Sentences with phrase «man draws his sword»

Not exact matches

He drew the sword in his house, he stuck it into the wall, in order to know whether his hand would carry through; then he slew the powerful (man).»

He is wrong about what the bible says about being armed with the current weapon of the day, remember when the church officials came to arrest Jesus in the garden, the apostle Paul DREW HIS SWORD and cut a mans ear off, and what did Jesus say to him, he did n`t reprimand him he said, Stop there will be a time for the sword (GUN) but this is not it.So what can we learn from this, first the apostles carried weapons while in the company of Jesus, second, apparently Paul was very good with his sword, he obviously bested the guy whose ear he cutSWORD and cut a mans ear off, and what did Jesus say to him, he did n`t reprimand him he said, Stop there will be a time for the sword (GUN) but this is not it.So what can we learn from this, first the apostles carried weapons while in the company of Jesus, second, apparently Paul was very good with his sword, he obviously bested the guy whose ear he cutsword (GUN) but this is not it.So what can we learn from this, first the apostles carried weapons while in the company of Jesus, second, apparently Paul was very good with his sword, he obviously bested the guy whose ear he cutsword, he obviously bested the guy whose ear he cut off.

White Hart Lane has always been a tough venue for an opponent to play their football in, as it has been this season in fairness, Only Wigan Athletic, of all the teams, have beaten them in their own backyard in a league contest thus far, with Man City and Chelsea being held to draws and Liverpool and, fittingly, Aston Villa being put to the sword in 2 - 1 defeats.

The sword - and - sandals, «Jesus Picture» star, Baird Whitlock (George Clooney, sillier than ever — an injoke reminiscent of Steve Buscemi's ever decreasing mortal remains in the Coenography) is missing, and the gossip columnists (both played by Tilda Swinton, both underused), the sailor tap - dancing musical has an alarming case of closeted gayness (and a wonderful cameo from the Highlander frenchman, Christopher Lambert), the Busby Berkeley mermaid picture has a star (Scarlett Johannson, in a glorious Noo Yawk accent) and whose fish tail is getting more ill - fitting by the hour due to a pregnancy scandal about to break, and a Euro - flavoured drawing - room melodrama has been saddled with an aw - shucks singing cowboy leading man (Alden Ehrenreich in a breakout performance) who is far, far out of his depth.

An old man (John Hurt), who is actually Zeus (Luke Evans) in disguise, has taught him since his youth to fight and such important life lessons as not only how to use a sword but also when to draw it and that while deeds are important the right deeds are even more so.

You insist on tugging at the Gordian knot fruitlessly until it's been untied (which would take forever) with your ten absurdly invalid straw men, before drawing the sword and slicing through all the crap.

You see the giant and the shepherd in the Valley of Elah and your eye is drawn to the man with the sword and shield and the glittering armor.