Chris Sparling wrote the «
man in a coffin'thriller Buried, and he followed that script up with another tightly confined thriller, ATM.
Not exact matches
William Sloane
Coffin's Once to Every
Man (Atheneum) recounts the rich career of an activist clergyman who served as chaplain at Yale University for 17 years, during which time he was involved
in civil rights demonstrations
in the south, student work camps
in Africa, Peace Corps training
in Puerto Rico, and antiwar protests
in Washington, D.C., and elsewhere.
The idea had been Martin Luther King's, at least officially, but Pastor Neuhaus was close to the arduous, difficult civil rights work being done
in Bedford - Stuyvesant (the Movement was discovering that Northern neighborhoods had an entirely different, more hardened, multiethnic toughness than Southern cities) and it was my guess that Richard, as much as anybody, was the actual dynamo and idea
man behind Clergy and Laymen Concerned About Vietnam, along with William Sloane
Coffin, then the pastor of Riverside Church.
And if the terrible thing happened (for religious edification should not, like a woman's finery be intended for a splendid moment) that you were buried alive, if, as you awakened
in the
coffin you seized upon your accustomed consolation, then even
in this lonely torment, you would be
in unity with all
men.
Mitt Romney — just the
man to put the nails
in our economic
coffin.
Robert P. Tristram
Coffin in a whimsical but nevertheless serious poem has represented the
men of Ur and Akkad as telling why they do not like each other:
Yesterday's defeat to Brighton was the fourth loss
in - a-row for Wenger's
men and we're confident that the result was the final nail
in the Frenchman's
coffin.
The one somber detail was a procession of
men in black hardhats carrying
coffins, symbolizing the — by their count — 16 workers who have died on construction sites
in 2015, all but two of whom they claimed were non-union.
Mourners gather at funeral for Officer Randolph Holder The flag - draped
coffin of slain NYPD Officer Randolph Holder was carried into the Greater Allen A.M.E. Cathedral
in Jamaica, Queens, for his funeral service on Wednesday, Oct. 28, 2015, as thousands of
men and women
in blue braved the elements outside to pay their respects.
While the principle of «innocent until proven guilty,» also known as the «presumption of innocence,» isn't explicitly mentioned
in the United States Constitution (though it is part of the 1789 Declaration of the Rights of
Man and of the Citizen, a key document of the French Revolution), it is long considered one the most fundamental principles of the American justice system.
In 1895, the U.S. Supreme Court declared
in Coffin v. United States that «the principle that there is a presumption of innocence
in favor of the accused is the undoubted law, axiomatic and elementary, and its enforcement lies at the foundation of the administration of our criminal law.»
The indignities of old age would be lessened with plastic glasses and dentures until death carried the plastic
man away, at which point he would be buried «hygienically enclosed
in a plastic
coffin.»
That new DNA evidence «proves the hieroglyphic text [on the mummies»
coffins] to be accurate,» at least
in saying the mummified
men had the same mother, says Egyptologist and study coauthor Campbell Price, curator of the Egypt and Sudan collections at the Manchester Museum
in England.
«Singh bent over backward to try to use the same assays as published, allowing her to knock down what I consider to be a real straw
man but that nonetheless was out there,» says retrovirologist John
Coffin of Tufts University
in Medford, Massachusetts.
g.» [The reanalysis of Narmada
Man] puts another nail
in the
coffin of Homo erectus as a viable taxon.»
Again, as
in Dogville, set to David Bowie's «Young Americans,» it's a condensed, horrific view of American history: black - and - white stills of lynchings; color shots of abject poverty; smiling bigots and neo-Nazis; the Civil Rights clashes of the 1960s; stockpiles of firearms; the intact Twin Towers; young soldiers
in Vietnam; Martin Luther King, Jr.
in his
coffin; the dead Malcolm X on a stretcher; and finally, a black
man push - brooming the marble crags of the Lincoln Memorial.
A complicated and frequently insightful look at a
man who could have been president and whose assassination was one of the last nails
in the
coffin of»60s idealism.
