Sentences with phrase «man exhibitions include»

More recent one - man exhibitions include shows at O.K. Harris Gallery in New York and the Elaine Benson Gallery in Bridge Hampton, New York.

Recent one - man exhibitions include: «New Works» at the Solomon Gallery, Dublin.

Harry has had 40 gallery / museum solo exhibitions and published sixteen books One man exhibitions include the Smithsonian's National Portrait Gallery in Washington DC and in Edinburgh, Scotland; Kelvingrove Museum or Art, Glasgow; Tucson Museum of Art: Norton Museum of Art in Palm Beach.

Not exact matches

With a collection of classic arcade heroes that include Pac - Man to an anthology of Metal Gear Solid games from the amazing mind of Hideo Kojima, this exhibition touches on a variety of gaming genres from all eras that not only provides a blast from the past but will make new gamers appreciate the diverse history of this modern art.

Elaine de Kooning: Portraits National Portrait Gallery March 13 — Jan. 10, 2016 Abstract expressionist portraitist and painter Elaine de Kooning is best known for her portrayals of men, including her husband, painter Willem De Kooning; critic Harold Rosenberg; poets Frank O'Hara and Allen Ginsberg; and President John F. Kennedy, all of which will be on display in this curated exhibition at the National Portrait Gallery.

For many recent exhibitions, including Portrait of a Young Man at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator in conjunction with the museums, altering the architecture of the exhibition spaces and merging his works with pieces in the permanent collections of the institutions in order to create a unique and dynamic viewing experience.

Number 1 (1962), a small canvas divided into four unequal rectangles, was included in Marden's first one - man exhibition.

Featuring works by artists including Marcel Duchamp, Man Ray, Claes Oldenburg, Andy Warhol, Martha Rosler, Louise Bourgeois, Mona Hatoum, and Ilit Azoulay, the exhibition reexamines the concepts negotiated in the domestic sphere, including gender roles, memory, nostalgia, and questions of place and displacement.

Recent group exhibitions include Man in the mirror, Vanhearents Art Collection, Brussels, Belgium, 2015; Exposition d'ete, Galerie Nathalie Obadia, Brussels, 2015; David Kennedy Cutler, Michael DeLucia, David Scanavino, Derek Eller Gallery, New York, NY, 2014; Socrates Sculpture Park, Long Island City, NY 2013; Michale DeLucia, Bryan Graf & Kate Shepherd, Halsey McKay Gallery, New York, NY, 2013; On the Grid, Lu Magnus, New York, NY, 2013; MONSLVAT, Bureau Gallery, New York, NY, 2013; 80wse Presents, 80wse Galleries, New York, NY, 2012; Hors les murs, Galerie Nathalie Obadia, Brussels, Belgium, 2012; Coquilles mecaniques, CRAC - Centre Rhenan d'Art Contemporain, Alsace, 2012; In Between, Galerie Nathalie Obadia, Brussels, Belgium, 2012; Andrea Rosen Gallery, New York, NY, 2012; Flection, Hedge Gallery, San Francisco, CA, 2012; Potential Images, 1708 Gallery, Richmond, VA, 2012; and In Practice: You Never Look at..., Sculpture Center, Long Island City, NY, 2012.

The exhibition will include over twenty new sculptures and silkscreens, including her latest life - size figure, Giant, an all - gray cave man holding a large club.

Recent group exhibitions include A Kingdom of Hours, Gasworks, London (2016), and No Man's Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL (2015), which traveled to the National Museum of Women in the Arts, Washington, D.C. (2016).

The event is your last chance to see all of MoMA PS1's winter exhibitions including Carolee Schneemann: Kinetic Painting, Cathy Wilkes, and Naeem Mohaiemen: There Is No Last Man.

Recent institutional exhibitions and in situ paintings include Atoms Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!

McCarthy's performative practice (both live and video — not included in this exhibition) encompasses violent and carnal outbursts, but here has gradually shifted to kinetic (Alpine Man, 1992) and static sculptures (White Snow, Flower Girl, 2012 — 13) as well as works on canvas (SC, ECK, 2014), works that have been previously exhibited at Hauser & Wirth London in 2014.

Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.

This exhibition also includes Where is Man and Where is Death?

The comprehensive survey exhibition, previously on view at the Kunstmuseum Wolfsburg, Germany, is comprised of works from multiple series, including KIN, The Hyena and Other Men, Permanent Error and 1994.

The exhibition features works by over 30 artists and photographers including Marcel Duchamp, Walker Evans, Robert Filliou, Mona Kuhn, Man Ray, Gerhard Richter, Sophie Ristelhueber, Aaron Siskind, Shomei Tomatsu, Jeff Wall and Nick Waplington alongside magazine spreads, press photos, postcards and film clips.

