Sentences with phrase «man exhibition by»

View FADmap 30th June 2011 Cool Art Stuff to do in a larger map PEACOCK TROUSERS Josh Lilley Gallery Peacock Trousers is a two - man exhibition by Gabriel Hartley and Appau Junior Boakye - Yiadom Sharing a graceful, and somewhat experimental approach to their practice — where an irreverent humour, sense of performance, and enjoyment of colour -LSB-...]

New Mexico Museum of Art announces a one - man exhibition by master photographer William Clift, on view April 19 through through September 8, 2013.

Not exact matches

Hundreds gather in the New York Crystal Palace, the iron - and - glass exhibition hall at the center of the World's Fair, to watch a man standing on a platform four stories high, suspended by a single taut rope.

The simple yet startling beauty of this small piece reminded me of early photographs by Muybridge I saw recently at the Tate Britain exhibition dedicated to this monumental man of developmental photography.

The Museum's reputation for helping people understand the experience of modern conflicts is unrivalled, and I'm confident that members of the public will be inspired and motivated by the exceptional courage of the ordinary men, women and children featured in the outstanding exhibition.»

Being greeted by a giant, shaggy - maned Kate Moss is always a good way to start an exhibition — or enter any room, for that matter — and when this glossy black - and - white wonder is just a drop in David Bailey's star - studded ocean of celebrity portraits, you know it's the place to be.

Founded in March 1997 by Colette Rousseau and her daughter Sarah Andelman, Colette is a three - floor concept store on rue Saint - Honoré in Paris offering a curated selection of men's and women's clothing and accessories, alongside an exhibition space, bookshop and «water bar» serving more than 100 brands of bottled water.

By the way single men are advised to go to any flower exhibitions in Fresno — they are held regularly during the whole year.

Arcade icon Pac - Man will chomp his way into the game's all - star cast, as revealed by Nintendo after its «Super Smash Bros.» tournament exhibition at E3.

Shown in an upcoming exhibition at London's Autograph ABP gallery, the men portrayed in Hussain's portraits identify as Muslim, and expressed that they felt culturally ridiculed by the constant flow of derogatory media representation of their lives.

In 2016 Als curated Forces in Nature at Victoria Miro, a group exhibition exploring ideas of man in nature, featuring works by Njideka Akunyili Crosby, Alice Neel, Chris Ofili, Celia Paul and Kara Walker, among others.

Zach Feuer Gallery is pleased to present The Super Can Man and Other Illustrated Classics, an exhibition of more than thirty new works by Kristen Morgin.

This one - off performance, accompanied by Roger Rabbit, Wile E. Coyote and the Kool - Aid Man, to accompany the exhibition Sweet Liberty will culminate at Newport Street Gallery on 5th October 2017 at 11.30 am until midday.

The exhibition grew out of a project first launched by Chris Johnson in San Diego and became a collaborative piece linking Hank Willis Thomas, Bayeté Ross Smith, and Kamal Sinclair and is now composed of 1,500 questions and 150 men.

Featuring works by artists including Marcel Duchamp, Man Ray, Claes Oldenburg, Andy Warhol, Martha Rosler, Louise Bourgeois, Mona Hatoum, and Ilit Azoulay, the exhibition reexamines the concepts negotiated in the domestic sphere, including gender roles, memory, nostalgia, and questions of place and displacement.

The exhibition also features works by Eugène Atget, Alfred Stieglitz, Paul Strand, László Moholy - Nagy, Man Ray, Robert Frank, Diane Arbus, Irving Penn, Cindy Sherman, Bernd and Hilla Becher, Vik Muniz, and Richard Misrach, among others.

An installation view of «Untitled» by sculptor Chung Hyun on the first floor of Kumho Museum of Art (Kumho Museum of Art) At his solo exhibition at Kumho Museum of Art in Seoul, Chung, who is well known for his exhibition «The Standing Man» — a group of 47

Joined by Jamillah James, Curator at the Institute of Contemporary Art, Los Angeles, and Assistant Curator of John Outterbridge: Rag Man, together we will explore the possibility of an exhibition to create change in our community.

The exhibition also features five photographs and three sculptures by Japanese contemporary artist Hiroshi Sugimoto, whose photographs of 19th - century mathematical plaster models were inspired by Man Ray.

From June 28 - September 29, New York's Public Art Fund will launch an exhibition in City Hall Park inspired by the Walter Benjamin essay, «On language as Such and on the Language of Man.»

Picabia held his first one - man show in New York, Exhibition of New York studies by Francis Picabia, at 291 art gallery (formerly Little Galleries of the Photo - Secession), March 17 - April 5, 1913

This one - off performance, accompanied by Roger Rabbit, Wile E. Coyote and the Kool - Aid Man, to accompany the exhibition Sweet Liberty culminated at Newport Street Gallery on 5th October 2017.

Poet Frank O'Hara may have claimed that «Abstract Expressionism is the art of serious men,» but, as is shown by this exhibition, it is time to think differently.

The exhibition begins with an enigmatic photograph of dust ostensibly taken by Man Ray nearly a century ago.

An exhibition with works by Sara Barker, Nina Beier, Karla Black, Carol Bove, Ben Cain, Varda Caivano, Luis Camnitzer, Marieta Chirulescu, Keith Coventry, Tony Cragg, Jason Dodge, Alex Dordoy, Nikolas Gambaroff, Gary Hume, Ian Law, George Henry Longly, Marie Lund, Benoît Maire, Victor Man, Kris Martin, Katy Moran, Anselm Reyle, Manuela Ribadeneira, Gerhard Richter, Pietro Roccasalva, David Schutter, Adam Thompson, Lesley Vance, Gary Webb, Lawrence Weiner and Alison Wilding.

