», «Enter the Web» (multi-angle B - roll from the filming of four sequences), a gallery of Alex Ross» paintings of scenes from the original film used in the opening credits, a trailer for and making - of featurette on Activision's Spider - Man 2 video game, and, least importantly, DVD - ROM content supposedly consisting of weblinks and an S - M 3 countdown which I couldn't even get to work (trying to use InterActual these days is a disaster).

Again, painted designs or graphics, if done well, can make an average sports hall or a playground a place young people like being in and being active in.

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A stunning tribal graphic paint job, with matching Foose wheels and custom flip - forward hood, was enough to make Jerry Calder's 2011 SS Camaro a winner in the 2011 SEMA Award Consumer Challenge.

WarioWare D.I.Y. uses a paint program based upon the idea of Mario Paint when the player makes a comic or graphics for their custom microgame.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Margin of Error delves into the precarious world of technology we have built — the man - made disasters of shipwrecks, explosions, crashes — through a variety of forms, including graphic designs, industrial artifacts and paintings created by Man Ray, Margaret Bourke - White and others.

The inspiration to use the typographic — a ready - made form — may have come from Nicholas Krushenick's graphic abstractions inspired by Matisse's cut - outs, Japanese woodcuts and comics; Jasper Johns» «alphabets» and «numerals,» which were shown in his groundbreaking debut solo show at Leo Castelli in 1958; and Willem de Kooning's black - and - white paintings «Orestes» and «Zurich» (both 1947).

Known for her graphic paintings of abstract architecture and urban design, Morris has also explored the dynamics of urban space in four film works made since 1998.

Although a critical force within the group, the artist's contributions to Memphis — in the form of graphic patterns — were only a small segment of her career; as the ICA show makes clear, Du Pasquier is a multifaceted artist, and she became particularly interested in abstract and figurative painting.

Using a mostly pre-planned color scheme, Long includes in her paintings personal symbols, graphic elements, marks made with oil stick, and sometimes, decorative paper.

The Six Paintings series will be complemented by a selection of prints made from his Dots Pastilles drawings (1970 — 71), which present early iterations of the use of dots as a graphic technique.

A second painting of the same image, made with the strait - laced, hard edge exuberance of graphic art, convinced Warhol that earnest reproductions, with a minimum of artistic intervention, could produce fascinating images.

Born into a poor family in Wilkes - Barre, Pennsylvania, Kline was educated in a school for fatherless boys — his father having committed suicide in 1917 — and went on to study painting in Boston and then in London.He returned to the States after marrying, made «jazz murals» and found employment as a graphic artist for the WPA during the Depression, settling in downtown New York City in 1939, quite down on his luck.

He also creates percussive audio collages of words and sentences using a hand - held tape recorder and makes boldly graphic paintings, like a series of five canvases in graduated sizes from 2004, each a copy of the familiar rainbow - colored terrorist alert chart announcing states of risk from low to severe.

Using a mostly pre-planned color scheme, Long - Postal includes in her paintings personal symbols, graphic elements, marks made with oil stick, and sometimes, decorative paper.

The paradigmatic Los Angeles artist, Ed Ruscha (whose name even rhymes with L.A.) has been picking apart the Hollywood milieu of the City of Quartz for decades, making paintings, prints, and books that borrow from the graphic impact of billboards and screen credits.

Starting with two patterns, a two - tone, green ivy motif and a graphic image of white birds, MacDonald made large stencils through which she applied paint and plaster directly onto the room's walls.

Transitioning from the sparer, more graphic works of 1960 — 61, Frankenthaler made paintings that more readily filled the space of the canvas, moving toward what critic B. H. Friedman described as the «total color image» that would become a hallmark of her later work.

Like the Hollywood disaster movies made in the same era, his work hints at catastrophe, particularly the later paintings made by graphic artists using the glossy airbrush technique that then pervaded popular culture.

Chitra Ganesh creates wall installations, paintings, drawings, photographs, and animations that make use of an expansive visual vocabulary that ranges from Bollywood films, comics and graphic novels, to iconic feminist imagery.

Born in the year 1964 in Georgia, Tbilisi, Teimuraz Kharabadze is a professional artist who uses both graphic art and painting to make up his portfolio.

Also included are paintings with graphic optical effects that Asawa made at Black Mountain College and works on paper of plant life that she drew from direct observation, without lifting her marker.

