Sentences with phrase «making lithographs»

Most incredible is the fact that Polk only started making lithographs when she hit her 50's.

Just as she placed canvas on the floor in her studio, Frankenthaler sometimes poured pools of greasy ink onto the heavy Bavarian stone in making her lithographs, going with the flow of the ink itself.

Making the lithographs, Longo used to repeat this process, leaving studio assistant to do the basic preparation.

After establishing himself as a painter in the 1950s, Johns began making lithographs in 1960.

I had studied printmaking in college and was interested in continuing to make lithographs but needed to find access to a print facilities.

It makes lithographs with artists like George Condo, Greg Colson and Raymond Pettibon.

Reed: Once I went to make a lithograph.

Thomas Eakins had painted boxers and wrestlers a decade earlier, and Gericault had made a lithograph of a pair of fighters as early as 1818.

A decade earlier Bruce Conner made a lithograph of his thumbprint, when touching the plate was still tantamount to a sin among fine printers.

Hamilton Press, named after its master - printer, Ed Hamilton, makes lithographs with artists like George Condo and Raymond Pettibon.

Not exact matches

TORQUE Henri de Toulouse - Lautrec, in his 1899 lithograph of the snake - costumed dancer Jane Avril, depicted the principle of torque, the force that makes an object rotate about an axis.

Fig. 1 shows the drawing from which Bonnard made the gouache which was the study for the lithograph «The Yellow Room», 1942 - 1946, one of the series put on stone by Jacques Villon.

In the next thirteen years Bonnard made many posters and illustrations for La Revue Blanche and other magazines, made a large set of lithographs published by Ambroise Vollard, illustrated publications for his brother - in - law, the composer Claude Terrasse, and illustrated, very fully, three books.

Hoberman writes that the exhibition «makes Albers's appreciation [of Mexico] evident, juxtaposing his studies, typically drawn on graph paper, with both his finished artwork (mostly paintings, one lithograph) and his fastidious arrangements of tiny on - site photographs.

A rare black - and - white lithograph, which Munch made in 1895, is one of the highlights of the exhibition.

Besides her paintings, Ms. Frankenthaler is known for her inventive lithographs, etchings and screen prints she produced since 1961, but critics have suggested that her woodcuts have made the most original contribution to printmaking.

Other noteworthy inclusions were Frédérique Loutz's exquisite artist's books made from a single folded sheet of paper; a giant display of lithographs dwelling on contemplation, traces and loss, from conceptual artist Marie - Ange Guilleminot's ensemble Nuancier (Color Chart); Mélanie Delattre - Vogt's fine lithographic drawings, based on culinary images from a 1970s freezer manual where disembodied hands cut up squid, duck, pig and bunches of rhubarb.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

The masterful processing of the formal elements in her work, whether it is painting or lithograph print, provides and affirmation of life and reveals the truth about enjoyment and appreciation of the «small» things that makes our world.

The works currently on display include traditional ephemera (Italian language guides, bakery business cards) as well as original works of art that mimic knickknacks, such as Sinead Cahill's hand - embroidered «girl scout» merit badges made from lithographed fabric, and many things that are not ephemeral at all, but step outside traditional fine art forms into the realm of the quotidian.

Beside Picasso, Chagall made one of the largest and most important opus of lithographs in the twentieth century.

Working with the original publisher, two of each of the 28 large format lithographs from the Smile - Isms set (edition of 45) will be made available.

In Ryan McGinness» lithographs printed from stones carry the unique iconography that the artist has made a staple in his oeuvre.

The following is a gathering of all of the Degas works in the Museum's collection, divided into three categories: paintings, which consist of works on canvas or paper using oil, pastel, essence (dilute oil paint) and gouache; prints and drawings, which consist of charcoal, chalk, etchings, lithographs and monotypes on paper; and sculpture, defined as any work made in three dimensions

Also, just as the lithograph was about one set of objects (namely man - made chimneys also acting as trees), the collaged ukulele would be a functional musical instrument also being an art object, so I felt that there existed interesting parallel sets of ideas to play with about one set of images that can suggest something entirely different or about an object that can be transformed into something else with different associations.»

Drawn from the collections of Jordan D. Schnitzer and his family foundation, this exhibition includes more than 25 prints made from a diverse range of techniques, including lithographs, etchings, aquatints, screen prints, and woodcuts.

The exhibition will include a range of geometric and organic abstract paintings made between 1958 - 1991, as well as over twenty unique lithographs from 1949 - 1950.

