Sentences with phrase «man exhibition titled»
Since 2007 and his first one - man exhibition titled Show Me the Light, Saint Gregoire has strived to break the invisible boundaries that isolate visual art from other forms of creation.
https://www.widewalls.ch/ Not exact matches
He has also published a series of volumes titled The World Stage to coincide with his exhibitions featuring portraits of local men of color in urban capitals across Africa, Asia, the Middle East, Latin America, and the Caribbean,
Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.
The exhibition title smoking a fag, kissing a man, from Wire's 12XU (1977), right now, when we seem to be retrogressing in socio / political freedoms, seemed timely and appropriate.
As the title suggests, the exhibition explores the relationship of man and dog throughout history and its most recent intepretations in art.
The title of this exhibition, THE GARDEN OF FORKING PATHS, references a tale in Jorge Luis Borges» collection of short stories called Labyrinths; the story is layered in metaphors about a man who sets himself on a mission he deems impossible:
The title of his exhibition at Frosch & Portmann, «Beautiful William,» is from a song by the The Handsome Family about a man who goes missing under mysterious circumstances.
Gallery talks explore how the playwright inspired titles of works in the special exhibition Man Ray — Human Equations.
The title of Eddie Martinez's exhibition, «Matador,» characterizes his new paintings as the outcome of a brute encounter between man and beast.
Alison Jacques Gallery is pleased to announce that Thomas Zipp (b. Heppenheim, Germany, 1966) will be exhibiting in a forthcoming solo exhibition titled A Primer of Higher Space (The Family of Man) at the Kunsthalle Giessen, Frankfurt, Germany.
For instance, her recent exhibition at Sadie Coles HQ, London, titled «Odd Man Out,» invited viewers to enter a carefully choreographed world in which every decision they made had a range of political consequences.
Don Suggs: One Man Group Show (2007) / $ 20 / Available on Amazon.com and in Gallery Softcover / 93 Pages / 79 color plates 10 x 7.5 inches ISBN 0 -930209-39-7 Produced by: Ben Maltz Gallery in conjunction with the exhibition of the same title.
«The Meat Wagon,» the creepy title of the Menil Collection's Robert Gober exhibition, is perhaps more immediately evocative of an artist like Paul McCarthy, but then there's no shortage of «meat» in Gober's oeuvre — like a man's hairy leg protruding from a hairless vagina.
Exhibition Title: Taking Care of Business Artist: Immony Men Exhibition Dates: Sat, July 9, 2011 — Sat, August 6, 2011 Opening: Fri..
The title of the exhibition references a mythical peak where gods dwell «in the cold waste where no man treads» described in H.P.Lovecraft's «The Dream Quest of Unknown Kadath» (1926/27).
Speaking to their contrasting views on such «segregated» exhibitions, Morris and Hockley noted that while, in both title and subject, the exhibition «is focused purposefully on the work and experiences of black women... it also features the work of men and non-black women of colour, and, through ephemera, references the work of white women artists, feminists, and art world influencers.»
There are four exhibitions under the title of «If This Is a Man»: Jiang Zhi's solo exhibition curated by the curators; The Man with the Eye - white and Landscape of the Very Spirit curated by Jiang Zhi; and the museum constructed for «Mu Mu»; there is no linear relationship of subordination between them, but four paralleled mirrored worlds.
Titled «Between Man and Matter», the exhibition foregrounded art's relationship to the natural world an indirect counter to the technological swagger of Expo» 70.
Don't blame anyone Artists: Bruce Nauman, Giovanni Anselmo, Giorgio Griffa, Al Taylor, Nicolás Paris, and Julio Cortázar Curated by Juana Berrío «Don't blame anyone is an exhibition that draws its inspiration and title from a short story by Julio Cortázar that narrates, in agonizing detail, a man's struggle to put on a blue sweater.
Recent solo exhibitions include: Young man red, Gemeentemuseum, Den Haag, The Netherlands (2016); Working title, not sure yet, Mary Mary.
