Sentences with phrase «man against the sea»

This is obviously a personal choice, but consider the proverbial man against the sea.

Not exact matches

Against new knowledge, as men gain new wisdoms from science and new power in the universe, there is no Lordship of Christ over all the ages, unless His voice can speak with as much authority affirming and defining now, and a thousand years from now, as it did in the market towns of Galilee, in the Temple at Jerusalem, and along the shore of the Sea of Tiberias.

Youth groups: The city of Berkeley, Calif., requested that the Sea Scouts (affiliated with the Boy Scouts) formally agree to not discriminate against gay men in exchange for free use of berths in the city's marina.

Anthony Logistics for Men is excited to introduce a limited edition super-sized (32 oz) Sea Salt Body Scrub created to support the fight against Prostate Cancer.

«Eyeball Dropper» is a cross between Snood and Tetris, «Captain Shrek» finds you avoiding whales and whirlpools while sailing the seas, «Gingy's Dreamz» has you racing across a colorfully - decorated rainbow against fellow gingerbread men, «Long Leap the King» lets you move from one lily pad to another, without all being stationary, and «Tickle Fight» pits Puss in Boots versus Pinocchio in an entertaining G - rated take on Mortal Kombat.

Its epigraph reads: «From the Eternal Sea he rises / Creating armies on either side / Turning man against his brother /»Til man exists no more.»

Instead, we have generic sea battles (against men becoming sea creatures, though), occasionally violent moments, tons of new mythology and secret revelations (none of which mean much, and all of which feel forced), and a tone more in tune with a serious epic than a post-modern swashbuckler.

Weary, almost apologetic, our man speaks of struggle, of trying and failing against an unforgiving sea.

SPECIAL PRESENTATIONS «The Age of Shadows» («Miljeong»), Kim Jee woon, South Korea (North American Premiere) «All I See Is You,» Marc Forster, Thailand (World Premiere) «American Honey,» Andrea Arnold, USA (North American Premiere) «American Pastoral,» Ewan McGregor, USA (World Premiere) «Asura: The City of Madness,» Kim Sung - soo, South Korea (World Premiere) «Barakah Meets Barakah» («Barakah yoqabil Barakah»), Mahmoud Sabbagh, Saudi Arabia (North American Premiere) «Barry,» Vikram Gandhi, USA (World Premiere) «Birth of the Dragon,» George Nolfi, USA / China / Canada (World Premiere) «The Birth of a Nation,» Nate Parker, USA (International Premiere) «Bleed for This,» Ben Younger, USA (Canadian Premiere) «Blue Jay,» Alex Lehmann USA (World Premiere) «Brimstone,» Martin Koolhoven, Netherlands / Germany / France / Belgium / Sweden / United Kingdom (North American Premiere) «BrOTHERHOOD,» Noel Clarke, United Kingdom (International Premiere) «Carrie Pilby,» Susan Johnson, USA (World Premiere) «Catfight,» Onur Tukel, USA (World Premiere) «City of Tiny Lights,» Pete Travis, United Kingdom (World Premiere) «The Commune» («Kollektivet») Thomas Vinterberg, Denmark / Sweden / Netherlands (North American Premiere) «Daguerrotype» («Le Secret de la chambre noire»), Kiyoshi Kurosawa, France / Japan / Belgium (World Premiere) «A Death in the Gunj,» Konkona Sensharma, India (World Premiere) «Denial,» Mick Jackson, USA / United Kingdom (World Premiere) «Elle,» Paul Verhoeven, France (North American Premiere) «Foreign Body» («Jassad Gharib, Corps Etranger») Raja Amari, Tunisia / France (World Premiere) «Frantz,» François Ozon, France / Germany (Canadian Premiere) «The Handmaiden» («Agassi»), Park Chan - wook, South Korea (World Premiere) «Harmonium» («Fuchi ni tatsu»), Kôji Fukada, Japan / France (North American Premiere) «I Am Not Madame Bovary,» Feng Xiaogang, China (World Premiere) «The Journey,» Nick Hamm, United Kingdom (North American Premiere) «King of the Dancehall,» Nick Cannon, USA / Jamaica (World Premiere) «La La Land,» Damien Chazelle, USA (Canadian Premiere) «The Limehouse Golem,» Juan Carlos Medina, United Kingdom (World Premiere) «Manchester by the Sea,» Kenneth Lonergan, USA (Canadian Premiere) «Mascots,» Christopher Guest, USA (World Premiere) «Maudie,» Aisling Walsh, Canada / Ireland (Canadian Premiere) «Neruda,» Pablo Larraín, Chile / Argentina / Spain / France (World Premiere) «Nocturnal Animals,» Tom Ford, USA / United Kingdom (North American Premiere) «The Oath,» Baltasar Kormákur, Iceland (World Premiere) «Orphan» («Orpheline») Arnaud des Pallières, France (World Premiere) «Paris Can Wait,» Eleanor Coppola, USA (World Premiere) «Paterson,» Jim Jarmusch, USA (North American Premiere) «The Salesman,» Asghar Farhadi (North American Premiere) «Salt and Fire,» Werner Herzog, Germany / USA / France / Mexico (North American Premiere) «Sing,» Garth Jennings, USA / France (World Premiere) «Souvenir,» Bavo Defurne, Belgium / Luxembourg / France (North American Premiere) «Things to Come» («L'Avenir»), Mia Hansen - Løve, France / Germany (Canadian Premiere) «Toni Erdmann,» Maren Ade, Germany (Canadian Premiere) «Trespass Against Us,» Adam Smith, United Kingdom (World Premiere) «Una,» Benedict Andrews, United Kingdom (Canadian Premiere) «Unless,» Alan Gilsenan, Canada / Ireland (World Premiere) «The Wasted Times» («Luo Man Di Ke Xiao Wang Shi»), Cheng Er, China

At its northernmost limit, the California coastline suffered a winter of brutal winds pitched against iron - clad fog, and roiling seas whose whiplash could scar a man's cheek as quickly as a cat - o» - nine - tails.

«and sat down to rest with an aking Heart, not SO much for fear of my Life, as for the Loss of my Fortune, though the Thumping of the Ship against the Rocks, and the Sea breaking violently upon us, the Sails fluttering with the Wind, and the ill Government of the Seamen, were enough to shock a stout hearted Man; so that I passed the remaining Part of the Night in melancholly Reflections» Uring made it to Half Moon Caye where he set up a base camp.

does the 15ppm consider CO2 contributed from deforestation (which as this becomes more extensive against the growing population, the atmosphere breaks well beyond saturation point as trees can not convert CO2 fast enough to combat the production), the burning of peat, the likely disturbances and resulting CO2 emitted from deep sea drilling (i.e. decomposed life forms from the ocean bed reaching the atmosphere) the CO2 deposits from extensive farming, the population of all mammals exhaling CO2, chemical productions with CO2 bi-products and all other man related processes that give off CO2?

And against the backdrop of all of this is the fact that man - caused global climate change is making it all possible — now that there's less ice in the Arctic, ships (and oil rigs) can more safely navigate the seas.