Using a paring knife, score the fatty side of the duck breasts by
making shallow cuts in a diamond pattern; this allows the fat to render more easily.
Not exact matches
If you prefer to
make the loaf easier to slice, don't
cut through the dough — just use a sharp knife to
make shallow slashes before baking.
Score the fat, by
making sharp
shallow cuts through the fat, spaced about an inch apart.
With a sharp knife,
make several
shallow long
cuts along the roast.
To peel fresh tomatoes,
make a
shallow X-shaped
cut at the stem end of each tomato.
I use the cakes baked in the
shallow half sheet pans to
make thinner cakes which I layer into sheet cakes, or to
cut, sometimes with cookie cutters into individual portions.
Truffle Ganache If you are
making truffles, pour about 3/4 cup of the ganache into a
shallow dish and refrigerate until firm enough to
cut and coat with cocoa powder.
Arrange the chicken in a
shallow baking dish, skin side up, and
make 3 deep, crosswise
cuts in each breast half.
Cut off the ends of the plantain, and
make 3
shallow slits, just through the skin (this will help to peel the plantain).
Lay the flank steak on a
cutting board and
make a series of
shallow, crisscrossed
cuts on the surface of the meat; flip and repeat on the other side.
Just above the end of the
cutting,
make a
shallow incision in what is now the stem.
Using the tip of a knife,
make two
shallow 1 - inch
cuts through skin at bottom of tomato, forming an X. Blanch in water just until skin at X begins to lift, 30 — 40 seconds.
He still had times when he'd move into a
shallow position and
make cuts on my skin with his little teeth, but was easier to adjust and I was able to breastfeed him for 16 months.
A
shallower cut makes it look bigger face - up - like an optical illusion.
But here, because dogs can heal remarkably quickly from superficial wounds such as skin lacerations, abrasions, scrapes or
shallow cuts, it can
make sense to just do nothing and let time take care of the issue.
For his exhibition Barbarian In The Garden, Yanai presents a series of paintings and drawings that capture his alienation to memory and places, flattened and
made shallow through solid blocks of color that create the appearance of
cut - outs or collage.
Pouring the paint in a
shallow mold and allowing it to dry, he
cuts, tears, and shatters the resulting slab into smaller pieces, effectively
making «tiles» out of paint.
In 1966 he
made Turf Circle, in which Long convinced his neighbour in Bristol to allow him to
cut and remove
shallow triangular sections of soil before putting back the grass as a slightly lowered, circular bed.