Pozanti, who is primarily a painter and sculptor, was invited to Tamarind in February to make her first lithographs.

The black outline of a leaf in the corner of a 1962 lithograph is a touchstone for the career of Robert Rauschenberg, the contemporary master who, at 82, continues to make art despite partial paralysis from a series of strokes in 2002 and 2003.

His interest in nature extends so far that he has made a series of plant lithographs in an impressive and sincerely realistic style.

The title L.A. Exuberance is taken from a series of lithographs that British artist Tacita Dean made during a recent artist residency in Los Angeles.

In this original collage from, which precedes the later offset lithograph edition of 1992, Sturtevant makes her own version of Marcel Ducamp's Wanted $ 2,000 Reward.

Made after a florid painting by Paul Jourdy, Prometheus Chained Upon the Rock (1842), the lithograph exaggerates the technical quirks of its model into what Julia Langbein, co-curator of the exhibition with Tobias Czudej, dubs a «high - class dick joke».

From 1938, the year in which she made her first print — a small lithograph entitled St. Germain — to final works created close to her death, prints were a testimony of her creative process and various mindsets.

The lithograph was created in conjunction with the now renowned exhibition for which — at Baldessari's request — students endlessly wrote the phrase «I will not make any more boring art» on the gallery walls.

The word «carp» in Carp with Fly (lithograph, 1969) flops around liquidly on its page; «news» in News, Mews, Pews alludes to the tabloid culture in London, where Ruscha made the prints.

Also made in California are a series of lithographs depicting clouds and vapour trails and a series of drawings of clouds on slate.

She never stopped making art — lithographs, paintings, collages, tapestry designs.

Bruce Conner: Somebody Else's Prints will feature around 100 works, from the first etchings and lithographs the artist made while still a young student in Kansas in 1944 to his last inkjet prints made with Photoshop at Magnolia Editions, Oakland, California, in 2003.

August 18th: The lithographs make a huge splash at the big Techcrunch Party in Silicon Valley.

Polke, who encountered Fluxus at the very start of his career, relished the slapstick side of Conceptual art, as epitomized by «Higher Beings Commanded,» a 1968 edition of lithographs he made with Christof Kohlhöfer.

«Rock, Paper, Image» will feature over 30 lithographs, an art form made by drawing a design on a stone or metal surface using a waxy, oily substance that repels water but absorbs ink, allowing the image to be transferred to paper, said Mia Lopez, the museum's assistant curator.

HELEN FRANKENTHALER Reflections II, IV, and VIII three lithographs in colors, 1995, on Lana mould - made, all signed and dated in pencil, two annotated «P.P. I» and one numbered 15/30 (the editions were 30 plus 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, Reflections II with a small handling crease in the lower margin, two with a few spots of stray printing ink in the margins, otherwise all in very good condition, framed various sizes (3)

Whether it's the opportunity to obtain a highly sought after lithograph or the choices Warhol made in engineering his own celebrity — opportunity is usually the operative word.

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

Moon's Nahan's Forty Winks, a lithographic musing on Korean American dual - consciousness, offers the kind of rich cultural treading and social relevance that make abstracted works in the exhibit, such as Willem de Kooning's lithograph or Ellsworth Kelly's signature geometric shapes, seem like empty reproductions compared to their much more triumphant works in painting.

HELEN FRANKENTHALER Reflections I - II; and IV three lithographs in colors, 1995, on Lana mould - made, all signed and dated in pencil, two numbered 6/30 and one numbered 2/30 respectively (there were also 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, all with full margins, Reflections II with a few unobtrusive small spots of stray printing ink in the margins, otherwise all apparently in excellent condition, one shrinkwrapped, one unframed and one framed two S. 26 3/4 x 20 in.

HELEN FRANKENTHALER Reflections VI lithograph in colors, 1995, on Lana mould - made, signed and dated in pencil, numbered «P.P. I» (the edition was 30 plus 10 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 16 3/4 x 13 3/4 in.

Made in Heaven Artist: Jeff Koons born 1955 Date: 1989 Classification: on paper, unique Medium: Lithograph on paper on canvas Dimensions: support: 3145 x 6910 x 5.5 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © Jeff Koons

At Michael Kohn Gallery, the 45 paintings, drawings, photographs, sculptures, books, lithographs and movie brought together for Bruce Conner in the 1970s make you think of the legendary artist's work from that decade differently.