A man wielding a screwdriver attacked a painting by Adolf Hitler in Salò, Italy, where it is included in an exhibition titled Museum of Madness, from Goya to Bacon.
A second exhibition in 2011 at Julie Saul Gallery titled Seducing Birds, Snakes, and Men introduced Whetstone's work in animation, 16 mm film, and video to a wide audience.
Artists: Eija - Liisa Ahtila, Pawel Althamer, Danai Anesiadou, Richard Artschwager, Melchiorre Bega, Walead Beshty, Monica Bonvicini, Mark Bradford, Maurizio Cattelan, Valentin Carron, Spartacus Chetwynd, Silvie Defraoui, Trisha Donnelly, Urs Fischer, Peter Fischli / David Weiss, Sylvie Fleury, Katharina Grosse, Thomas Hirschhorn, Jenny Holzer, Mike Kelley, Ragnar Kjartansson, Jorge Pardo, Philippe Parreno, Seth Price, De Rijke / De Rooij, Wilhelm Sasnal, Jim Shaw, Slavs and Tatars, Christopher Williams, additional contributions by Dina Danish and Styrmir Örn Gudmundsson Exhibition title: A Blind Man in His Garden Curated by: Kris Dittel and Emma Panza Venue: LUMA Westbau / POOL etc, Zurich, Switzerland Date: September 11 — October 24, 2015 Photography: Stefan Altenburger, images copyright and courtesy the artists and -LSB-...]
The exhibition, titled Portrait of a Young Man, builds on Grasso's reflections on the Renaissance, a time when the fields of science and the arts actively informed one another.
Mr. Adams's photographs were included in a landmark exhibition titled «New Topographics: Photographs of a Man - Altered Landscape» in 1975, but their sentiments feel even more pertinent today.
Partner: Modern Art Oxford Exhibition title: Bird Man Exhibition dates: 30 October — 25 November 2012 BA Fine Art, adiposity Ruskin School of Drawing and Fine Art Bird Man HD Video, 6 minutes The Point was on a Corner HD Video, 5 minutes It's what I call wallpaper Sound Installation, 4 minutes, Continue Reading»
Last year, the Nevada Museum of Art did what no arts institution had done before, hosting a show devoted to the Burn in an exhibition titled «City of Dust: The Evolution of Burning Man.»
Titled «Genesis,» the multidisciplinary exhibition will explore creation and existence through a myriad of materials such as custom wallpaper, bulletproof glass, industrial grade tow chain, acrylic fingernail tips, man - made crystals, and computer - generated models.
It's a re-creation of a landmark exhibition with a longer title, «New Topographics: Photographs of a Man - Altered Landscape,» organized in 1975 by the George Eastman House International Museum of Photography & Film in Rochester, N.Y. Eastman House and the Center for Creative Photography have co-organized a new version of the show, currently on view in Rochester and scheduled to travel to the San Francisco Museum of Modern Art and five European institutions after its stop in Los Angeles.
The exhibition borrows its title from the British author and occultist Kenneth Grant's (1924 - 2011) collection of short stories: At the Feet of the Guru, describing Grant's travels in India and his encounters with gurus and wise men.
One of the most striking mixed media works in the exhibition was a multiple projection piece, titled «Mieskuoro Huutajat», or «Screaming Men's Choir,» in which various speakers and screamers, donned in dark suits and neckties, deliver «Sorry Speech» (2010).
Industry teams up with LA - based sculptor and performance artist, Kelly Wall for her first solo exhibition titled «The Last Thing You'll Ever See: White Lightning, Woven Satellites, and Man - made Stars», exploring this overlap and its unique presence in the city of angels..
Previous editions of Biennales went under the titles Beyond the borders (1995), Unmapping the Earth (1997), Man + Space (2000), Pause (2002), A Grain of Dust, A Drop of Water (2004), Fever Variations (2006), Annual Report: A year in Exhibitions (2008), 10000 Lives (2010), and ROUNDTABLE (2012).
