Sentences with phrase «man exhibition opens»

11 November A one - man exhibition opened at the Galerie Charles Lienhard, Zurich (closed 12 December).

Not exact matches

This is meant to guide men to decide what men's Leather trousers can and can not be worn for varying occasions like job interviews, exhibition openings and more.
TALK One of the most compelling art panels of the year, Thelma Golden, Hilton Als and Huey Copeland gather Dec. 12 to discuss «Black Male: Representations of Masculinity in Contemporary American Art» and reflect on the perception of black men and the state of the art world two decades since the Whitney Museum of American Art exhibition opened in November 1994.
At the opening night of Nick Van Woert's solo exhibition «No Man's Land» at OHWOW Gallery, Los Angeles, it was whispered that the subject's garbs in «Microscope», primitively pieced together, dilapidated and grime encrusted...
An open - air exhibition that takes inspiration from the High Line as an urban park cutting straight through the city, creating new vistas and vantage points onto the surrounding natural and man - made landscapes.
The Kunsthalle Zurich is producing the first publication on his work to accompany a one - man exhibition which opens in February 2001.
Episode 21: Paul Boshears interviews artist Sam Parker about his new solo exhibition, Man Without A Team, opening at Callanwolde Fine Arts Center this Friday, April 8, 2011, from 7 - 9PM.
The exhibition The Mosquito man & Other Stories opens on the 1st of December, 2009 at Galleri Skylten.
Opening on 23rd January at the Rook & Raven gallery, Bigger Than The Both of Us, a solo exhibition by acclaimed artist Corinne Felgate is comprised of two new major installations, Bigger than the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world today.
New paintings by French - born, New York - based artist Jules de Balincourt will be presented in an exhibition entitled «Unknowing Man's Nature,» opening this weekend at the Zach Feuer Gallery (LFL) in New York City.
And for her exhibition «Forever,» opening in Berlin this weekend, Kruger plucked a quotation from Woolf's extended essay «A Room of One's Own,» filling an entire gallery wall with: «You know that women have served all these centuries as looking glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size.»
The exhibition, which runs through October 22, opens with six works from Anxious Audiences — paintings covered with grids of scrawled, apprehensive faces that grew out of the Anxious Men series Johnson debuted at New York's Drawing Center last fall.
Featuring a selection of short, mid-century animated 16 mm films by American icon Robert Breer — all of which were projected in L.A. during the opening of a Larry Rivers exhibition in 1963 — including A Man and His Dog Out for Air (1957), Eyewash (1959), and Homage to Jean Tinguely's Homage to New York (1960).
1957 Opening Exhibition, Signa Gallery, East Hampton, NY Artists of the Region, Guild Hall Museum, East Hampton, NY Italian and American Artists, New York Art Foundation, Rome, Italy The 6th in a Series of Exhibitions of Painting & Sculpture, Executive House Gallery, New York, NY A Review of the Season, Signa Gallery, East Hampton, NY Figure & Vision: The 7th in a Series of Exhibitions of Painting & Sculpture, Executive House Gallery, New York, NY 1958 Vision of A Man, Museum of Modern Art, New York, NY The Artist's Vision: 1948 - 1958, Signa Gallery, East Hampton, NY The Human Image, Signa Gallery, East Hampton, NY An International Selection, Signa Gallery, East Hampton, NY
Robert Motherwell, Frank O'Hara, René d'Harnecourt, and unknown man at the opening of the Motherwell exhibition at the Museum of Modern Art New York
A centrepiece of the exhibition Daytime Astronomy (1997 - 98) captures a moment of profound revelation: as a seventeen - year - old boy, working on Canada's wide - open Western plains, it is the moment that the artist first became aware of the void that separates man from the world around him.
A sculpture of a young man in casual dress holding and looking at a phone, Network (2012), will make its open - air premier at Yorkshire Sculpture Park as part of a solo exhibition by Tom Price.
Opening October 15, the exhibition features Jamaican men and women assuming poses taken from 17th and 18th century British portraiture, the first one in the «World Stage» series to feature portraits of women.
Exhibition Title: Taking Care of Business Artist: Immony Men Exhibition Dates: Sat, July 9, 2011 — Sat, August 6, 2011 Opening: Fri..
