Sentences with phrase «making important exhibitions»

The gallery has worked on important collaboration with Italian and International Museum and institutions, making important exhibitions, performances and public projects.

Thanks to a prestigious Turing Art Grant, which made this important exhibition possible, the Gemeentemuseum Den Haag presents Alexander Calder — The Great Discovery, the first major Calder retrospective to be held in the Netherlands since 1969.

Not exact matches

Education Business also makes sure that readers are kept up - to - date with the latest conferences and exhibitions by featuring in - depth previews to the most important education events and seminars.

Mike Karsting, vice president of exhibitions for the World Pet Association, discusses the exciting features that are sure to make this year's SuperZoo one of the most important events in the pet industry.

Sanctioning is one of the first steps toward being approved to hold AKC dog shows and obedience trials, a long - range goal of the club.Sproul and other club officers say they are making a determined effort to continue the programs that Seminole has initiated.The Seminole club has initiated such programs as annual purebred dog exhibitions demonstrating important aspects of owning, raising and training dogs; health seminars that bring in experts to discuss topics that have included hereditary eye defects, skin disorders and behavioral studies; and matches offering ring conditions to provide experience for handlers and dogs.

The temporary exhibition «The helpers of the Secret Annexe» in the Anne Frank House throws light on the important role played by the people who made it possible for the Franks to go into hiding.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

Making a caricature of the bombastic style of press releases, the announcement for her solo exhibition at Sikkema Jenkins & Co. last year anticipated show to be very... important.

The leading painter Delacroix, and many admiring younger artists made the effort to see his work, and the exhibition proved to be an important artistic milestone of legendary proportions.

The NGA exhibition opens just over a year after Stella's retrospective opened at the Whitney Museum in New York, yet by focusing on the rich seam of prints, a cohesive view of this extraordinary artist is attainable, making it an important show on many levels.

This body of work is important, because it made you famous when Thelma Golden included it in her landmark «Freestyle» exhibition at the Studio Museum in Harlem in 2001.

On the occasion of the exhibition, HangarBicocca is showing his most important work, Double Bind, which was made in 2001 for the Turbine Hall at Tate Modern in London and never exhibited to the public afterwards.

The exhibition also includes some of his most significant works, including The Wasteland and Many Times, making this an important opportunity to grasp the work of a great artist who reinterpreted the tradition of classic sculpture on the basis of 20th century avant - gardes.

Other exhibition highlights include Petersen's Picnic series, (ca. 1965); Arneson's Herinal (no date), representative of his important body of toilets and urinals made from 1962 to 1964; seminal works like Neri's Ceramic Loop IV (ca. 1961 - 65), a ceramic sculpture featured in the UC Berkeley Art Museum's Funk exhibition (1967); and brash experiments that strike one today as prescient.

Featuring paintings, sculpture, films, and drawings by a wide range of artists, this exhibition retrieves Dwan's singular contributions and reexamines the important history she made, highlighting in particular the increasing mobility of the art world during the late 1950s.

LOS ANGELES HAS BECOME a bonafide art capital with world - renowned museums, important artists, cholars and curators, a respected cadre of galleries and collectors, the Art Los Angeles Contemporary art fair, Paris Photo Los Angeles, and Made in L.A., the Hammer Museum's biennial exhibition.

We are delighted to introduce our visitors the oeuvre of this ingenious artisan through the upcoming exhibition, which together with our current Portico Gallery show, White Gold: Highlights from the Arnhold Collection of Meissen Porcelain, will offer them a sense of the important contributions made by those at work for the Saxon court at Dresden.

Collecting has been important to me since the very beginning, I've always said it's like making a map of someone's life and this exhibition shows how I've evolved both as a collector and an artist.

In both these exhibitions there is great risk of upsetting national authorities with potential, and in Ai Weiwei's case realised, consequences for the artists; but the work was still made as it is too important not to be.

We have mounted important exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions such as Made in U.S.A.: An Americanization in Modern Art, the «50s & «60s; State of Mind: New California Art Circa 1970; In a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and Clouds.

This now makes it possible to put on a wide - ranging exhibition of individual works by one of the most important artists of the present day, following a curatorial concept that he himself developed.

Works from the collection are now on display in an exhibition at the Ogden Museum of Southern Art in New Orleans, which similarly draws attention to the important developments made by black artists over the past 70 years or so, specifically relating to abstraction.

PDNB Gallery's latest exhibition, The Most Important Photograph Ever Made, includes the earliest surviving photograph since Nicéphore Niépce first created photography.

This significant body of Frankenthaler's work represents an important period in American art history, and we are thrilled to be working with the Helen Frankenthaler Foundation and museum collections from around the country to make the exhibition a reality.»

The exhibition «A Drawing show» at the Matthew Marks Gallery in New York is spanning 75 years of drawing history, is an ode to the medium, as stated the most important representative of video - art Bill Viola:» It is the basis, if you do not know good drawing you can not make video».

This exhibition focuses on the common traits of Informel, post-war Germany's most important abstract art group, and the different explorations and choices these artists made as they confronted their personal artistic ideals.

Serving as an important contribution to recent scholarship on the artist, the extensive exhibition catalogue is anchored by richly detailed plates of the artist's sculptural reliefs and works on paper made primarily between the mid-1950s and early 1970s.

Rose firmly establishes that the artists in the Painting After Postmodernism exhibition are making an important contribution to the continuum of the history of painting, asserting that, ``... painting as an autonomous discipline can still make fresh, convincing statements as a living, evolving, significant art form that communicates humanistic values in an increasingly inhuman, technology driven globally networked world.»

