Sentences with phrase «making work in the studio»

One of the more interesting developments of recent years is that artists have been branching beyond simply making work in their studios, adopting the role of dealer, critic, publisher, curator, art fair - founder, nonprofit - founder, and even bar proprietor.

«It was something so different: I was used to making work in the studio.

In addition, to making work in the studio she makes art out of her truck to demystify the process of making within public space.

This is your studio, but you won't be here making work in the studio, correct?

Instead, they bring the entire process, whether it be the individual who makes work in the studio or the combined effort to historize art, under scrutiny.

Not exact matches

His music made money for countless people who worked in his industry — the ticket sellers, studio musicians, streaming services, distributors, and recording labels.

Working from home and staying in touch with his former employer helped this designer make the leap to his own studio.

June says Lightwave now works with several other studios, «much earlier in the creative process» — during the making of the film as well as in the formation of marketing plans.

Having spent decades working as a screenwriter in the studio system — credited on recognizable titles like «Hope Floats,» «Stepmom,» and «Kate & Leopold» — in the era where studios are through making romance movies, Rogers has reinvented himself thanks to the «I, Tonya» script.

There are questions about his continued media status given his increasing work with the youth setup at Arsenal but Henry seems much more settled in the studio now and makes great points about strikers» movement off the ball, which is what you want him to do.

We talk to Beccy about the origins of her work, and trace her relationship with clay back to a childhood spent drawing, painting and making in her mum's studio...

Karen: Even though I majored in studio art while in college - in my 20's - I was the classic starving artist who made a living working in the high tech industry.

More often than not, at least once during the making of dinner, or cleaning of the kitchen, or studio work in progress, I look out the window and declare, «what on earth?»

Made for comfort, they are ultra soft and breathable; these leggings are extremely versatile - perfect for fashionable mums on the go, at work or in the yoga studio!

We met at the yoga studio (where I was working) because he came in to take class and we were both drinking green juices we had made at home.

From starting out small to advancing his talents by working with Future making the rapper one of the hottest rappers in the mixtape game of 2015/2016 and then getting Kanye West attention in the studio.

Knaggs» career reached a peak in the mid -»40s, when he worked in supporting roles in ambitious major studio films such as None but the Lonely Heart (a fascinating but failed attempt at a serious drama by Cary Grant) and unusual independently made features like Douglas Sirk's early Hollywood effort Thieves» Holiday, while also making the rounds of such popular medium - budget Universal Pictures productions as House of Dracula, The Invisible Man's Revenge, and Terror By Night.

After stage work, Freeman began taking bit roles in major - studio features in 1948, seldom getting screen credit but always making a positive impression.

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

Unless: DreamWorks Animation Chief Executive Jeffrey Katzenberg works the phone bank, persuading voters to watch and reward his studio's beautiful movie, making it only the second sequel to take this Oscar («Toy Story 3» won in 2011).

Citing the works of Mike Nichols, Sydney Pollack, Woody Allen and James L Brooks (there's more than a hint of Broadcast News in Josh's growing outrage at the malleability of his chosen medium), Baumbach talks of looking back to the «adult comedies the studios used to make», perhaps acknowledging his own move from the indie sidelines into something more mainstream.

Again, none of these are major studios in Hollywood, but these are big names who work on major projects publically coming out and not just calling for diversity and change in Hollywood, but using what power they have to make change happen.

Helgeland wanted to work with the studio, but what the studio wanted was a completely different movie than the one he was making, resulting in his removal.

That could work for a studio that doesn't have interest in spending much money on a film that didn't cost even over $ 60 million to actually make, marketing excluded.

He also discusses his working relationship with actor Jack Nicholson, casting the future movie star in many of his early roles, making his first major studio film for Columbia Pictures Getting Straight starring Elliott Gould and Candice Bergen.

It's not that working with the same people over and over again is a bad thing — in the old Hollywood studio system, that happened all the time, and the comedies of Preston Sturges, to name just one director, are filled with the same repeating cast — it's that there is a danger that your friends may not push you to make something interesting.

In a recent interview, he said indeed this is not a simple case of a borrowed engine going from a studio to another - it's a cooperation that will make the engine better for Guerrilla Games once Kojima Productions tech guys will have completed their work on Death Stranding.

Now he's got the studio bonafides to make his long - in - the - works Viking epic.

«Art works at its best when it's closest to failure,» he told the crowd of «Water,» a film that struggled to gain traction in the studio system and that for a long time nobody wanted to make.

«At the time that we made it, every single studio in Hollywood had told me that science fiction was dead», Devlin said, «and Roland and I really love science fiction, so I think that's partly why it worked and resonated.

What is making the headlines today is ALL THE MONEY IN THE WORLD, you are all aware of the sexual accusation around Kevin Spacey, Ridley Scott decided to reshoot all the scenes of Spacey with another actor, Christopher Plummer who was the first choice of the director but the studio executives wanted a bigger name, Plummer should shoot his scenes in the comming weeks, it looks like they want to keep the december release date, and Michelle and Mark Whalberg are expected to do some reshoots, i don't think michelle began working on Venom yet, it's crazy but i think Ridley is right to cut out Spacey of his filIN THE WORLD, you are all aware of the sexual accusation around Kevin Spacey, Ridley Scott decided to reshoot all the scenes of Spacey with another actor, Christopher Plummer who was the first choice of the director but the studio executives wanted a bigger name, Plummer should shoot his scenes in the comming weeks, it looks like they want to keep the december release date, and Michelle and Mark Whalberg are expected to do some reshoots, i don't think michelle began working on Venom yet, it's crazy but i think Ridley is right to cut out Spacey of his filin the comming weeks, it looks like they want to keep the december release date, and Michelle and Mark Whalberg are expected to do some reshoots, i don't think michelle began working on Venom yet, it's crazy but i think Ridley is right to cut out Spacey of his film.

