Sentences with phrase «man exhibition features»

The 2 man exhibition features new work from Remi Rough and RCF1, and is titled «Excuse My French».

This one - man exhibition features the works of master photographer William Clift, a Santa Fe resident.

Not exact matches

The Museum's reputation for helping people understand the experience of modern conflicts is unrivalled, and I'm confident that members of the public will be inspired and motivated by the exceptional courage of the ordinary men, women and children featured in the outstanding exhibition.»

In conjunction with the Hollywood Costume exhibition, the Academy will present screenings, starting Saturday with a terrific double feature: the Coen Brothers» «No Country for Old Men» and «The Big Lebowski.»

Located in the heart of the Tianhe Business District our Guangzhou Hotel is connected to the Metro & adjacent to the Pearl River New City.We're just 5 minutes from the Guangzhou East Railway Station & 15 minutes from Guangzhou International Exhibition Centre, Hotel is right next to the Grandview Mall, where you'll delight in more than750 shops & restaurants.Guest rooms & suites feature luxurious bedding, individual climate controls & high - speed Internet access.Catch up with colleagues at our Man Ho restaurant serving the best of traditional Cantonese cuisine or relax in our lobby lounge.

In 2016 Als curated Forces in Nature at Victoria Miro, a group exhibition exploring ideas of man in nature, featuring works by Njideka Akunyili Crosby, Alice Neel, Chris Ofili, Celia Paul and Kara Walker, among others.

Amongst the artists featured in the exhibition are: Huma Bhabha, Louise Bourgeois, Tony Cragg, Lucian Freud, Thomas Houseago, Mark Manders, Eduardo Paolozzi, Marc Quinn, Man Ray, John Stezaker, Andy Warhol and Rebecca Warren.

Featuring works by artists including Marcel Duchamp, Man Ray, Claes Oldenburg, Andy Warhol, Martha Rosler, Louise Bourgeois, Mona Hatoum, and Ilit Azoulay, the exhibition reexamines the concepts negotiated in the domestic sphere, including gender roles, memory, nostalgia, and questions of place and displacement.

The exhibition also features works by Eugène Atget, Alfred Stieglitz, Paul Strand, László Moholy - Nagy, Man Ray, Robert Frank, Diane Arbus, Irving Penn, Cindy Sherman, Bernd and Hilla Becher, Vik Muniz, and Richard Misrach, among others.

The exhibition also features five photographs and three sculptures by Japanese contemporary artist Hiroshi Sugimoto, whose photographs of 19th - century mathematical plaster models were inspired by Man Ray.

In 1998, he had his first one man show at the Kamakura Gallery, and his work has been featured in the following group exhibitions: 2010, «assembling» vision's, Ningyo - cho; 2010, A-Thing; 2009, «The Dream of Cybord», Art Trace Gallery, Ryogoku; A-THing2006, The 3rd Fuchu Biennial «On Beauty and Value, Seven Artists of Post-Bubble Generation» Fuchu Art Museum.

The exhibition features work that deals with issues of race, sex, gender, redefine constructionism, new minimalism, early photography, nostalgic meditations, and the interplay between nature and the man - made.»

The exhibition features works that deal with issues of race, sex, gender, redefinitions of constructionism, new minimalism, early photography, nostalgic meditations, and the interplay between nature and the man - made.»

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

He has also published a series of volumes titled The World Stage to coincide with his exhibitions featuring portraits of local men of color in urban capitals across Africa, Asia, the Middle East, Latin America, and the Caribbean,

Neighboring Hanart TZ Gallery has invested all its energy in Gu Wenda, organizing three simultaneous solo exhibitions: an eponymous show at the gallery; one at the gallery's booth at Art Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human hair.

The section of the exhibition devoted to his activity in the city features the screening of his Super 8 mm films Brasil Jorge, Fillmore East, Gay Pride Parade (all from 1971), Agrippina is Rome - Manhattan (1972), and his slide shows Neyrótica (1973), which shows young men in various sexually provocative poses, and South Bronx (1973 - 76).