In Two Men at an Exhibition of Contemporary Modern Masks, a pair of elegant young men stand contemplating two open cuboids hung on the wall in front of them — the modern masks of the titMen at an Exhibition of Contemporary Modern Masks, a pair of elegant young men stand contemplating two open cuboids hung on the wall in front of them — the modern masks of the titmen stand contemplating two open cuboids hung on the wall in front of them — the modern masks of the title.
After I inserted the seventy - two - track sampler CD that was issued to accompany the recent exhibition «Lustfaust: A Folk Anthology 1976 — 1981» at Freight + Volume into my computer, the program that identifies music choices from a master database informed me that «Multiple matches were found online for this CD» and asked me to choose the correct title from the following list: Real Men of Genius — Budweiser Beer; Fcd201 — Focus Production Music; The High Calling Volume Two — Howard Butt, Jr.; Kos — 111 Dangerous — Kosinus Music.
The show's title, as Pérez explained, «alludes a confession by Man Ray, in which fed up with the art exhibitions» texts decides to copy letter by letter a text by Erik Satie and use it as text for the catalog of the show he presents, changing words allusive to Satie's music with others analogous with the artist's practice.»
The 2 man exhibition features new work from Remi Rough and RCF1, and is titled «Excuse My French».
His most renowned one man exhibition took place in 2013 at Galleria Varsi in Rome, titled Heroes in Crisis.
No Man's Art Gallery celebrates the second solo exhibition of Moscow - based artist Maxim Santalov (1989) titled Fantastic Equisetum.
Carlos / Ishikawa contemporary art space is hosting the latest exhibition from Korakrit Arunanondchai, titled 2557 (Painting with history in a room filled with men with funny names 2) and running at the London space from September 16 to October 28.
This exhibition features his three - screen film EVE - RAY - FOREVER (1965/2006), around which are assembled a group of his prints titled THE DENNIS HOPPER ONE MAN SHOW, collages, and a set of three offset lithograph prints.
Given Scott's frequent recontextualization of historic events and icons, the exhibition's purview, suggested by the title Past, Present & Future, would comfortably accommodate many of the artist's works, like his Slave Rebellion Reenactment and I Am Not a Man.
Renaissance man Keith J. Varadi is opening up his latest solo exhibition, titled Nu Haiku and running at LA's Smart Objects from November 7 to December 12.
When Martos reopened at its present location in Chinatown, the first exhibition, «Invisible Man» (titled after Ralph Ellison's charged 1947 novel), featured Vaughn alongside Pope.L, Torkwase Dyson, and Kayode Ojo.
Little Big Man Gallery is pleased to announce Doug Rickard's first solo exhibition in Los Angeles and debut the artist's latest body of work titled N.A. Rickard's new photography and video work continues to explore the darker side of urban America and highlights issues of economic disparity, ever - present surveillance and tendencies toward publicity via social media.
Little Big Man Gallery is pleased to announce Doug Rickard's first solo exhibition in Los Angeles and debut the artist's latest body of work titled N.A. Read more...
The New Topographics take their name from an exhibition titled «New Topographics: Photographs of a Man - Altered Landscape,» mounted in 1975 by William Jenkins, then curator at the International Museum of Photography at George Eastman House in Rochester, New York.
The exhibition will feature a new large - scale triptych painting titled «Man Hunt,» as well as three additional paintings, three sculptural wall reliefs, and several works on paper.
Talk: «An Evening with Naeem Mohaiemen» at Museum of Modern Art The title of Naeem Mohaiemen's current exhibition at MoMA PS1, «There Is No Last Man,» is a direct rebuke of Francis Fukuyama's landmark 1992 book The End of History and the Last Man, which served as a guide for two decades of post-Cold War neoliberal thought.
In 1952, he had his first public showing in a group exhibition at the Tanager Gallery; in 1954, Clement Greenberg selected his work for a show at the Kootz Gallery, New York, titled Emerging Talent; and in 1955, he opened his first one - man exhibition at the Tanager Gallery.