The film making team have been working in comedy for a number of years working with studios writing scripts such as YES MAN and the animated television show ALAN GREGORY.

Pixar has two original films heading to theaters next year — Inside Out and The Good Dinosaur — making 2015 a truly exciting time for fans of the studio's work, as it will be the first time Pixar has released two feature films in the same year.

It is hard to nail down just what the meaningful differences would be from having an American studio work on Zelda rather than only Japanese ones, but Miyamoto himself was vague in telling Wired what he thinks the difference may be: «People often say that videogames made by Western developers are somehow different in terms of taste for the players, in comparison with Japanese games.

At the film's Los Angeles press day, Woodley talked about how Jennifer Lawrence encouraged her to take the role, what she shares in common with her character and how they differ, what inspired her to take a course in urban survival skills, what the experience was like doing many of her own stunts, her most memorable sweaty palm moments, zip - lining over the streets of Chicago and climbing the Navy Pier Ferris Wheel, her challenging fight sequence finale with Theo James, working again with Miles Teller, and what she learned about herself in the process of making her first large scale studio movie.

«Lay the Favorite» Synopsis: A ditzy thirtysomething stripper - turned - cocktail - waitress (Rebecca Hall) becomes involved with a group of geeky fiftyish men who have found a way to work the sportsbook system in Las Vegas to their advantage What You Need To Know: Directed by Stephen Frears («The Grifters,» «The Queen» «Tamara Drewe «-RRB-, a filmmaker who has admittedly had a hit - and - miss career, but featuring a pretty much all - star cast of Bruce Willis (always good in the hands of a real filmmaker), Rebecca Hall, Catherine Zeta - Jones, Vince Vaughn, Laura Prepon and Joshua Jackson, it's hard not to be intrigued by a mid-sized dramedy that's not being made by either a major studio or a mid-sized indie.

He'd done more work than a lot of the other independent directors that made the leap, having made three features (Brick, The Brothers Bloom and Looper) and directed some very well received episodes of Breaking Bad, but it's hard to imagine any of that adequately prepared him for directing the middle chapter of the new trilogy in biggest franchise in movie history for the biggest studio on the planet.

Greenbaum, who joined Searchlight in 2010, worked at Miramax when the studio made films like There Will Be Blood, No Country for Old Men, and The Diving Bell and the Butterfly.

Don't miss: Extras include a making of featurette, a «Keeping Up with the Joneses» featurette about star Toby Jones and director Rupert Jones, and a behind - the - scenes look at working in the studio.

Sean Baker, the award - winning director and co-writer of the great new movie, «The Florida Project,» joins Justin in studio to discuss the film, what drew him to tell this story, the juxtaposition of the hidden homeless living right outside of the most magical place on Earth, the importance of getting the details exactly right, how the movie was inspired by «The Little Rascals,» wanting to show how children make the most out of any situation no matter how dire, how desperation plays a big role in the film, the wonderful performance from Willem Dafoe, the relationship between Willem and the child actors, the challenge of working with child actors, the way Florida is portrayed in the film and what he plans to do next.

Since the humor of The Office is the kind of sly, nuanced wit that doesn t exactly work well in the context of a two - minute movie trailer, I was holding out hope that the studio simply decided to cram the more obvious Robin Williams schtick into the previews to lure in the people who made cash cows out of such dross as RV and Night at the Museum and that the actual film would be more in the vein of The Office.

It was my good fortune to be working at Microsoft when the big announcement was made in March of 1995: Microsoft was entering into a joint venture with DreamWorks SKG, the new film studio and entertainment company founded the previous year by mega-moguls Steven Spielberg, Jeffrey Katzenberg and David Geffen (the «SKG» in the company's original moniker).

Emma Stone and Ryan Gosling make for a terrific pair of leads: she's an aspiring actress who works at a coffee shop on the Warner Bros. studio lot, he's a jazz musician reduced to playing Christmas piano in a restaurant.

But he quickly overreached himself financially to make Show Boat (James Whale, 1936), his father lost control of the studio and Jr. never again worked in the movie business.

Black already has experience working with Robert Downey Jr. and gets his comedic sensibilities and that's why this news makes me smile and would like to put in my official recommendation for the studio to go ahead and make this happen.

Do you think that's worked in the films favour, if it were a real studio movie people would be saying lets make him less of an asshole...

But occasionally I meet modern actors whose careers are still in full swing, and I have to admit it's intimidating in a different way: while I may be in awe of the filmography and performances of a studio era star, I sometimes feel overwhelmed by the sheer magnetism and vital force of a working actor — that «it» factor that makes a star a star.

This time, however, working with an impressive acting quartet (Ben Stiller, Naomi Watts, Adam Driver, Amanda Seyfried), Baumbach has given us something thoroughly amusing, a film he's described as «in the tradition of the adult comedies the studios used to make when I was growing up, like those that Jim Brooks or Mike Nichols or Sydney Pollack or Woody Allen made in the»80s.»

Can you set up a tiny fitness studio in the basement or will you have to work out with a fitness video in your living room when your kids could walk by any time and make demands of you?

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