Consciously employing commonly used artistic techniques, such as trompe l'oeil, action painting, graphic design, screen printing, and rudimentary drawing, Josh Reames» paintings break down hierarchies of mark - making, art historical references, computer graphics, labels, and everyday objects in a manner drawn from the non-objective «infinite scroll» of images and information we encounter in both the online and real world.

Born in 1971, the Viennese artist Florian Pumhösl makes complex work that combines painting, graphic art, film and installations and that confronts the legacy of modernism and its aesthetic vocabulary.

All displayed graphic works are based on the artist's personal selection from his paintings, originating from commissions for book illustrations, editions made for exhibitions, and private editions.

Edwin Ruda similarly worked in Hard - edge painting, making bold and graphic use of geometry in compositions that toy with viewer perceptions.

Instead, he turned to photography and painting, but what really made him a superstar of the Italian art scene was his work in graphic design.

Filled with light installations, monumental paintings, interactive graphic works and large scale public sculptures, Happy Station is designed to bring playfulness and delight to the day - to - day commute, making it the happiest train station on earth.

Since that showing, Luke has been traveling, painting murals, making music, working on graphics, blacksmithing, taking photographs, sculpting, and generally weaving through different mediums with ease.

The keen retrospective eye of the curators has thrown up a rewarding mix of the mainstream and the obscure, and it is worth the ticket price solely for the video of German opera singer Klaus Nomi performing Lightning Strikes in an over shoulder - padded, shiny tuxedo.Highlights include the subversive designs of the Italian collectives Studio Alchymia and Memphis; graphics by Peter Saville and Neville Brody; the original presentation drawing for Philip Johnson's AT&T building (1978); paintings by Robert Rauschenberg and Andy Warhol; Jeff Koons» stainless steel bust of Louis XIV (1986); performance costumes, including David Byrne's big suit from the documentary Stop Making Sense (1984); excerpts from films such as Derek Jarman's The Last of England (1987); and music videos featuring Laurie Anderson, Grace Jones and New Order.Catalogue offerSave # 8 on the exhibition catalogue with your National Art Pass.

Keogh's graphic canvases made using a traditional sign painting technique that aligns her with artists like James Rosenquist, Patrick Caulfield and Tom Wesselmann.

Monique Prieto turns computer graphics programs into a deft compositional tool for making buoyant abstract paintings, in which gentle pillows of pastel color slide across raw, unprimed canvas.

After returning to England in 1880 he painted a wide variety of subjects, continued with his interest in the graphic arts, and promulgated his aesthetic theories in print and in the Ten O'Clock lecture (1885); his polemical The Gentle Art of Making Enemies was published in 1890.

Over more than five decades, she has made paintings (politically electric Pop compositions incorporating collaged figures from movie poster and newspaper images isolated in bold, graphic space) and penned multiple plays, novels, and articles.

Associations with the work of other artists include Henri Matisse's Swimming Pool (1952) made from cut papers, and Aleksandr Rodchenko's paintings and graphic works from the 1920s when he was teaching construction and metal work at VKhUTEMAS — Russia's equivalent to the German Bauhaus.

The exhibition will also examine the context for the Impressions of Dallas series with twelve of Grosz's works made earlier in his career, including graphic work and watercolors made in Berlin in the 1920s and early 1930s, and paintings and watercolors made in New York during the late 1930s and 1940s.

She has also made innovative use of both traditional and non-traditional media in works that highlight her conceptual and graphic talents, from lithographs to drawings, watercolors, and mixed - media paintings.

The interplay of adjacent graphic blobs of color combined with a highly unusual technique that gives certain areas of the painting a splotchy «melted wax» look makes Application: One a particularly hypnotic item that is sure to suck you in.

Gottlieb first used this vast, horizontal format in 1960 allowing his minimal, graphic language to stretch across the picture plane; he explains, «I eliminated almost everything from my painting except a few colors and perhaps two or three shapes, I feel a necessity for making the particular colors that I use, or the particular shapes, carry the burden of everything that I want to express, and all has to be concentrated within these few elements.»

Zimbres is a graphic designer, organizes exhibitions, paints, makes comics and illustrations.

Combining a personal graphic vocabulary of primitive shapes, pattern and expressionistic mark - making, with masterfully rendered photorealism, Dau creates a type of «painted collage» that explores the tension of opposites — between modern and primitive, geometric and abstract, the simple and complex.

Opening: Orion Martin at Bodega For the 2016 Whitney Museum exhibition «Flatlands,» which focused on a certain strain of slick figurative painting that has been making the gallery rounds over the past five years, Orion Martin showed work that exhibited a graphic approach inspired equally by Pop art and commercial kitsch.