The exhibition features works by over 30 artists and photographers including Marcel Duchamp, Walker Evans, Robert Filliou, Mona Kuhn, Man Ray, Gerhard Richter, Sophie Ristelhueber, Aaron Siskind, Shomei Tomatsu, Jeff Wall and Nick Waplington alongside magazine spreads, press photos, postcards and film clips.

Laurence Miller Gallery, in partnership with Asia Week New York, presents Toshio Shibata — Harmony, a solo exhibition featuring large format color photographs that extend his exploration of man - made structures co-existing within nature.

Featuring seven paintings from recent series and the 2003 installation I Catch the Little White Man, Pace Gallery's exhibition is part of a constellation of events celebrating the artists» life and work throughout New York City this fall season.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

His work has been featured in subsequent one - man museum shows at the Santa Barbara Museum of Art (1976), the Oakland Museum of California (1977), the Palm Springs Museum of Art (1978), and the National Academy of Science (1981), and in over two hundred solo and group exhibitions internationally, in venues such as the Museum of Contemporary Art, Chicago; the Jewish Museum, New York; the Indianapolis Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, Madrid.

Select group exhibitions featuring her work include In Search of the Present, Espoo Museum of Modern Art, Helsinki (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); and New Work, San Francisco Museum of Modern Art (2011).

Featuring approximately 40 ecclesiastical masterworks from the Sistine Chapel sacristy and more than 150 examples of women's and men's ensembles, the exhibition situates fashion production among Christian materiality.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

Scott Alario in conversation with Matthew Leifheit in Vice http://www.vice.com/read/tonight-in-new-york-scott-alarios-what-we-conjure Goldschmied & Chiari in «Portrait of the Artist as a Young (Wo) Man» curated by Marcella Beccaria at the Castello di Rivoli, Turin, June 10 - September 21, 2014 Gallery featured in Gallerist NY http://galleristny.com/2014/03/next-up-on-the-lower-east-side-kristen-lorello-gallery/ Scott Alario in «Americana: Contemporary American Photography by Graduates of Leading U.S. Academies,» International Photography Festival Israel # 3, hosted by Artlink, Carmel Winery, Rishon LeZion, Israel, April 5 - 9, 2014 Goldschmied & Chiari solo exhibition «La démocratie est illusion» at Passerelle Centre d'art contemporaine, Brest, France, through May 3, http://www.cac-passerelle.com/exposition/goldschmied-chiari

His solo exhibition «Fantasmagoria» features UK premieres for three new film works, «fantasmagoria» (2017) and «fishstory» (2017) are related works based on a family story about Sawa's grandfather, who suffered a stroke as a young man.

Featuring a selection of short, mid-century animated 16 mm films by American icon Robert Breer — all of which were projected in L.A. during the opening of a Larry Rivers exhibition in 1963 — including A Man and His Dog Out for Air (1957), Eyewash (1959), and Homage to Jean Tinguely's Homage to New York (1960).

Originally appearing in the January 2012 print edition of the journal, Panero's piece offered a survey of successful recent shows presented by several Bushwick favorites, Norte Maar's penultimate exhibition of last year - featuring Wolowiec, Man Bartlett, and Lindsey Walt — among them.

Among the photographers that are featured in this exhibition, the oldest — Lyonel Feininger (1871 — 1956), František Drtikol (1883 — 1961) and Hannah Höch (1889 — 1978)-- came of age as professional schools and amateur camera clubs were forming to educate eager young men and women in photographic aesthetics and techniques, and promulgating the dominant «art» photography of the day, also known as Pictorialism.

Central to the exhibition is The Black Man in Africa has Strong Warriors and Beautiful Cities (2018), a powerfully incandescent rendering composed of fluid lines which blur the division between painting and sculpture, taking inspiration from Robert Rauschenberg's Green Shirt (1965) and featuring imagery from the storied Black Panther Coloring Book created in 1968 by artist and aspiring Black Panther Party member Mike Teemer.

Featuring work by the two men, encompassing paintings, drawings, and films, this exhibition considers the dialogue between the two French artists.

