Sentences with phrase «making paint pigments»

So far, the process can reclaim wax, original monomers, terephthalic acid used to make PET plastic products, methylmetacrylate for making acrylic sheets, carbon for making paint pigments and tires, and even char.

Not exact matches

These hemp - based vegan paints are made from water, mineral pigments, hemp oil, methyl cellulose, extract of gentian roots, and preserved with food / pharmaceutical grade substances.

These chemical - free hemp - based paints are made without heavy metals, VOCs, or other harmful ingredients, and derive their colors from vegetable dyes or all - natural mineral pigments.

«VOC - free» paints take the process one step further, removing unstable, airborne toxins from their pigment formulas as well, making for a much safer product.

The paints are made from natural pigments and easily mix with water.

(As any preschooler knows, red and green make brown if you mix pigments like tempera paints.

The series of Sunflowers paintings (7 in total) painted in Arles in 1888 - 1889 were made with a class of pigments called chrome yellows, which are based on chromium and lead and were invented in the late 19th century.

Paints containing these pigments can dissolve or rub off when a painting is cleaned — making it important for art conservators to find out the exact chemistry of a painting before they begin working on it.

Measuring the age of the cave paintings found across Europe is confounding because most images are made from inorganic pigments that leave few clues.

The analysis revealed the molecular and elemental composition of the paint and the medium used to bind the paint: The scientists discovered that the painting was made using encaustic — a technique that uses a mixture of pigment and melted beeswax that is «burned in» on a wooden base.

The anode featured in this latest study is made up of a blend of elements — including manganese, carbon and nitrogen — that is chemically similar to the formula of the iron - containing paint pigment known as Prussian blue.

After uncovering a range of decorated crafts, ceramics and refined stone artifacts, he says scientists have unearthed strong evidence for amalgams made of sulfate gypsum and other local minerals to create a variety of pigments to decorate objects and paint murals on walls.

More hidden details about changes made with pigments other than lead white were discovered when the painting was investigated in 1994 using neutron activation autoradiography (NAAR).

At Antón, the team analyzed a large perforated scallop shell painted on its external side with an orange blend of pigments, perhaps to make the outside of the shell resemble the naturally red inside surface.

The scuba knit ensemble, one of the inspirations for the exhibition, stands as a superlative example of the confluence between the handmade and the machine - made — the pattern on the train was hand - painted with gold metallic pigment, machine - printed with rhinestones, and hand - embroidered with pearls and gemstones.

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Mummies were imported as medical aids, souvenirs, for paint pigment, as interior décor, for making paper and as fertilizer.

These ground - up pigments were mixed with a binder — water, animal fat, or plant juices — to make them into paint, which was applied to the rock with the fingers or with brushes made from animal tails.

The walls are painted in soft pastels made from natural pigments.

In her introduction Samet notes: «Although Gilliam is best known for his «Drape» paintings — unstretched canvases stained in vibrant pigments and extended into three - dimensional space — the surfaces of the paintings he has made over a fifty - plus - year career are actually quite diverse.

Starting in 1965, he devoted himself exclusively to making so - called «silver paintings,» works that conveyed movement with aluminum pigment.

Nara paints by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended colors.

Some were trying out unusual materials and techniques — cotton balls, fake jewels, pigmented wax, spray guns, squeegees — either to make painting more perversely objectlike or to reopen the spatial illusions shut down by the Judd - Stella - Greenberg juggernaut.

Leslie Shows makes hybrid paintings that bring together polymers, pigments, metal!

His kaleidoscopic compositions of overlapping grids and patterns create complex pictorial spaces, and his use of transparent pigments allows the viewer to see, as the artist has said, «all the events that went into the making of the painting.»

It's also interesting because you're making paint through the image — paint is oil and pigment, and those two things are coming together in the work.

Bevan's works are immensely tactile thanks to the fact that he is applying charcoal - made from different woods - and using his own pure pigments which are often pressed into his paintings.

To make his paintings, Whitten used an inventive and broad range of materials such as iron oxide, dry pigments, crushed Mylar, ash, bone, and blood.

