Sentences with phrase «man exhibitions around»
Bold brushstrokes, rich buttery surfaces and most importantly, the timeless humanity of his classically inspired imagery have yield successful one - man exhibitions around the world.
http://www.offthewallgallery.com/ Not exact matches
Armand has had numerous One - Man Exhibitions and his work is found in notable corporate and private collections around the world.
By his death in 1998, D'Arcangelo was the subject of many one - man shows at such influential institutions as the Albright - Knox Art Gallery (Buffalo), and the Institute of Contemporary Art (Chicago), as well as in several group shows at the Whitney Museum of American Art (New York), the Hirshhorn Museum (Washington D.C.), and the Museum of Modern Art (New York), where Pegasus was shown in their 1965 - 66 exhibition, Around the Automobile.
The artist, known for his colorful and exuberant murals around town, makes a dramatic shift in «How Nice,» an exhibition about his life as a disabled bisexual man.
This delightful, surprising and tactile exhibition catalogue examines the relationship between nature and the man - made world, reevaluating of our perceptions of reality, of how we read information, meaning and poetry in the physical world around us.
The exhibition includes the following films: Closeup Gallery (2003), in which a magician and his assistant engage in a strange game where cards dance, as if equivalent with inner worlds; Soft Materials (2004) where intimate relationships between man and machine are nurtured in an artificial intelligence laboratory; Harpstrings and Lava (2007) a dark narrative that animates dream images through clashing textures and structures; and the new film Sensorium Tests (2012), which revolves around a recently recognised neurological condition called «mirror - touch synaesthesia».
Ofili seemed to thrive on controversy around his work: in 1999, the New York mayor Rudolf Giuliani was appalled up by the «sacrilegious content» of Ofili's The Holy Virgin Mary posed pregnant against a backdrop interspersed with close - ups of women's genitalia cut from men's porn magazines, and he blocked the planned exhibition at Brooklyn Art Museum.
A centrepiece of the exhibition Daytime Astronomy (1997 - 98) captures a moment of profound revelation: as a seventeen - year - old boy, working on Canada's wide - open Western plains, it is the moment that the artist first became aware of the void that separates man from the world around him.
The promo picture for this exhibition shows a pair of white men's underwear wrapped around corkboard that's been mounted on a white wall and outlined with a bit of black paint.
Cross-Border Double Exhibition Grouped around the themes Man, City, Landscape, Genre, and Still Life, the Drents Museum and the Kunsthalle Emden offer a fascinating view of the American way of life.
Schonzeit has had numerous one - man exhibitions, and his work can be found in the permanent collections of major museums around the world.
For a long while, the extraordinarily well dressed young man and his companion who privately did not consider himself so went around to one thing or another together (the cinema, bookstalls, the 1993 Whitney Biennial Exhibition).
In a perfectly curated world, perhaps this could have been a two - part show, or a multi-roomed exhibition with the works grouped around the discrete themes of man as protagonist versus nature as protagonist.
Speaking about the D.C. iteration of the exhibition, Mera Rubell states, «It is especially meaningful for us to have NO MAN»S LAND open in our nation's capital around the time when women's leadership in all arenas is front and center in the public consciousness.»
About The Artist Ruby Neri (b. 1970, San Francisco) has participated in numerous exhibitions, including most recently Villa of Mysteries, Los Angeles Museum of Art (2016); Napa Valley Collects, Napa Valley Museum, Yountville, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Fertile Ground: Art and Community in California, Oakland Museum of California in collaboration with the San Francisco Museum of Modern Art (2014); The Oracle, The Underground Museum, Los Angeles (2014); Energy That is All Around: Mission School, Grey Art Gallery, New York University, and San Francisco Art Institute (2013 - 14); The Possible, Berkeley Art Museum and Pacific Film Archive, University of California (2014); Busted, High Line Art, New York (2013); and Made in L.A. 2012, Hammer Museum, Los Angeles (2012).
Making her first visit to the Summer Exhibition, Alex is expertly guided around a selection of the works by Head of the Summer Exhibition, Edith Devaney, including the extravagant Cake Man in the Central Hall and a piece by Michael Craig - Martin.
This exhibition features his three - screen film EVE - RAY - FOREVER (1965/2006), around which are assembled a group of his prints titled THE DENNIS HOPPER ONE MAN SHOW, collages, and a set of three offset lithograph prints.
Recent group exhibitions include The Noise of Art, Soccer Club Club, Chicago (2016); Accumulations: 5,000 Years of Objects, Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, Massachusetts (2016); NEON: The Charged Line, Grundy Art Gallery, Blackpool, England (2016); Grafforists, Torrance Art Museum, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, Massachusetts (2015); The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014); and California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, California (2014).
With three successive sellout one - man shows at New York's International Art - Expo and dozens of one man shows and special exhibitions around the world, Gary George is a principle artist that collectors seek.
Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African - American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man's Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011 - 2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010).
A new exhibition curated by Crystal Bennes, The Woman, The Gaze, The World is loosely themed around a picking apart of the question of whether women see the world differently than men.