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
2009 Mayer, Sally, Straight Man, Wonderland, April - May Sculptor Shows his Own Poetry in Motion, The Southland Times, March Sherwin, Skye, Exhibitionist: The Best Art Shows to See this Week, The Guardian, 18 September De Wilde, Femke, Room With a Political View, Frame, March - April Lutticken, Sven, Taped Together: On The Bijlmer Spinoza Festival by Thomas Hirschhorn, Texte Zur Kunst, September Weiner, Emily, ArtForum (Review of show at Gladstone Gallery, NYC), March ArtForum (Review of show at Galerie Susanna Kulli), April Thomas Hirschhorn to Present his First Ever Solo Exhibition in a UK Public Art Gallery, Art Daily, 8 September Indepth Art News: Anschool by Thomas Hirschhorn, Absolute Arts, April 2008 Rappott, Mark, Strange Love, Art Review, June Stroh, Frank, Thomas Hirschhorn: Hotel Democracy, Creative Europe Online, June Thomas Hirschhorn's «Hotel Democracy» at Art Basel 2008, Designboom, June Art Basel Becomes More Global, Swissinfo.com, 5 June Basel Art Blow - Out, Artnet, 30 May Art 39 Basel: El Dorado of the International Art World Set to Open in Switzerland, Art Daily Online, June Art Basel Opening, Zimbio.com, June Bowes, Elena, Thomas Hirschhorn, Indagare, June Vogel, Carol, Hotel Democracy, New York Times, 21 March Crow, Kelly Culture Clash: Soccer Fans, Art Elite Butt Heads, The Wall Street Journal, 30 May Vogel, Carol, New York Times, 21 March Harris, Gareth, Art Basel, Financial Times, 24 May Reust, Hans Rudolf, Infinite Glass: The Arts Beyond the Discipline, Parkett, No. 84 2007 Demos, T. J., On the Ground - London, Artforum, December Nesbit, Molly, Le plan d'amitie entre art et philosophie, Le Monde Diplomatique, August Kultureflash.net, no. 124, 3 August Downey, Anthony, Thomas Hirschhorn, Flash Art, July - September, p. 134 Pennell, Arden, This is Your Brain on Reality, Whitehot magazine of contemporary art, Issue 3, May Icon, issue 046, April Sam, Serman, Thomas Hirschhorn, The Brooklyn Rail, April Kulture Flash, issue 198, 28 March Jones, Jonathan, How War Made Art Better Again, Guardian Unlimited Art Blog, 26 March Thomas Hirschhorn - Substitution 2 at Stephen Friedman Gallery, www.artvehicle.com, Issue 12, 23 March Coomer, Martin, Thomas Hirschhorn, Time Out London, 20 March Hubbard, Sue, This is the father of all battles, The Independent, 14 March Westcott, James, ArtReview: blog, 13 March Hirschhorn, Thomas, Eternal Flame, Artforum, Vol.
National Museum of Women in the Arts (NMWA) is collaborating with the Rubell Family Collection (RFC) to realize a new vision for NO MAN»S LAND, an exhibition (30 September 2016 - 8 January 2017) that opened at the RFC's space in Miami in December 2015.
Opening: Jordan Casteel at Casey Kaplan For her first exhibition at Casey Kaplan, New York — based artist Jordan Casteel will present a series of large - scale oil paintings of men she photographed while wandering the streets of Harlem.
Linda's current exhibition «Signs of Men» opened earlier this month at ART 3 with works that combine the rigor of minimalist abstraction with the spontaneity and expressiveness of her very personal and physically disciplined mark - making system.
The exhibition opens with the artist's trilogy, which goes by the name La malattia del ferro (The Malady of Iron), an examination of labor and the relationship of man to machine.
That was the case for Nick Haymes, the owner of Little Big Man, a gallery opening on Saturday with a solo exhibition of mostly YouTube video work by the photographer Doug Rickard.
Celebrating the opening of her first solo gallery exhibition at Casey Kaplan in Chelsea, Casteel is joined by the men featured in her portraits who revel in their oil likenesses.
Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow
Recent solo exhibitions include Stranger, Hauser & Wirth, Somerset, England (2017); Hail We Now Sing Joy, Kemper Museum of Contemporary Art, Kansas City, MO (2017); Fly Away, Hauser & Wirth, New York, NY (2016); Within Our Gates, Garage Museum of Contemporary Art, Moscow, Russia (2016); Blocks, High Line Art, New York, NY (2015); Anxious Men, The Drawing Center, New York, NY (2015); Three Rooms, Kunsthalle Winterthur, Winterthur, Switzerland (2015); Magic Numbers, George Economou Collection, Athens, Greece (2014); New Growth, Museum of Contemporary Art, Denver, CO (2014); The Gathering, Hauser & Wirth, Zurich, Switzerland (2013); New Growth, Ballroom Marfa, Marfa, TX (2013); Shelter, South London Gallery, London, England (2012); Rumble, Hauser & Wirth, New York, NY (2012), and the major touring exhibition Message to Our Folks, which opened at the Museum of Contemporary Art, Chicago, IL (2012) and travelled to Miami Art Museum, Miami, FL (2012); High Museum of Art, Atlanta, GA (2012); and Kemper Art Museum, St. Louis, MO (2013).