I didn't notice that anything was wrong as I painted the loose early washes in the first few stages of project, but as soon as I needed to be more accurate in laying down the pigments, (e.g. painting the greys on the doorstep and needing to make a straight line) I realised just how bad the problem was.

Gina Phillips makes conventional paintings, but is best known for her densely packed assemblage - paintings that substitute skeins of colored threads for pigment.

All of the works are hand painted archival inkjet prints on matte paper with pigment ink, made in 2016 and 2017.

They are conceived as three - dimensional armatures that are then painted solid colors with pigments made from tempera and ground glass.

The popularity of egg tempera faded with the advent of oil paint, made by mixing pigment with oil - usually linseed oil.

In the most basic sense, paint consists of pigment - pure color made from organic or inorganic materials - bound together with a binder.

He uses a wide range of brushwork and surface treatments to draw attention to the varied textures of the canvas - often applying distemper (a tempera paint made with dry pigments in animal glue) in thin brushy layers - to capture qualities of light and the changing effects of the atmosphere.

There is that, too, the threat of extinction, which may affect physical painting much less, because if worse comes to worst, you can still make up paint using eggs and earth pigments.

I worked on that series for a while, and then I was struck my these makeup tutorials, this idea that if you're making paintings [of them], the painting is kind of painting itself because it's using pencils, it's using brushes and pigment.

He also arranged for Noland and Louis to visit Helen Frankenthaler's New York studio in 1953, where they were introduced to her method of soaking turpentine - thinned oil pigment into unsized, unprimed canvas (a technique Frankenthaler herself had learned from Pollack's 1951 black - and - while stain paintings made with thinned black enamel paint).

This spring she is releasing her first poetry book and has a solo show entitled Weave at grayDUCK Gallery, which includes a group of natural pigment paintings made from wildflowers and a group of large - scale photographic collages.

It makes no difference whether we are face - to - face with one of his large format images, in which he allows the pigments dissolved in epoxy resin to run slowly down the picture carriers in satiated, glistening vertical stripes; or whether we study those works in which small drilled craters disclose many apparently archeological layers of paint, or find ourselves in one of his site - specific, all - over paintings that cover the walls, floors and ceilings, their iridescent stripes of color subduing entire architectures and permanently altering the viewer's perception.

Using a combination of raw pigment, oil, acrylic, enamel, and spray paint, Lewis makes aggressive impasto paintings on large cardboard substrates, elevating the utilitarian material through his artistic interventions.

Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.

His use of actual dirt from the sites he visits as paint pigment enforces the solidity and permanence of these places and connection to the images he makes.

Born in Mexico City in 1970, Bosco Sodi is known for his richly textured, highly physical and vividly coloured large - scale paintings, made from crude raw materials, pigments and sawdust, plastered on to canvases with his hands and left to dry and crack in the sun.

Made at an enclosed beach set below white chalk cliffs, near Eastbourne, Warboys created the painting by casting and rubbing pigment onto swathes of raw canvas that are submerged and pulled from the sea.

The process is closely linked to performance, the «painted» canvas revealing the action of making and the contingencies of that specific time and place - the wind, waves, rocks and tidal sea - pools that disperse and drag the pigment into the creases and pores of the canvas.

dr. julius ap is pleased to present «Bilder des Anfangs» [Images of the Beginning] by Hungarian artist László Ottó, an exihibition which features recent paintings made from various shades of black pigment.

Work by László Ottó February 18 — March 26, 2011 dr. julius ap is pleased to present «Bilder des Anfangs» [Images of the Beginning] by Hungarian artist László Ottó, an exihibition which features recent paintings made from various shades of black pigment.

- For large - scale works that require greater amounts of paint (more than 104 ml encaustic cake or one 38 ml pigment stick), it is necessary to make arrangements through the store to purchase additional materials.

Although his early works were made in many various colors, in 1957 he developed his blue pigment, which he painted in a special resin suspension that gave his canvases a sense of great visual depth, for which they are renowned.