Artists included in this exhibition: John Atherton, Herbert Bayer, William Baziotes, Eugene Berman, Federico Castellon, Joseph Cornell, Julio De Diego, Jimmy Ernst, Jared French, Adolph Gottlieb, Morris Graves, Louis Guglielmi, James Guy, Hananiah Harari, Gerome Kamrowski, Norman Lewis, Boris Margo, George Marinko, Gordon Onslow - Ford, Alfonso Ossorio, Jackson Pollock, Richard Pousette - Dart, Walter Quirt, Andre Racz, Charles Rain, Man Ray, Mark Rothko, Kay Sage, Charles Seliger, Kurt Seligmann, Theodoros Stamos, Dorothea Tanning, Pavel Tchelitchew, and Lawrence Vail

OAS AMA, Art Museum of the Americas is proud to have welcomed One Man Many People (2011), a work included in this exhibition, into its permanent collection.

Exhibitions include The Poetics of Cloth: African Textile / Recent Art, N.Y.U Grey Gallery, New York (2008); Artists Speak, San Diego Museum of Man (2007) and REDTAPEONBOTTLENECK, ArtHAUS, Accra (2006).

Cézanne and American Modernism is the first exhibition to examine Cézanne's influence on American artists working between 1900 and 1930 by bringing together 16 of the French master's paintings and works on papers with more than 80 works by 33 American artists including Marsden Hartley, Maurice Prendergast, Arshile Gorky, Alfred Stieglitz and Man Ray.

The exhibition offers an overview of the main themes in Bradford's art from 2000 to 2010, including urban space, music, black men and popular culture, and the fate of New Orleans post-Hurricane Katrina.

The exhibition includes a number of commissioned works, including a major new braided sculpture by Diamond Stingily that snakes through gallery floors, trailing from the Fourth Floor all the way down to the Museum's Lobby, and alludes to the racial dimensions of beauty conventions as well as to Medusa, the mythological snake - haired woman whose gaze could turn men into stone.

Picasso and Britain will include key Cubist works such as Head of a Man with Moustache 1912 (Musée d'Art Moderne de la Ville de Paris) which was seen in Britain before the First World War, when Cubism was first introduced to a British public through Roger Fry's two Post-Impressionist exhibitions.

Other recent solo exhibitions include Slow Graffiti, Secession Building, Vienna, Austria; A Man Full Of Trouble at Maccarone Gallery, New York; 50 Wigs at the Herning Museum of Contemporary Art, Herning, Denmark; A Season in He'll at Art + Practice, Hammer Museum, Los Angeles (2016); Die Hexe at Luxembourg & Dayan Gallery, New York; Devil Town at Gio Marconi, Milan; Le Miroir Vivant at The Museum Boijmans van Beuningen, Rotterdam, Netherlands (2015); Easternsports at the Institute of Contemporary Art, Philadelphia (2014, together with Jayson Musson).

Selections in this exhibition include works simultaneously exhibited at The Art Institute of Chicago's Invisible Man: Gordon Parks and Ralph Ellison in Harlem.

Recent solo exhibitions include Body Prints and Paintings at the University Art Museum at SUNY Albany, New York (2016); Paintings and Body Prints at Mitchell - Innes & Nash, New York (2015); Keltie Ferris: Doomsday Boogie at the Santa Monica Museum of Art, Los Angeles (2014); Body Prints at Chapter NY, New York (2014); and Man Eaters at the Kemper Museum, Kansas City (2009 - 10).

Recent solo and two person exhibitions include; «Music Stand», Eli Ping Frances Perkins (New York), «Rich With Nothing», Hungry Man Gallery (San Francisco), «YESWAY», Carhole (Portland).

Future curatorial projects include Exuma, the Obeah Man, scheduled for 2013, and Andy Kaufman: On Creating Reality a retrospective exhibition tentatively scheduled for 2014.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Included in group exhibition The Transported Man at the Eli and Edythe Broad Art Museum, East Lansing, Michigan.

A select exhibition history of the artist includes shows at: Annka Kultys Gallery, London; Assembly Point, London; SixtyEight Art Institute, Copenhagen; Frieze, London; Concrete Lab, Copenhagen; Remisen, Copenhagen; Bargehouse, London; Hockney Gallery, London; Fringe Film Festival, London; Dansk Kvindesamfund, Copenhagen; and No Man's Art Gallery, Copenhagen.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

Select group exhibitions featuring her work include In Search of the Present, Espoo Museum of Modern Art, Helsinki (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); and New Work, San Francisco Museum of Modern Art (2011).