The exhibition features «new drawings by Toyin Ojih Odutola that continues her exploration of the merger of two fictional aristocratic Nigerian families through the marriage of two men.

Drawn from deCordova's permanent collection — and featuring work by international, national, and New England artists acquired over the past fifty years — this exhibition demonstrates how ongoing change spans natural, man - made, and creative enterprises.»

Head (Man in Blue), 1961, features in the exhibition The Inhabitants an idea by Guillermo Kuitca, running until February 22nd 2015.

The highest - profile victory, however, went to performance artist and «dancing economist» Tino Sehgal for his piece in Massimiliano Gioni's «The Encyclopedic Palace» exhibition featuring a man and a woman sitting on the floor, one of them rhythmically uttering incantatory sounds of a vaguely Eastern, quasi-spiritual tenor while the other strikes poses that could possibly be derived from historical artworks.

In reviewing that exhibition for The New York Times, Ken Johnson called the work, which features a young man at a kitchen table with a chocolate cake, «a deft piece of still - life painting.»

Featuring a selection of paintings, drawings and photography, the exhibition presents art by Richard Avedon, Milton Avery, Oscar Bluemner, Ilya Bolotowsky, Alvin Langdon Coburn, Ralston Crawford, Willem de Kooning, Edwin Dickinson, Charles Demuth, Arthur Dove, Perle Fine, John Graham, Marsden Hartley, Alfred Maurer, Man Ray, Morgan Russell, Albert Pinkham Ryder, Morton Schamberg, Niles Spencer, Joseph Stella and Abraham Walkowitz.

His most recent «World Stage» project was hosted in Jamaica and produced new work for his first solo exhibition at Stephen Friedman Gallery, London, England, featuring both black men and women assuming poses taken from 17th and 18th Century British portraiture.

Group exhibition highlighting man's interaction with the Western plains and plateaus through ranch life, featuring Terry Gardner, Simon Winegar, and Nathan Solano; introducing Sean Wallis.

Opening October 15, the exhibition features Jamaican men and women assuming poses taken from 17th and 18th century British portraiture, the first one in the «World Stage» series to feature portraits of women.

Featuring rare objects from the artist's estate, major museums, and important private collections, César coincides with the 60th anniversary of the artist's first one - man exhibition, which took place at the Galerie Lucien Durand in Paris.

Earlier this year, his multi-floor exhibition inaugurating Gavin Brown's new Harlem mega-gallery, which featured uncanny - valley - born CGI videos of men falling into sinkholes or other forms of unusual misery, seemed to announce a new era of immersive art experience that can compete with TV, film, and the other attention - devouring screen - based sirens.

Arrested Motion just posted pictures to «Perseverance» the 3 man exhibition at Known Gallery featuring the works of Revok, Rime and Roid.

Speaking to their contrasting views on such «segregated» exhibitions, Morris and Hockley noted that while, in both title and subject, the exhibition «is focused purposefully on the work and experiences of black women... it also features the work of men and non-black women of colour, and, through ephemera, references the work of white women artists, feminists, and art world influencers.»

He has curated dozens of photography exhibitions in his thirty - three year career, including No Man's Land: Contemporary Photographers and Fragile Ecologies, featuring Edward Burtynsky, Emmet Gowin, and David Maisel.

The visual arts exhibition features artwork that questions the way we define gender and the societal roles we have traditionally assigned to men and women.

The exhibition features Jamaican men and women assuming poses taken from 17th and 18th Century British portraiture, the first one in the «World Stage» series to feature portraits of women.

Last Thursday we attended Apexart's premiere Fauxgala ’08 which featured a special event exhibition entitled the «The Man Piece, a Group Show» curated by Vanessa Walters including Jeremiah Clancy, Evan Collier, John Gregorio, Daniel Pettrow, Clayton Dean Smith, Eric Schmalenberger, and Andrew Schneider.

The exhibition features a selection of works influenced by the landscapes of the West, especially those which indicate man's imprint and / or infĺuence on the land.