As construction of his design for the National Museum of African American History and Culture in Washington D.C. nears its completion, slated for next year, and news of Adjaye's selection to redesign the Studio Museum in Harlem, where a solo exhibition of his work Making Public Buildings was presented in 2007, the Art Institute's exhibition context is important to Adjaye's buildings, which continue to identify him in the United States.

Catherine Morris, Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art, and co-curator of the Brooklyn presentation, added, «The exhibition is a remarkable scholarly achievement, expanding the canon and complicating known narratives of conceptual art and radical art - making, while building on the legacy of important and ambitious exhibitions at the Elizabeth A. Sackler Center for Feminist Art, including We Wanted a Revolution: Black Radical Women, 1965 — 85, Materializing «Six Years»: Lucy R. Lippard and the Emergence of Conceptual Art, and Seductive Subversion: Women Pop Artists, 1958 — 1968.»

Chaffee and Conaty emphasize that the openness of the exhibition space, and the sight lines between the galleries, will be important to the final layout of the show at each venue, making these connections between Bradley's bodies of work even more apparent.

It was important to include these gallerists as part of the exhibition, highlighting their role in making London a special place.

Author Jordan Amirkhani notes: «If the studio has traditionally been a place of solace from reality's complications, this exhibition seems to respond with urgent ambiguity by asking important and unresolved questions about the place of artistic practice within today's society, and the traditions of Western art making that have not (and will not) go away.»

Julian Opie (b. 1958), one of Britain's most important contemporary artists, unveils sculptures, prints and animations made over the past few years in a major exhibition at the Alan Cristea Gallery, London.

If the studio has traditionally been a place of solace from reality's complications, this exhibition seems to respond with urgent ambiguity by asking important and unresolved questions about the place of artistic practice within today's society, and the traditions of Western art making that have not (and will not) go away.

The first time Leckey has made a show on this single theme, it's great to see such an important exhibition in sunny Blackpool.

It opened the wonderful opportunity to make this important compendium of Hafif's work accessible to a German - speaking readership and to expand it at the same time with the accompanying exhibition recordings from Laguna Beach, St.Gallen and Muttenz / Basel.

Isabelle DervauxThis focused exhibition — one painting and twelve drawings — fits into the program of exhibitions of modern and contemporary drawings that the Morgan has developed in the last ten years or so, which is devoted to the work of twentieth century artists for whom drawing was an important medium and who have made a particular contribution to its history.

In addition to his most important bodies of work, the exhibition will feature aspects of Conner's oeuvre that have rarely been seen before, including paintings from the 1950s, his photographs of punk bands from the 1970s, video work of the 2000s, and a large number of drawings, prints, and collages and media works that he made in the last decade of his life.

Published on the occasion of an important retrospective exhibition at the Whitney Museum of American Art, this book reproduces in more than 300 illustrations a selection of works ranging from intimate collages to life - size tableaux made between 1954 and 1994.

Butlin notes that the show is «one of the most fascinating of recent exhibitions of the works of J.M.W. Turner, one that reveals a whole new aspect of his vision... covering all Turner's career but with a relatively new selection of works and an important new group of sketches... Not surprisingly, colour permeates this exhibition, save in Turner's earliest works, where effects of light make do... The paradox of Turner's career is also stressed, his reliance on engravings to widen his appeal to the public and the care with which he chose his engravers...»

Pelican Bomb has been making exhibitions in New Orleans since 2013, and that locale, which is often colloquially called «the northernmost Caribbean city,» is a particularly important location from which to reflect on the interconnectedness of aesthetics, tourism, and the body.

MEMBER APPRECIATION WEEK AND HOLIDAY OPEN HOUSE / December 9 - 15, 2012 and Open House Tuesday, December 11, 6 - 8 PM / Museum members help make the Nasher Museum an important resource to Duke, Durham and regional communities, with groundbreaking exhibitions and free K - 12 education programs.

Kelly's sculpture relates to two important early works: Study for Black and White Panels, 1954, a collage created during the artist's time in Paris, and Black Over White, a 1966 painting made in New York City, both of which will be on view in the gallery as part of the opening exhibition.

His first major exhibition in the UK since winning the Turner Prize in 2005, the exhibition draws on important works made in the last five years, almost all previously unseen in Britain.

As a female painter, I understand how stressful it may be to get your work out there, and when you have the chance to be in an exhibition, it's very important to make your vision seen.

The exhibition includes historic early works, featuring one of the most important neons Kosuth ever made, «Five Fives (to Donald Judd)» [blue], (1965), alongside more recent works such as his «Camus Illuminated» series (2013).

Sullivan Goss presents an exhibition of early, important paintings by Lockwood de Forest made in 1875 and 1876 that chart the artist's journey up the Nile and across the area then known as the Holy Land.

For the gallery's first exhibition with Melvin Edwards, the artist's first solo exhibition in Germany, we show «Lynch Fragments» made between 1986 and 2012, which are dedicated to specific people and places that are important to Edwards, such as his friend the painter Emilio Cruz, the political activist Samora Machel, the artist's brother Dan, places in Africa that are of personal significance to the artist, and the street number of his former New York address.

This ambitious exhibition brings together the work of 20 contemporary Irish artists who have made significant contributions to art practice since 2000 and a fascinating exhibition of materials and unfinished paintings from the studio of Francis Bacon, one of the most important artists of our time.