Sentences with phrase «man exhibition about»
Wes also appears with Ryan Meyers in the two - man exhibition About Face, opening in Bakersville, NC this April.
http://www.formandconcept.center/ Not exact matches
Instead, he is an old man on the tour, shaving his expenses down to about $ 30,000 a year, playing in all the exhibitions and pro-ams he can, suffering because he is naturally warm - blooded and has to wear ice - filled hats and gulp salt tablets to endure the summer heat.
After a former local boy who left for the big city (Azaria, Mystery Men) writes about the stellar players of his hometown, all hockey eyes are on them, and soon an exhibition game between the Mystery boys and the World Champion New York Rangers professiona NHL hockey team is underway.
«The art market is such a financial force,» says Cooper, «that the decisions about who is awarded exhibitions is probably influenced by the idea that women aren't as bankable as the men — precisely because they're not as well known and they don't have as many major shows.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
We know that any contemporary art exhibition entitled «The Ascent of Man» is not really going to be about the ascent of man, not in any classical sense, and in fact, we know that it will most likely be a critique of such a conceMan» is not really going to be about the ascent of man, not in any classical sense, and in fact, we know that it will most likely be a critique of such a conceman, not in any classical sense, and in fact, we know that it will most likely be a critique of such a concept.
The title of this exhibition, THE GARDEN OF FORKING PATHS, references a tale in Jorge Luis Borges» collection of short stories called Labyrinths; the story is layered in metaphors about a man who sets himself on a mission he deems impossible:
A Fulbright scholar and true renaissance man, he traveled the world and over the course of his career taught English, French and linguistics, curated art exhibitions and wrote about dance.
Yes, the math is correct on this one: the combined clicks on 11 headlines about solo exhibitions by women artists (from the art - star - canonized to the emerging) totalled less than half of the number of views for an article about a man saying the art world is justified in ignoring women.
Episode 21: Paul Boshears interviews artist Sam Parker about his new solo exhibition, Man Without A Team, opening at Callanwolde Fine Arts Center this Friday, April 8, 2011, from 7 - 9PM.
The title of his exhibition at Frosch & Portmann, «Beautiful William,» is from a song by the The Handsome Family about a man who goes missing under mysterious circumstances.
While the artist gestures toward lingering social commentaries relating to what has been traditionally associated with women's work versus men's work, the exhibition becomes a site for contemplation about a post-human reality and the future of labor in the face of automation.
Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.
His solo exhibition «Fantasmagoria» features UK premieres for three new film works, «fantasmagoria» (2017) and «fishstory» (2017) are related works based on a family story about Sawa's grandfather, who suffered a stroke as a young man.
So what to make of the affable, eloquent, grey - haired man curled up on a sofa at his company headquarters in Marylebone, chatting about his new exhibition with the amiable ease of a man waiting for a teacher's appointment at a parents» evening?
The artist, known for his colorful and exuberant murals around town, makes a dramatic shift in «How Nice,» an exhibition about his life as a disabled bisexual man.
Author Joobin Bekhrad talks with Faisal about her most recent solo exhibition, Nass [People], color, and being a woman photographer in «a man's world.»
The exhibition — a collaboration between Iziko South African National Gallery (ISANG), the country's premier public museum and host venue for this show, and The New Church Museum, a private collection with a contemporary focus — juxtaposes historical and contemporary works by 27 artists (20 men and seven women) to offer various critical insights about patriarchy and gendered tropes within figurative painting.
Gathering an eclectic array of sources from art, philosophy, literature, and music, the exhibition will concentrate on historical and contemporary representations of chaos, cosmic disorder, natural and man - made disasters, and religious predictions about the end of
Maybe it's because I've been writing about Magritte — my April Loose Ends column is about his and Georges Braque's overlapping concerns and wildly different visions — but reading Nixon speechwriter Raymond K. Price's 1967 prescription for how to elevate voters» low opinions of the candidate, all I could think of was Magritte, the ad man, and the insights on representation he brought to his art, as explored in the Menil Collection exhibition Magritte: The Mystery of the Ordinary, 1926 - 1938.
Show Notes: This week we visit The Fort Worth Museum of Science and History and speak with Dr. Aaron Pan about their latest exhibition, Leonardo da Vinci: Man, Inventor, Genius.
Show Notes: This week we visit the Dallas Contemporary and speak with photographer, Juergen Teller, about his exhibition, Man with Banana.
On the occasion of Mana Contemporary's exhibition The T'ang Horse: Anthony Quinn, writer Jarrett Earnest created a playful book about a series of polaroids from a made - for - TV - movie production of Old Man and the Sea (1990) starring Anthony Quinn.
Talk: «How to be a wo (man)» at Artists Space Books and Talks With its Greene Street exhibition space closed for the coming four months, Artists Space is channelling its energy into its talks for now, starting with «WE (Not I),» a series of readings, panels, and meetings about women in the art world.