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

At the end of these rigorously researched and happily exhausting exhibitions, what emerges is an account of a man who was driven as much by the prospects of wealth as he was by portraying his truth as a gay man, consequences be damned.

«The art market is such a financial force,» says Cooper, «that the decisions about who is awarded exhibitions is probably influenced by the idea that women aren't as bankable as the men — precisely because they're not as well known and they don't have as many major shows.

A selection of the photographs in this volume were on view in «Contact: Gordon Parks, Ralph Ellison, and «Invisible Man,»» a 2012 exhibition at Howard Greenberg Gallery in New York that was curated by artist Glenn Ligon.

Inequality in almost every area of the art world was obvious: male artists dominated both historic collections and also exhibitions of contemporary art; women were excluded or absent from major art history books; almost all the staff in art institutions and universities were men; and work by female artists had less commercial value.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Klodi, produced for this exhibition, is based on a touching, dramatic and at times absurd tale told by Klodi, an Albanian man Paci met.

The exhibition moves on to explore practices that are close to Appropriation Art, such as Sturtevant's Duchamp Man Ray Portrait (1966), who reclaims a photographic portrait of Marcel Duchamp realized by Man Ray, substituting both the author and the subject of the photograph with herself.

By his death in 1998, D'Arcangelo was the subject of many one - man shows at such influential institutions as the Albright - Knox Art Gallery (Buffalo), and the Institute of Contemporary Art (Chicago), as well as in several group shows at the Whitney Museum of American Art (New York), the Hirshhorn Museum (Washington D.C.), and the Museum of Modern Art (New York), where Pegasus was shown in their 1965 - 66 exhibition, Around the Automobile.

July: Fisheater mobile commissioned by the Arts Council, shown at the RBA Galleries 1952 Second One - Man exhibition at Gimpel Fils, also shown at the Galerie de France, Paris.

The exhibition features works by over 30 artists and photographers including Marcel Duchamp, Walker Evans, Robert Filliou, Mona Kuhn, Man Ray, Gerhard Richter, Sophie Ristelhueber, Aaron Siskind, Shomei Tomatsu, Jeff Wall and Nick Waplington alongside magazine spreads, press photos, postcards and film clips.

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

Organized by the WHEREISANAMENDIETA movement, the protesters are decrying the exhibition of Andre's work — not to mention the failure to show Mendieta's work in the same space, even though the Tate has five works in storage — as a glorification of violent men within the art institution.

The exhibition is accompanied by a catalogue, with essays on the interaction between Gutai and New York artists by guest curator Ming Tiampo, associate professor of art history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Dies.

Conceived by writer and curator David Campany, the exhibition takes as a starting point the 1920 photograph taken by American artist Man Ray of Marcel Duchamp's work in progress The Large Glass (1915 — 23) deliberately left to gather dust in his New York studio.

dalla Rosa is delighted to present Solid Mark, a two - man exhibition of recent work by Richard Ducker and Kasper Pincis.

Cézanne and American Modernism is the first exhibition to examine Cézanne's influence on American artists working between 1900 and 1930 by bringing together 16 of the French master's paintings and works on papers with more than 80 works by 33 American artists including Marsden Hartley, Maurice Prendergast, Arshile Gorky, Alfred Stieglitz and Man Ray.

Yes, the math is correct on this one: the combined clicks on 11 headlines about solo exhibitions by women artists (from the art - star - canonized to the emerging) totalled less than half of the number of views for an article about a man saying the art world is justified in ignoring women.

The Musée d'Art moderne de la Ville de Paris presents «MEDUSA, Jewellery and Taboos», an exhibition,, curated by Anne Dressen, bringing together over 400 pieces of jewellery created by artists the like of Anni Albers, Man Ray, Meret Oppenheim, Alexander Calder, Salvador Dali, Louise Bourgeois, Lucio Fontana, Niki de Saint Phalle, Fabrice Gygi, Thomas Hirschhorn, Danny McDonald, Sylvie Auvray, avant - garde jewellery makers and designers such as Betony Vernon, Elie Top, René Lalique, Suzanne Belperron, Line Vautrin, Art Smith, Tony Duquette, Bless, Nervous System, contemporary jewellery makers and also high end jewelers, as well as anonymous, more ancient or non-Western pieces.

The exhibition includes a number of commissioned works, including a major new braided sculpture by Diamond Stingily that snakes through gallery floors, trailing from the Fourth Floor all the way down to the Museum's Lobby, and alludes to the racial dimensions of beauty conventions as well as to Medusa, the mythological snake - haired woman whose gaze could turn men into stone.

March in London this year offered a singular opportunity to see the work of the late Richard Hamilton in depth, centered on a major retrospective at the Tate Modern and supplemented by a choice exhibition of his prints at Alan Cristea Gallery and reconstructions of two of his notable installations, Man, Machine and Motion (1955) and an Exhibit (1957), at the Institute of Contemporary Arts (ICA).

The title of his exhibition at Frosch & Portmann, «Beautiful William,» is from a song by the The Handsome Family about a man who goes missing under mysterious circumstances.

Opening on 23rd January at the Rook & Raven gallery, Bigger Than The Both of Us, a solo exhibition by acclaimed artist Corinne Felgate is comprised of two new major installations, Bigger than the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world today.

New paintings by French - born, New York - based artist Jules de Balincourt will be presented in an exhibition entitled «Unknowing Man's Nature,» opening this weekend at the Zach Feuer Gallery (LFL) in New York City.

She has had major exhibitions in Canada and France accompanied by books (Lost and Found, No Man's Land, Camouflage and Cover) as well as numerous one - person shows in the US, Germany, France, Spain, Cuba, Switzerland, Belgium and Austria.