Wes also appears with Ryan Meyers in the two - man exhibition About Face, opening in Bakersville, NC this April.
No Man's Art Gallery opened two exhibitions in the last week of May in Tehran, showcasing the work of 23 international and Iranian artists at two separate exhibition locations.
This week, the PAMM is also presenting a commissioned collaboration, Dimensions, between musician Devonté Hynes and artist Ryan McNamara, while ICA Miami features solo shows by artists Alex Bag and Shannon Ebner and the Rubell Family Collection has opened an exhibition, «No Man's Land,» featuring female artists from their collection.
January 28th, No Man's Art Gallery opened a site - specific exhibition of Merijn Kavelaars at Kinkerstraat 23.
This non-juried exhibition is open to both men and women artists working in all media.
A group exhibition featuring the work of six South African activists and artists will open at No Man's Art Gallery from 3 - 27 August 2017 in Amsterdam, Netherlands.
For its season opening, Chung King Project presents «Icons», an exhibition of paintings by six European artists, all showing in the United States for the first time: Guy Allott, Edward Kay, Victor Man, Gavin Nolan, Rigo Schmidt, Gavin Tremlett.
Recent solo exhibitions include Precious Commodities, Open - Eye Gallery, Liverpool (2013) and No Man's Land, Hotshoe Gallery, London, UK (2011).
The exhibition travelled to London's Victoria Miro after opening at David Zwirner in New York, and some of the most extraordinary paintings on show were those of men of physical and political action, in moments of calm.
in 1971 and New York's A.I.R Gallery was opened in 1972, providing exhibition space for women during a time when most commercial galleries showed the work of men.
Recent exhibitions include Creekside Open selected by Paul Noble, APT Gallery, London (2013) and Backwards Man, CGP, London (2012)
In Two Men at an Exhibition of Contemporary Modern Masks, a pair of elegant young men stand contemplating two open cuboids hung on the wall in front of them — the modern masks of the titMen at an Exhibition of Contemporary Modern Masks, a pair of elegant young men stand contemplating two open cuboids hung on the wall in front of them — the modern masks of the titmen stand contemplating two open cuboids hung on the wall in front of them — the modern masks of the title.
Speaking about the D.C. iteration of the exhibition, Mera Rubell states, «It is especially meaningful for us to have NO MAN»S LAND open in our nation's capital around the time when women's leadership in all arenas is front and center in the public consciousness.»
In bringing together the work of Man Ray and Hiroshi Sugimoto, in two separate but connected exhibitions under the same roof, The Phillips Collection, which first opened its doors to the public in 1921, and refers to itself proudly as America's «first museum of modern art», has done something very clever and very appropriate.
It opened with a solo exhibition of Victor Man's work in 2005, which marked the first time an American art magazine, Art in America, covered a commercial Romanian show.
A CAMP is on view until January 13, open Wednesday to Saturday 13 - 18h at the temporary exhibition space of No Man's Art Gallery on Geldersekade 30 in Amsterdam.
On 27 April 2018, Mary Boone Gallery will open at its Chelsea location Clothes Make the Man: Works from 1990 - 1994, a solo exhibition featuring the work of LAURIE SIMMONS, curated by Piper Marshall.
Stephen Masterson's «Angel of History» is the second exhibition at Rebecca Hossack Art Gallery, opened in March 1988 and it is Masterson's first one - man show.
It goes up alongside «Blind Spot,» an exhibition of a series of black pourings by Jackson Pollock — «the man of the hour,» Ligon jokes, moments before his own opening.
ZORA MANN You Can See the Weakness of a Man Right Through His Iris An exhibition with Zora Mann and Mark Soo in an apartment Rigaerstrasse 69, Berlin Opening reception: 18th February, 2016
Sargent's Daughters is pleased to present Jordan Casteel's first solo exhibition, «Visible Man» opening on Wednesday, August 13th, 2014.
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