Review: Turner Prize exhibition: The winner takes it all in Turner show The Scotsman; December 7, 2007; Susan Mansfield; 700 + words... joined the ranks of Turner Prize alumni, alongside Damien... the mythology of the Turner Prize, crucially, they didn... meticulous reconstruction of Brian Haw's one - man anti... things that winning the Turner Prize is all about.
«bonita bonita» A solo exhibition curated by Sven Davis 2 May — 1 June 2013 «Bonita bonita» is taken from the catcall olive47 would hear from the local men and the also the compliments heard from the local ladies about her work when painting a series of murals in Mexico earlier this year.
In the exhibition, basic questions about the way we treat our environment, the relationship between art, science and late - capitalist man's self - image form recurring themes of the different artists» investigations.
The Bo - Men, beautiful in their place as relief sculptures in the walls of a gallery, but the entire exhibition of Boman's work is mean to teach us about ourselves and the struggles we are always attempting to overcome.
In his first solo museum exhibition, Fahamu Pecou uses the trend of «saggin» (the style which sees young men wearing pants well below their waist) as an allegory to talk about Black male mobility and agency.
Speaking about the D.C. iteration of the exhibition, Mera Rubell states, «It is especially meaningful for us to have NO MAN»S LAND open in our nation's capital around the time when women's leadership in all arenas is front and center in the public consciousness.»
About The Artist Ruby Neri (b. 1970, San Francisco) has participated in numerous exhibitions, including most recently Villa of Mysteries, Los Angeles Museum of Art (2016); Napa Valley Collects, Napa Valley Museum, Yountville, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Fertile Ground: Art and Community in California, Oakland Museum of California in collaboration with the San Francisco Museum of Modern Art (2014); The Oracle, The Underground Museum, Los Angeles (2014); Energy That is All Around: Mission School, Grey Art Gallery, New York University, and San Francisco Art Institute (2013 - 14); The Possible, Berkeley Art Museum and Pacific Film Archive, University of California (2014); Busted, High Line Art, New York (2013); and Made in L.A. 2012, Hammer Museum, Los Angeles (2012).
She and I got to talk about her recent solo exhibition in Paris (France, not Texas), whether being Canadian automatically makes you funny, trying out new mediums, her new kitten named Pluto Chicken Nugget Wise, the politics of dairy, Ubering to incredible pizza in Philly, food in general, sculptural carbohydrates, and a terrible joke I tried to tell to the man who owns my local wine store.
Her exhibitions include Fluid Form II, Busan Museum of Art, Seoul (2014); Light from the Middle East, Victoria and Albert Museum, London (2012); Re-Orientations: Contemporary Arab Representations, European Parliament, Brussels (2008); No Man's Land, GEMAK Museum, The Hague (2008); In Transit, Haus der Kulturen der Welt, Berlin (2008); Biennale Cuvée, OK Centre for Contemporary Art, Linz, Austria (2008); Infr» Action — Festival International d'Art Performance, Sète, France (2007); About Time II, Nordjyllands Kunstmuseum, Aalborg, Denmark (2007); Sharjah Biennial 8 (2007) and 15th Biennale of Sydney (2006).
This month, I had the pleasure of speaking to Geof Oppenheimer, a Chicago - and San Francisco - based artist, about his upcoming exhibition, Inside every man, part of him wants to burn...
Though the maxim about one man's trash may seem clichéd, the spoils of Jenkins's first New York solo exhibition are nothing short of treasure.
One of his paintings is an image of Philando Castille that should have generated a public conversation about police killing black men, but its impact has been muted by the controversy over a Dana Schutz painting of Emmett Till in his coffin, that also appears in the biennial exhibition.
This array of objects gives the exhibition an intimate quality, revealing much about how women — and men — lived their lives during a time of great social upheaval and artistic innovation
Atkins's current projects include a site - specific installation by Rick Araluce; the exhibition «Murder Is Her Hobby: Frances Glessner Lee and the Nutshell Studies of Unexplained Death, «opening October 20, 2017; and a major exhibition about the Burning Man Festival that is scheduled to open in 2018.
I did think about including work that also explored publicly positioned images of Black women, however, as with images of Black men in the public sphere is it a very large topic, one that I feel needs a space and exhibition dedicated exclusively to it.
• February Women's Show & Goddess Festival, Varga Gallery, 130 Tinker St., Woodstock Contact: (845) 679-4005 http://www.VARGAgallery.com Notes: The annual exhibition celebrates artwork by or about women and includes works by men as well as women.
Dotted across the exhibition's celebration of mood and light are the wonderfully eccentric stories that tell us about Turner, the man.
Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African - American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man's Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011 - 2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010).