2 (Gunn) After the Storm (Kore - eda) Jim & Andy: The Great Beyond - Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (Smith) God's Own Country (Lee) Lost
in Paris (Abel and Gordon) Three Billboards Outside Ebbing, Missouri (McDonagh) A Quiet Passion (Davies) Logan Lucky (Soderbergh) 1922 (Hilditch) Cars 3 (Fee) Betting on Zero (Braun) People You May Know (Shilati) D + Wonderstruck (Haynes) T2 Trainspotting (Boyle) Raw (Ducournau) King Arthur: Legend of the Sword (Ritchie) It Comes at Night (Shults) Win It All (Swanberg) I Love You, Daddy (C.K.) Atomic Blonde (Leitch) Valerian and the City of a Thousand Planets (Besson) Alien: Covenant (Scott) Before I Fall (Russo - Young) Rough Night (Aniello) Take Me (Healy) Patti Cake $ (Jasper) A Cure for Wellness (Verbinski) Last Flag Flying (Linklater) The Big Sick (Showalter) The Babysitter (McG) To the Bone (Noxon) The Little Hours (Baena) Queen of the Desert (Herzog) Casting JonBenét (Green) D Personal Shopper (Assayas) A Ghost Story (Lowery) It's Only the End of the World (Dolan) Bright (Ayer) I Don't Feel at Home
in This World Anymore (Blair) Good Time (The Safdies) The Lovers (Jacobs) Tulip Fever (Chadwick) The Bad Batch (Amirpour) The Vault (Bush) The Dinner (Moverman) Beauty and the Beast (Condon) War Machine (Michôd) Song to Song (Malick) War on Everything (McDonagh) Kong: Skull Island (Vogt - Roberts) Death Note (Wingard) The Mummy (Kurtzman) Girls Trip (Lee) Okja (Bong) Despicable Me 3 (Balda,
Coffin and Guillon) Little Evil (Craig) Catfight (Tukel) Transformers: The Last Knight (Bay) Manifesto (Rosefeldt) D - Slack Bay (Dumont) iBoy (Randall) The 101 - Year - Old
Man Who Skipped Out on the Bill and Disappeared (The Herngrens) XX (Benjamin, Clark, Kusama and Vuckovic) Woodshock (The Mulleavys) Super Dark Times (Phillips) The Layover (Macy) Fifty Shades Darker (Foley) The Boss Baby (McGrath) xXx: Return of Xander Cage (Caruso) F The Emoji Movie (Leondis) Shimmer Lake (Uziel) The Incredible Jessica James (Strouse) Baywatch (Gordon) Sandy Wexler (Brill)
Either way, I made my mind up years before I ever even bought my first car that it would have one, and
man - oh -
man... Talk about being
in heaven when I finally got first first car with not only a power moonroof, but power door locks and windows too?!?! I just feel like I'm riding
in a
coffin without that moonroof.
No: the mere four or five
men in attendance — the minimum needed to lift an adult
coffin.
Kids rushed forward and a
man from the press climbed atop the cab of the pickup with his camera hoisted high above him as a
coffin - sized cage covered
in tarps was heaved into the pickup.
In March, a small group of protesters blocked Dana Schutz's painting in the Whitney Biennial based on open - coffin photographs of the mutilated body of Till, the teenager who was lynched by two white men in Mississippi in 195
In March, a small group of protesters blocked Dana Schutz's painting
in the Whitney Biennial based on open - coffin photographs of the mutilated body of Till, the teenager who was lynched by two white men in Mississippi in 195
in the Whitney Biennial based on open -
coffin photographs of the mutilated body of Till, the teenager who was lynched by two white
men in Mississippi in 195
in Mississippi
in 195
in 1955.
The video continues with the large rooms that follow: Souvenir from Shanghai (2012), He Xie (2011), Diaoyu Islands (2014), Forge (2008 - 2012), Forge Bed (2008 - 2012), IOU (2011 - 2013), the video documentation Wenchuan Rebar (2012), Rebar
in Marble (2012), Container (2013), Han Dynasty Vases with Auto Paint (2014), Circle of Animals (2011), Monumental Junkyard (2007), Table and Chest with stripped Chairs (2007), One
Man Shoe (1987), Study of Perspective (1995 - 2011),
Coffin (2005), Hanger (2013), Beijing: The Second Ring (2005), Beijing: The Third Ring (2005), and finally the works 81 (2013), 4851 (2013) and Untitled (2011).
This additive layering process finds its origins
in Wang's home province, Fujian, where elder
men annually add a fresh layer of lacquer to their
coffins in anticipation of their death.
In «The Vocabulary of the Visible World — Painting,» held at Duisburg's Museum Küppersmühle for Modern Art, Fujian - born Wang Guangle's structured
Coffin Paint canvases (2004 ---RRB- and Zeng Fanzhi's large - scale canvases, Hare and Head of an Old
Man (both 2012), are displayed adjacent to key works by big - name artists such as Zhang Huan, Zhang Enli and Zhang Xiaogang.
One of his paintings is an image of Philando Castille that should have generated a public conversation about police killing black
men, but its impact has been muted by the controversy over a Dana Schutz painting of Emmett Till
in his
coffin, that also appears
in the biennial exhibition.