Since Kobaslija's 2006 debut exhibition at this gallery, he has had one - man shows in Los Angeles with Honor Fraser and at Galerie RX in Paris, and his work has been included in group exhibitions at the Cue Art Foundation, and the Neiman Center at Columbia University, among others.

A select exhibition history of the artist includes shows at Secret Project Robot, NY; Annka Kultys Gallery, London; Like a Little Disaster, Bari; Assembly Point, London; SixtyEight Art Institute, Copenhagen; Frieze, London; Concrete Lab, Copenhagen; Remisen, Copenhagen; Hockney Gallery, London; Fringe Film Festival, London; National Gallery of Denmark, Copenhagen; and No Man's Art Gallery, Copenhagen.

Bruce Silverstein Gallery is pleased to present MONOCHROME, an exhibition including works by Alfred Leslie, Barbara Morgan, Louise Nevelson, Man Ray, Aaron Siskind, Frederick Sommer and John Wood.

His most recent solo exhibitions include The Man in the Empty Space at MASS MoCA, Massachusetts, 2016, and Richard Nonas: ridge (out, away, back) at the Art Institute in Chicago, 2016 - 17.

Featuring a selection of short, mid-century animated 16 mm films by American icon Robert Breer — all of which were projected in L.A. during the opening of a Larry Rivers exhibition in 1963 — including A Man and His Dog Out for Air (1957), Eyewash (1959), and Homage to Jean Tinguely's Homage to New York (1960).

Made from the nineteenth century to the present and organized thematically, the works in the exhibition were created by artists including Claude Cahun, Rineke Dijkstra, Man Ray, Cindy Sherman, and Gillian Wearing, among many others.

In 2008, Sonhouse broke the mode of depicting only men with his exhibition Pawnography, which included a portrait of former U.S. Secretary of State, Condoleezza Rice.

Recent solo exhibitions have included Laurent Grasso: Disasters and Miracles, at the Kunsthaus Baselland, Basel Switzerland (2013); Uraniborg at the Musée d'Art Contemporain, Montréal, Canada (2013) which traveled from the Musée du Jeu de Paume, Paris, France (2012); Laurent Grasso: Portrait of a Young Man, at the Bass Museum, Miami (2011) and Laurent Grasso at the Hirshhorn Museum and Sculpture Garden, Washington, DC (2011).

For the remainder of the decade, Stankiewicz's work was increasingly well received, and he participated in numerous group and solo shows, including Young America 1957 at the Whitney Museum of American Art, Irons in the Fire at the Contemporary Arts Museum in Houston (1957), the Venice Biennale (1958), and a one - man exhibition at the Stable Gallery in 1959.

The exhibition also includes a painting that, sadly, neither man had any regard for — a harbour view by the young Austrian artist Soshana Afroyim who had modelled for Picasso and proudly presented him with an example of her work.

The exhibition will also include artists whose practice spans both media, such as László Moholy - Nagy and Man Ray.

Recent exhibitions include the group exhibition A Shape That Stands Up, John Outterbridge: Rag Man (co-organized with Anne Ellegood), Njideka Akunyili Crosby: The Beautyful Ones, Two Films by Akosua Adoma Owusu, Selections from the Brockman Gallery Archives, and Charles Gaines: Librettos: Manuel de Falla / Stokely Carmichael (with Ellegood).

Artists included in this exhibition: John Atherton, Benjamin Benno, Eugene Berman, Federico Castellon, Joseph Cornell, James Guy, Hananiah Harari, Leon Kelly, Walter Murch, Alfonso Ossorio, Walter Quirt, Man Ray, Misha Reznikoff, Theodore Roszak, Attilio Salemme, Charles Seliger, Kurt Seligmann, Dorothea Tanning, Pavel Tchelitchew, and Joseph Vogel

Previously, she worked as Assistant Curator of Special Projects at the Hood Museum of Art at Dartmouth College where she organized several exhibitions, including «Men of Fire: José Clemente Orozco and Jackson Pollock» in conjunction with the Pollock - Krasner House and Study Center.

Solo exhibitions include «The Birth of Form», Mothers Tankstation Limited, Dublin, 2017; «Doubles», Ideas Platform, Artspace, Sydney; «Jungle Paintings», Murray White Room, Melbourne; «Moods», The Young, Wellington, 2016; «Nine Times Modern Man and Moon», Siegfried Contemporary, London; «House of Joy / Hello Ladies», Chapter House Lane, Melbourne; «Alasdair McLuckie», with Mothers Tankstation, Liste, Basel, 2015; «Two Lovers Sit on a Beach Dreaming at the Night Sky as the Waves Wave Hello to their Eternal Moon Friend, Who Smiles and Waves Right Back», Murray White Room, Melbourne; and «Cosmic Soul Sugar», Studio 12, Gertrude Contemporary, Melbourne, 2014.